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• Extension, theater and accessibility brief considerations about the partnership between Unespar and IPC

  Lucas de Almeida Pinheiro

  48-62

  2022-12-16

  DOI: https://doi.org/10.33871/19805071.2022.27.2.6956

• The Beckett's drama through painting A critical overview of the relationship between beckettian theatrical composition and pictorial art

  Vanessa Gonçalves Curty

  503-523

  2024-07-01

  DOI: https://doi.org/10.33871/19805071.2024.30.1.8746

• THE PUPPET THEATER “THE GREEDY RICH MAN” EMANCIPATORY INTERSECTIONS WITHIN THE SCHOOL CONTEXT

  Neto Portela

  517-536

  2025-12-17

  DOI: https://doi.org/10.33871/19805071.2025.33.2.10689

• O conceito de Corpo sem Órgãos e a Cartografia como metodologia de pesquisa

  Henrique Leonel de Assis Coelho

  189-207

  2025-12-17

  DOI: https://doi.org/10.33871/19805071.2025.33.2.11059

• MOTHER-ARTIST reflections on autobiography and motherhood in the contemporary theater scene

  Mariela Lamberti de Abreu, Lucia Regina Vieira Romano

  309-336

  2023-12-13

  DOI: https://doi.org/10.33871/19805071.2023.29.2.8040

• “Chapeuzinho Felpudo” in times of pandemic a remote theatrical experience, from Teatro dos Sentidos, for children with visual impairments

  Nicolle Fernandes, Lucas de Almeida Pinheiro

  83-97

  2022-12-16

  DOI: https://doi.org/10.33871/19805071.2022.27.2.6955

• Lutas feministas, teatro e pedagogias informais

  Margarida Gandara Rauen

  112-129

  2023-12-13

  DOI: https://doi.org/10.33871/19805071.2023.29.2.8131

• The fight and will of Agda lacraia a feminine manifesto and the dismantling of a woman

  Gisele Petty

  192-308

  2023-12-13

  DOI: https://doi.org/10.33871/19805071.2023.29.2.8037

• Performative Theater: from the scene with aphasic peopleto the contemporary scene

  Juliana Pablos Calligaris

  140-163

  2022-12-16

  DOI: https://doi.org/10.33871/19805071.2022.27.2.6847

• Plataforma Sapatão no Teatro mapear como gesto contracolonial

  Alberto Ferreira da Rocha Junior, Kami Oliveira Soares

  141-159

  2025-12-17

  DOI: https://doi.org/10.33871/19805071.2025.33.2.11065

• FEMINIST PRACTICES OF [RE]EXISTENCE IN COMBATING GENDER VIOLENCE AND RACISM:

  Renata Andrea Santana de Lucia

  173-193

  2023-12-13

  DOI: https://doi.org/10.33871/19805071.2023.29.2.8042

• O paradoxo do jogador-espectador

  Danilo Frambach

  34-52

  2024-12-18

  DOI: https://doi.org/10.33871/19805071.2024.31.2.9536

• Futuro? reflexões sobre burlesco e vídeo-burlesco

  Henrique Saidel

  524-547

  2024-07-01

  DOI: https://doi.org/10.33871/19805071.2024.30.1.8492

• To think about the accessible scene rehearsing a notion of accessibility in an ecological perspective centered on interaction

  Marcia Berselli

  13-31

  2022-12-16

  DOI: https://doi.org/10.33871/19805071.2022.27.2.6974

• Theatre and accessibility for deaf people in the context of the COVID-19 pandemic: a look into digital shows in Ilhéus-BA

  Lilian Cristina Fonseca Menezes, Jones Oliveira Mota, Lucília Santos da França Lopes

  63-82

  2022-12-16

  DOI: https://doi.org/10.33871/19805071.2022.27.2.6940

• O TRABALHO DO ATOR E EMOÇÕES UM DIÁLOGO ENTRE NEUROCIÊNCIA DAS EMOÇÕES E MEMÓRIA DAS EMOÇÕES DE STANISLAVSKI

  Ronald Rosa, Bárbara Tavares dos Santos

  181-208

  2023-06-30

  DOI: https://doi.org/10.33871/19805071.2023.28.1.7113

• Entre ratos-humanos e humanos mascarados a construção de imagens significantes no espetáculo “Mordaz”

  Liz Schrickte

  88-108

  2024-07-01

  DOI: https://doi.org/10.33871/19805071.2024.30.1.8831

• Ensino-aprendizagem de cenografia e práticas colaborativas em teatro uma abordagem sob o olhar da complexidade

  Paulo Vinícius Alves

  490-516

  2025-12-17

  DOI: https://doi.org/10.33871/19805071.2025.33.2.11044

• The cultivation of the self: an understanding of how the proposal of the buddhist meditation dialogues with Indian yoga in the preparation of artists of the scene and the body

  Alexandra Lara Reis Guimaraes, Adilson Roberto Siqueira

  249-262

  2022-12-16

  DOI: https://doi.org/10.33871/19805071.2022.27.2.6856