Search

Search Results

• MONTAGE OF HETEROGENEOUS TIMES IN EDUARDO COUTINHO'S O FIO DA MEMÓRIA: NO CENTENÁRIO DA ABOLIÇÃO (1991)

  Virginia Osorio Flores, Eduardo Dias Fonseca

  254-269

  2024-07-01

  DOI: https://doi.org/10.33871/19805071.2024.30.1.8844

• The stylized imagination in Werner Herzog's documentary cinema

  Jéssica Frazão

  239-253

  2024-07-01

  DOI: https://doi.org/10.33871/19805071.2024.30.1.8812

• The crystal-image and colonialism in the daydreams of Bardo, false chronicle of a handful of truths

  Julianna Torezani

  208-233

  2025-12-17

  DOI: https://doi.org/10.33871/19805071.2025.33.2.11018

• O som na mise en scène do documentário El árbol negro (2018) memória, território e resistência Qom

  Raquel Salama Martins, José Francisco Serafim

  418-444

  2025-07-01

  DOI: https://doi.org/10.33871/19805071.2025.32.1.10102

• AFFECTIVE MEMORIES: MAMOOTOT (2003) Mamootot (2003)

  Demmy Cristina Ribeiro de Sousa

  109-124

  2024-07-01

  DOI: https://doi.org/10.33871/19805071.2024.30.1.8891

• O ensino de direção de fotografia nos cursos de Cinema e Audiovisual das IES públicas do Nordeste

  Aline de Caldas Costa dos Santos, Matheus José Pessoa Andrade

  9-33

  2025-07-01

  DOI: https://doi.org/10.33871/19805071.2025.32.1.10170

• What will become of the author?: Clues for rethinking authorship in times of Generative Artificial Intelligence

  Sérgio Rodrigo da Silva Ferreira

  2026-07-10

  DOI: https://doi.org/10.33871/19805071.2026.34.1.11721

• Das imagens que faltam à fabulação das memórias animadas em dois filmes ensaios

  Regis Orlando Rasia

  280-304

  2024-07-01

  DOI: https://doi.org/10.33871/19805071.2024.30.1.8893

• Encenação, cinematografia e expressão no documentário "Santiago"

  Bertrand de Souza Lira

  114-132

  2025-07-01

  DOI: https://doi.org/10.33871/19805071.2025.32.1.10255

• Kelly Reichardt e Ursula K. Le Guin práticas situadas de fabulação especulativa

  Alice Furtado

  634-661

  2025-12-17

  DOI: https://doi.org/10.33871/19805071.2025.33.2.10900

• Interview with Director of Photography Rui Poças entrevista ao Diretor de Fotografia Rui Poças

  Raquel Rato

  377-395

  2025-07-01

  DOI: https://doi.org/10.33871/19805071.2025.32.1.10277

• Thinking about the present, reinvent the past The Italian communism as seen by Nanni Moretti

  Juliana Rodrigues Pereira, Pedro Plaza Pinto

  391-413

  2024-07-01

  DOI: https://doi.org/10.33871/19805071.2024.30.1.8903

• Fragments of an Interrupted Cinema Carlos Saguier and the Genesis of Contemporary Paraguayan Cinema

  Andréa C. Scansani

  323-344

  2025-07-01

  DOI: https://doi.org/10.33871/19805071.2025.32.1.10307

• Theatre and accessibility for deaf people in the context of the COVID-19 pandemic: a look into digital shows in Ilhéus-BA

  Lilian Cristina Fonseca Menezes, Jones Oliveira Mota, Lucília Santos da França Lopes

  63-82

  2022-12-16

  DOI: https://doi.org/10.33871/19805071.2022.27.2.6940

• Guapo’y (2022) and the Ethics of the Image A Conversation with Delfina Margulis Darriba

  Andréa Scansani, Luz Mariana Blet

  346-364

  2025-07-01

  DOI: https://doi.org/10.33871/19805071.2025.32.1.10865

• Entre ratos-humanos e humanos mascarados a construção de imagens significantes no espetáculo “Mordaz”

  Liz Schrickte

  88-108

  2024-07-01

  DOI: https://doi.org/10.33871/19805071.2024.30.1.8831

• Distinções e encontros entre as materialidades da fotografia e da arte no audiovisual caso “Ainda estou aqui” (2024, Walter Salles)

  Patrícia Azambuja

  60-89

  2025-07-01

  DOI: https://doi.org/10.33871/19805071.2025.32.1.10293

• Dreaming images that do not exist fabulation, archive, and artificial intelligence

  Rafael de Almeida

  2026-07-10

  DOI: https://doi.org/10.33871/19805071.2026.34.1.11720