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• O som na mise en scène do documentário El árbol negro (2018) memória, território e resistência Qom

  Raquel Salama Martins, José Francisco Serafim

  418-444

  2025-07-01

  DOI: https://doi.org/10.33871/19805071.2025.32.1.10102

• The spectator as co-mixer Artificial Intelligence, intelligibility, and the customization of cinematic listening

  Rodrigo Octavio D'Azevedo Carreiro, Débora Regina Opolski

  2026-07-10

  DOI: https://doi.org/10.33871/19805071.2026.34.1.11624