Search

Search Results

• The Timbres: the poetics of sound Handel's saraband in Barry Lyndon

  Mauricio Monteiro

  304-327

  2022-12-16

  DOI: https://doi.org/10.33871/19805071.2022.27.2.6927

• Inspiração em branco o problema da representação em IA musical entre a plataformização, o extrativismo e o trabalho fantasma

  Henrique Maia Lins Vaz

  2026-07-10

  DOI: https://doi.org/10.33871/19805071.2026.34.1.11814

• Sumário / Contents

  Revista de Pesquisa em Artes

  2015-08-31

• Corpos negros no cinema de Glauber Rocha imagens de resistência e insurgência no enfrentamento à necropolítica

  Matheus Espíndola

  445-452

  2025-12-17

  DOI: https://doi.org/10.33871/19805071.2025.33.2.10872

• A representação da partilha da África em "Civilization V"

  Camila Augusta Pires de Figueiredo, Cecília Nazaré de Lima , Thaïs Flores Nogueira Diniz

  122-144

  2024-12-18

  DOI: https://doi.org/10.33871/19805071.2024.31.2.9378

• EXPLORING THE “COGNITIVE SUBLIME”: A NEW FRONTIER FOR CHILDREN’S LEARNING uma nova fronteira para o aprendizado infantil

  Matheus Espíndola

  339-345

  2024-12-18

  DOI: https://doi.org/10.33871/19805071.2024.31.2.9611

• THE PUPPET THEATER “THE GREEDY RICH MAN” EMANCIPATORY INTERSECTIONS WITHIN THE SCHOOL CONTEXT

  Neto Portela

  517-536

  2025-12-17

  DOI: https://doi.org/10.33871/19805071.2025.33.2.10689

• NOSTALGIA IN CUPHEAD (2017)

  Adriana Falqueto Lemos, Viviana Móniva Vermes

  104-121

  2024-12-18

  DOI: https://doi.org/10.33871/19805071.2024.31.2.9420

• The abject camera in a Star Is Born (2018)

  Rafael Alessandro Viana

  2026-07-10

  DOI: https://doi.org/10.33871/19805071.2026.34.1.11764

• WHEN THE MUSIC DOESN'T FIT IN THE BODY HYPERPOP AND THE EXPERIENCES OF GENDER AND ACCELERATION

  Gabriel Barth da Silva

  291-320

  2024-12-18

  DOI: https://doi.org/10.33871/19805071.2024.31.2.9664