The Ethics of the Body in Art:
subversion of the sacred and the profane in artistic practices
DOI:
https://doi.org/10.33871/21750769.2026.22.1.10674Keywords:
Art, Aesthetics, Printmaking, PerformanceAbstract
This article examines the relationship between the body, the sacred, and the profane in art, highlighting how corporeality is configured as a symbolic field of resistance and transformation. The research focuses on the works of artists such as Francisco de Goya and Joseph Beuys, whose productions question and reconfigure the boundaries between the physical and the spiritual. The study is grounded in theoretical concepts from Mircea Eliade (1992a; 1992b), with an emphasis on the concept of hierophany. The methodology combines theoretical research, epistemological analysis, and empirical observation of artworks, focusing on the analysis of symbolic and aesthetic processes. The conclusions indicate that, within the context of art, the body is not only represented as a space of symbolic sacralization, but also as a means of transformation that challenges and redefines the boundaries between ethics, aesthetics, and transcendence, reflecting the tensions between the sacred and the profane in contemporary society.
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