Ruína Programada
DOI:
https://doi.org/10.33871/23580437.2014.1.02.69-78Keywords:
desenho, ruína, processo artísticoAbstract
Este artigo apresenta considerações acerca da obra Partially Buried Woodshed do artista Robert Smithson priorizando a atenção na relação entre desenho e ruína. Para isto analisa o processo de realização desta obra mencionando a idéia de entropia e a tendência a uma metodologia dialética que foram fundamentais ao artista. O entendimento de temporalidade com o qual Smithson trabalha relativiza o encadeamento causal e lhe permite elaborar a noção de "ruína em reverso" , posicionamento que estimula a refletir sobre a participação do desenho em seu processo de trabalho.
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Published
2014-12-17
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How to Cite
Rayck, D. (2014). Ruína Programada. International Interdisciplinary Journal of Visual Arts - Art&Sensorium, 1(02), 69-78. https://doi.org/10.33871/23580437.2014.1.02.69-78
