Hiroshima, Mon Amour visto por Paulo Emílio Salles Gomes
DOI:
https://doi.org/10.33871/19805071.2010.6.1.1549Abstract
Hiroshima, mon amour, primeiro longa"metragem de Alain Resnais, causou
polêmicas e ocupou o centro das atenções no ano de 1960 no Brasil. Exemplo disso éo número expressivo de artigos dedicados ao filme, como é o caso de Paulo EmílioSalles Gomes que escreveu sete artigos, sendo seis deles publicados antes mesmo dofilme entrar em circuito comercial no Brasil. Esse artigo visa dialogar com o ponto devista e as impressões do crítico brasileiro a partir desses sete artigos.
Palavras"chave: Crítica de cinema; Paulo Emílio Salles Gomes; Alain Resnais;
Hiroshima Mon Amour.
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