Vol. 9 Núm. 2 (2021): Revista Vórtex

Publicado: 2021-12-10

Dossier "Creative practices in Sound Art"

Editorial v9 n2 dossier "Creative Practices in Sound Art"

Clayton Mamedes
- PDF (inglés)
Listening to/with Mar Paradoxo: a collective practice for sharing listenings

Gustavo Branco Germano, Alexandre Marino, Daniel Tápia, Henrique Rocha de Souza Lima, Lílian Campesato, Marina Mapurunga de Miranda da Ferreira, Valéria Bonafé, Vicente Reis

1
- PDF (inglés)
DOI: https://doi.org/10.33871/23179937.2021.9.2.1
Noise is Not Volume Alone – Ambiences and Drony Experiments in Music and Sound Art

Ianni Barros Luna

2
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DOI: https://doi.org/10.33871/23179937.2021.9.2.2
Making Complex Music with Simple Algorithms, is it Even Possible?

Risto Holopainen

3
- PDF (inglés)
DOI: https://doi.org/10.33871/23179937.2021.9.2.3
A Mathematical, Graphical and Visual Approach to Granular Synthesis Composition

Fernando Falci de Souza, Adolfo Maia Jr.

4
- PDF (inglés)
DOI: https://doi.org/10.33871/23179937.2021.9.2.4
Teledescante nº1: polyphony in time of plague

Maurício Funcia De Bonis, Fábio Scucuglia

5
- PDF (inglés)
DOI: https://doi.org/10.33871/23179937.2021.9.2.5
Poetics in sound art: an interview with Paulo Nenflidio

Roseane Yampolschi, Clayton Rosa Mamedes, Paulo Nenflidio

6
- PDF (inglés)
DOI: https://doi.org/10.33871/23179937.2021.9.2.6
Petrasonic, a musical exploration of Iowa's geology

Jean-François Charles

7
- PDF (inglés)
- VIDEO (portugués (Brasil))
DOI: https://doi.org/10.33871/23179937.2021.9.2.7
We walk together (2020)

Rui Chaves, Eduardo Patrício, Laura Romero, Lilian Nakahodo, Luz da Camara

8
- PDF (inglés)
- AUDIO (portugués (Brasil))
DOI: https://doi.org/10.33871/23179937.2021.9.2.8
INKBLOT

Serge Bulat

9
- PDF (inglés)
- VIDEO (portugués (Brasil))
DOI: https://doi.org/10.33871/23179937.2021.9.2.9
Dead voices and lost sounds: an imagined sonic history

Adrienne Kapstein

10
DOI: https://doi.org/10.33871/23179937.2021.9.2.10

Dossier "A quarter of century of Pd: past, present and future"

The Null Piece and Reality Check

Miller Puckette

11
- PDF (inglés)
DOI: https://doi.org/10.33871/23179937.2021.9.2.11
Pd and Audio Programming in the 21st Century

Eric Lyon

12
- PDF (inglés)
DOI: https://doi.org/10.33871/23179937.2021.9.2.12
What Pd Can't Teach; What It Can

Joshua Hudelson

13
- PDF (inglés)
DOI: https://doi.org/10.33871/23179937.2021.9.2.13
Almost 20 years of Cyclone; past, present and future

Alexandre Torres Porres, Matt Barber, Derek Kwan

15
- PDF (inglés)
DOI: https://doi.org/10.33871/23179937.2021.9.2.15
Poscolonial Peruvian Sheep and Their Digital Dreams: Pure Data as a Tool for Conceptual Reconfiguration in Peruvian Musical Education

José Ignacio López Ramírez Gastón

16
- PDF (inglés)
DOI: https://doi.org/10.33871/23179937.2021.9.2.16
Pandemics, Delays, and Pure Data: on 'afterlives' (2020), for Flute and Live Electronics and Visuals

José Henrique Padovani

17
- PDF (inglés)
DOI: https://doi.org/10.33871/23179937.2021.9.2.17
Overview of the CEAMMC PureData distribution and library

Serge Poltavsky, Alex Nadzharov

18
- PDF (inglés)
DOI: https://doi.org/10.33871/23179937.2021.9.2.18
Scheduling and Sequencing Musical Events in Pure Data with Scheme for Pd

Iain C. T. Duncan

19
- PDF (inglés)
DOI: https://doi.org/10.33871/23179937.2021.9.2.19
[vstplugin~] – A Pd external for hosting VST plugins

Christof Ressi

20
- PDF (inglés)
DOI: https://doi.org/10.33871/23179937.2021.9.2.20
Patches in a timeline with ossia score

Jean-Michaël Celerier

21
- PDF (inglés)
DOI: https://doi.org/10.33871/23179937.2021.9.2.21
Analysis and resynthesis of real instruments using Pure Data and the MKMR library

Miguel Moreno

22
- PDF (inglés)
- ZIP (portugués (Brasil))
DOI: https://doi.org/10.33871/23179937.2021.9.2.22
EXC!TE SNARE DRUM — Making an Audio Plugin with Pure Data inside

Max Neupert, Clemens Wegener, Philipp Schmalfuß, Sebastian Stang

23
- PDF (inglés)
DOI: https://doi.org/10.33871/23179937.2021.9.2.23
Elastic Rhythm in Signal-Synchronised Sequencing Objects for Pure Data

Edward Kelly

24
- PDF (inglés)
DOI: https://doi.org/10.33871/23179937.2021.9.2.24
ESPER 2, an improvised oscilloscope music set

Eric Lennartson

25
- PDF (inglés)
- ZIP (inglés)
DOI: https://doi.org/10.33871/23179937.2021.9.2.25
Tool Study #1 – Audiovisual interface, performance

Anton Lapov

26
- PDF (inglés)
- ZIP (inglés)
DOI: https://doi.org/10.33871/23179937.2021.9.2.26
Building in-situ instruments for the Street Sonatas #1 and #5

Hans Roels

27
- PDF (inglés)
DOI: https://doi.org/10.33871/23179937.2021.9.2.27
Beats + Sample Manipulation in Pure Data with Raspberry Pi

Nick Demopoulos

28
- PDF (inglés)
- ZIP (inglés)
DOI: https://doi.org/10.33871/23179937.2021.9.2.28

Vol. 9 Núm. 2 (2021): Revista Vórtex

Dossier "Creative practices in Sound Art"

Editorial v9 n2 dossier "Creative Practices in Sound Art"

Listening to/with Mar Paradoxo: a collective practice for sharing listenings

Noise is Not Volume Alone – Ambiences and Drony Experiments in Music and Sound Art

Making Complex Music with Simple Algorithms, is it Even Possible?

A Mathematical, Graphical and Visual Approach to Granular Synthesis Composition

Teledescante nº1: polyphony in time of plague

Poetics in sound art: an interview with Paulo Nenflidio

Petrasonic, a musical exploration of Iowa's geology

We walk together (2020)

INKBLOT

Dead voices and lost sounds: an imagined sonic history

Dossier "A quarter of century of Pd: past, present and future"

The Null Piece and Reality Check

Pd and Audio Programming in the 21st Century

What Pd Can't Teach; What It Can

Almost 20 years of Cyclone; past, present and future

Poscolonial Peruvian Sheep and Their Digital Dreams: Pure Data as a Tool for Conceptual Reconfiguration in Peruvian Musical Education

Pandemics, Delays, and Pure Data: on 'afterlives' (2020), for Flute and Live Electronics and Visuals

Overview of the CEAMMC PureData distribution and library

Scheduling and Sequencing Musical Events in Pure Data with Scheme for Pd

[vstplugin~] – A Pd external for hosting VST plugins

Patches in a timeline with ossia score

Analysis and resynthesis of real instruments using Pure Data and the MKMR library

EXC!TE SNARE DRUM — Making an Audio Plugin with Pure Data inside

Elastic Rhythm in Signal-Synchronised Sequencing Objects for Pure Data

ESPER 2, an improvised oscilloscope music set

Tool Study #1 – Audiovisual interface, performance

Building in-situ instruments for the Street Sonatas #1 and #5

Beats + Sample Manipulation in Pure Data with Raspberry Pi

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