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• Cultural action and supervised internship artist’s training to teaching and public life

  Suzana Schmidt Viganó, Carolina Watts, Lena Giuliano, Julia Molino

  1-28

  2025-07-04

  DOI: https://doi.org/10.33871/21750769.2025.20.01.10440

• ERRANT RUNNING An poetic view about the running as an possibility of practicing the drifiting

  Leonardo Menin Silva, Diego Elias Baffi

  1-27

  2025-07-04

  DOI: https://doi.org/10.33871/21750769.2025.20.01.9786

• SOCIAL REPRESENTATIONS OF PERFORMING ARTS STUDENTS ABOUT ART TEACHING

  Tayene Elize Mação, Solange Franci Raimundo Yaegashi, Luanna Freitas Johnson, Sharmilla Tassiana de Souza, Kalyandra Khadyne Imai Gonçalves

  1-17

  2025-07-04

  DOI: https://doi.org/10.33871/21750769.2025.20.01.8248

• Martelo and Mateus principles for presence in embodied knowledge

  Ana Caldas Lewinsohn

  1-26

  2024-06-25

  DOI: https://doi.org/10.33871/21750769.2024.18.1.9241

• What Lies Behind Curricula? (Auto)Ethnography as a Path to Rethink Different Internship Experiences in Performing Arts (Auto)Etnografia como caminho para se repensar experiências distintas de estágio supervisionado em Artes Cênicas

  Luciana da Costa Dias, Kathleen Cristina Albuquerque Santos

  1-28

  2025-07-04

  DOI: https://doi.org/10.33871/21750769.2025.20.01.10471

• Project Fat Whale: The Elephant in the Room

  Eva Monteiro

  1-16

  2026-07-03

  DOI: https://doi.org/10.33871/21750769.2026.22.1.10888

• CORPORAL ACTION AS A POLITICAL ACTION THAT MOVES IDENTITIES IN THE FIELD OF EDUCATION AND THE ARTS

  Cristiane do Rocio Wosniak, Patrícia Silva da Ressureição

  1-13

  2025-07-04

  DOI: https://doi.org/10.33871/21750769.2025.20.01.10424

• The body actively listening to space: freerunning as an aesthetic experience and performative art

  Welington Silva, Gisele

  1-18

  2026-07-03

  DOI: https://doi.org/10.33871/21750769.2026.22.1.11990

• What if you are a magician artist?

  Nadam Guerra

  13-33

  2023-07-11

  DOI: https://doi.org/10.33871/21750769.2023.16.1.7339

• Corpos, territórios e transfigurações imagéticas: estudo de caso da série de fotoperformance retomada, de Uýra Sodoma

  Adriana Sayuri Omoto

  1-16

  2024-12-13

  DOI: https://doi.org/10.33871/21750769.2024.19.2.8923

• Transmissibility in performing arts in a world in ruins: Françoise Dupuy, Beckett and Bowie

  Veronica

  1-28

  2026-07-03

  DOI: https://doi.org/10.33871/21750769.2026.22.1.11992

• Aquelas que levo comigo: literaturas, coletas e ancestralidades

  Silvia Loch

  326-350

  2022-12-15

  DOI: https://doi.org/10.33871/21750769.2022.15.1.6981

• CONTAMINAÇÕES MÁGICAS (IN)CORPORAÇÕES ATRAVÉS DA LINGUAGEM DA MAQUIAGEM NAS ARTES DA CENA

  Marcio Ricardo Desideri Desideri

  2023-07-11

  DOI: https://doi.org/10.33871/21750769.2023.16.1.7414

• PRINCIPLES OF ACTIVE ANALYSIS AS A METHODOLOGICAL WAY IN THE TRAINING-CREATIVE CONTEXT OF YOUNG ACTORS AND ACTRESS

  Lucas Aparecido Azevedo Gomes, Lucas de Almeida Pinheiro

  1-25

  2025-12-01

  DOI: https://doi.org/10.33871/21750769.2025.21.2.10198

• AUDIO DESCRIPTION AS A POETIC RESOURCE IN STAGE CREATION PERSPECTIVES ON ACCESSIBILITY BASED ON THE PERFORMANCE BICHO GENTE

  Marcia Berselli, Vanessa de Oliveira dos Santos Peixoto, Livia de Arruda Marafiga

  1-24

  2025-12-01

  DOI: https://doi.org/10.33871/21750769.2025.21.2.10979

• Performing Arts, Improvisation, and Resistance: The Political-Pedagogical Proposal of Improvisational Theater

  José Luis Felicio dos Santos de Carvalho

  1-31

  2026-07-03

  DOI: https://doi.org/10.33871/21750769.2026.22.1.10870

• THE BLACK THEATER FROM THE GROUP O POSTE SOLUÇÕES LUMINOSAS AND ITS “RECIPE” FOR COUNTERCOLONIALITY.

  Nazaré Sodré da Silva

  1-27

  2024-06-25

  DOI: https://doi.org/10.33871/21750769.2024.18.1.9226

• The first open door: the openning of Konstantin Stanislavski’s System and the training of technical-level actors and deaf actors

  Artur Carvalho, Mateus Schimith

  1-20

  2026-07-03

  DOI: https://doi.org/10.33871/21750769.2026.22.1.11036