Petricor
a paisagem como parte do processo de criação
DOI:
https://doi.org/10.33871/sensorium.2024.11.9703Abstract
This article aims to reflect on a set of graphic images, developed from dialogue with the landscape. To structure the research, we employed the art research methodology, which considers the constant relationship between theory and artistic practice (Rey, 1996; 2002). As key for analysis, the concept of landscape in the Visual Arts, present in the development of prints, is mainly based on the discussions of Ferreira (2000), Maderuelo (2010), La Pastina (2022) and Meira (2000). In addition, when analyzing the creation process, Resende (2000), Krauss (1986) and Buti (1996) contribute to the contextualization of contemporary artistic graphic production. Based on this framework, singularities can be seen in decision-making when creating large-format prints.
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