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• In the island of absolutes A Cavellian reading of the historical, epistemological and sexual imaginations in Monte Hellman’s Iguana

  Pedro Monte Kling

  414-438

  2024-07-01

  DOI: https://doi.org/10.33871/19805071.2024.30.1.8777

• Body and Light in Ganga Zumba Between Visibility and Erasure

  Rafael Eiras

  232-257

  2025-07-01

  DOI: https://doi.org/10.33871/19805071.2025.32.1.10176

• Thinking about the present, reinvent the past The Italian communism as seen by Nanni Moretti

  Juliana Rodrigues Pereira, Pedro Plaza Pinto

  391-413

  2024-07-01

  DOI: https://doi.org/10.33871/19805071.2024.30.1.8903

• In the Shadow of Fantasy: childhood and carginality in the deconstruction of the American Dream in The Florida Project (2017), by Sean Baker

  Luís Geraldo Rocha

  612-633

  2025-12-17

  DOI: https://doi.org/10.33871/19805071.2025.33.2.10793

• Constellations, montages, and supernovae in search of a comparative method between images of film and other visual arts

  Iury Peres Malucelli

  662-684

  2025-12-17

  DOI: https://doi.org/10.33871/19805071.2025.33.2.11050

• The abject camera in a Star Is Born (2018)

  Rafael Alessandro Viana

  2026-07-10

  DOI: https://doi.org/10.33871/19805071.2026.34.1.11764

• Metáforas da memória: A atração na cinematografia de "A cor do seu destino"

  Tiago Mendes Alvarez

  90-112

  2025-07-01

  DOI: https://doi.org/10.33871/19805071.2025.32.1.10296

• Distinções e encontros entre as materialidades da fotografia e da arte no audiovisual caso “Ainda estou aqui” (2024, Walter Salles)

  Patrícia Azambuja

  60-89

  2025-07-01

  DOI: https://doi.org/10.33871/19805071.2025.32.1.10293

• A Uso de la fotografía en el documental de testimonio militante: la fotografía como imagen testimonio.

  Juan Michel Quesada Sánchez, Áurea Itzel Paredes Páramo

  303-322

  2025-07-01

  DOI: https://doi.org/10.33871/19805071.2025.32.1.10294

• Clint Eastwood actor and director

  Mauro Alejandro Baptista y Vedia Sarubbo

  409-432

  2023-06-30

  DOI: https://doi.org/10.33871/19805071.2023.28.1.7576

• Dreaming images that do not exist fabulation, archive, and artificial intelligence

  Rafael de Almeida

  2026-07-10

  DOI: https://doi.org/10.33871/19805071.2026.34.1.11720

• The stylized imagination in Werner Herzog's documentary cinema

  Jéssica Frazão

  239-253

  2024-07-01

  DOI: https://doi.org/10.33871/19805071.2024.30.1.8812

• O som na mise en scène do documentário El árbol negro (2018) memória, território e resistência Qom

  Raquel Salama Martins, José Francisco Serafim

  418-444

  2025-07-01

  DOI: https://doi.org/10.33871/19805071.2025.32.1.10102