Vol. 14 (2026): Revista Vórtex

Published: 2026-02-20

PrePrint (SciELO)

Creating from the Body: Gendered Agency in Contemporary Music Performance

Iracema De Andrade Almeida

1-27
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DOI: https://doi.org/10.33871/vortex.2026.14.11231

Original Article

Post-Colonial Disputes in Kriolu Rap: lusophony’s erasures in a communicational perspective.

Mário A. O. M. Rolim, Thiago Soares, Guilherme Souto

1-25
- PDF (Portuguese (Brazil))
DOI: https://doi.org/10.33871/vortex.2026.14.11252
Material Culture on the Caminho das Tropas: Musical Artifacts in the Farms and Town of Castro

Matheus Theodorovitz Prust

1-34
- PDF (Portuguese (Brazil))
DOI: https://doi.org/10.33871/vortex.2026.14.11365
The Dissonant and the Noise: otherness and popular music in Brazil in the 1960s and 1970s.

Allan de Paula Oliveira

1-30
- PDF (Portuguese (Brazil))
DOI: https://doi.org/10.33871/vortex.2026.14.11135
Notes on the historical factors that led composition become distanced from music education

Eduardo Wanderley Brasil, Fernando Gabriel Batista Lima, Fábio Silva Ventura, Caroline Caregnato

1-31
- PDF (Portuguese (Brazil))
DOI: https://doi.org/10.33871/vortex.2026.14.11372
A Compositional Application of the Intertextual Compass and the Strange Infinite Return

Gabriel Mesquita

1-46
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DOI: https://doi.org/10.33871/vortex.2026.14.11210
Compositional Planning of Trivium for Helder Alto Recorder

Liduino José Pitombeira de Oliveira

1-63
- PDF (Portuguese (Brazil))
DOI: https://doi.org/10.33871/vortex.2026.14.11516
Performing the Immersive: Electroacoustic Music at the Threshold of Technology

César Rennó-Costa, Alyson Souza, Stefane Orichuela, João Anisio da Nobrega, Leonardo Pereira, Jonatas Manzolli, Cleber Campos

1-39
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DOI: https://doi.org/10.33871/vortex.2026.14.11748
Tradition, Innovation and Sustanability in Classical Guitar Construction

Ricardo Barceló Ricardo Barceló

1-44
- PDF (Spanish)
DOI: https://doi.org/10.33871/vortex.2026.14.11262
Layers of musical interaction: an analysis of Anders Lind's installation Lines

Cristiane dos Guimarães Alvim Nunes, Marco Antonio Pasqualini de Andrade, Daniel Luís Barreiro

1-38
- PDF (Portuguese (Brazil))
DOI: https://doi.org/10.33871/vortex.2026.14.11478
Instrumental Substitution and Repertoire Dissemination: a report on Directionlessness (2020/2022), by Luís Bittencourt

Fernando Martins de Castro Chaib, Luis Alberto Teixeira Bittencourt

1-42
- PDF (Portuguese (Brazil))
DOI: https://doi.org/10.33871/vortex.2026.14.11015
Second stage of Colombian electroacoustic music: dissemination and consolidation (1980–1999)

Juan Diego Martinez Alvarez, Angelica Maria Rincon

1-38
- PDF (Spanish)
DOI: https://doi.org/10.33871/vortex.2026.14.11168
Pan-American Sounds: Carleton Sprague Smith’s Role in Camargo Guarnieri’s Career and Music

Pyero Talone

1-35
- PDF
DOI: https://doi.org/10.33871/vortex.2026.14.11058
Rogério Duprat’s Film Music Manuscripts for Noite vazia and the Synthesizer at the Vera Cruz Studios

Itamar Vidal, Danilo Rossetti

1-47
- PDF (Portuguese (Brazil))
DOI: https://doi.org/10.33871/vortex.2026.14.11000
Guitar Articulation: A Pedagogical Proposal for the Method of Henrique Pinto

Felipe Afonso, Fernando Aguera

1-27
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DOI: https://doi.org/10.33871/vortex.2026.14.11115
Piano Repertoire for the Left Hand: A Performative Study of Portuguese Works

Andre Roque Cardoso, Helena Marinho

1-34
- PDF (Portuguese (Brazil))
DOI: https://doi.org/10.33871/vortex.2026.14.10853
A Brief Primer to Sergei Taneyev’s Treatise “Convertible Counterpoint in the Strict Style”

Marcus Alessi Bittencourt, Lilian Cristyelen Martins

1-46
- PDF (Portuguese (Brazil))
DOI: https://doi.org/10.33871/vortex.2026.14.11205
The dialogue between singing and piano: a textural analysis of five songs by Camargo Guarnieri

Polyane Schneider Hochheim, Ana Telles

1-33
- PDF (Portuguese (Brazil))
DOI: https://doi.org/10.33871/vortex.2026.14.11049
The Waldstein Gesture and the Tetradic Space

Carlos Almada

1 - 31
- PDF (Portuguese (Brazil))
DOI: https://doi.org/10.33871/vortex.2026.14.11073
A Musicology of Iron and Leather: Musithinking Foundations in Ketu’s Candomblé Toque

Ferran Tamarit

1-34
- PDF (Portuguese (Brazil))
DOI: https://doi.org/10.33871/vortex.2026.14.10939
Poetry and Music Relationship in Let my Love be Heard by Jake Runestad

Lucas Gabriel Almeida Bispo, Luciano de Freitas Camargo

1-34
- PDF
DOI: https://doi.org/10.33871/vortex.2026.14.11041

Dossier “Morton Feldman – A Silent Revolution Over 100 Years”

Morton Feldman @100

Ming Tsao

1-21
- PDF
DOI: https://doi.org/10.33871/vortex.2026.14.11610

Vol. 14 (2026): Revista Vórtex

PrePrint (SciELO)

Creating from the Body: Gendered Agency in Contemporary Music Performance

Original Article

Post-Colonial Disputes in Kriolu Rap: lusophony’s erasures in a communicational perspective.

Material Culture on the Caminho das Tropas: Musical Artifacts in the Farms and Town of Castro

The Dissonant and the Noise: otherness and popular music in Brazil in the 1960s and 1970s.

Notes on the historical factors that led composition become distanced from music education

A Compositional Application of the Intertextual Compass and the Strange Infinite Return

Compositional Planning of Trivium for Helder Alto Recorder

Performing the Immersive: Electroacoustic Music at the Threshold of Technology

Tradition, Innovation and Sustanability in Classical Guitar Construction

Layers of musical interaction: an analysis of Anders Lind's installation Lines

Instrumental Substitution and Repertoire Dissemination: a report on Directionlessness (2020/2022), by Luís Bittencourt

Second stage of Colombian electroacoustic music: dissemination and consolidation (1980–1999)

Pan-American Sounds: Carleton Sprague Smith’s Role in Camargo Guarnieri’s Career and Music

Rogério Duprat’s Film Music Manuscripts for Noite vazia and the Synthesizer at the Vera Cruz Studios

Guitar Articulation: A Pedagogical Proposal for the Method of Henrique Pinto

Piano Repertoire for the Left Hand: A Performative Study of Portuguese Works

A Brief Primer to Sergei Taneyev’s Treatise “Convertible Counterpoint in the Strict Style”

The dialogue between singing and piano: a textural analysis of five songs by Camargo Guarnieri

The Waldstein Gesture and the Tetradic Space

A Musicology of Iron and Leather: Musithinking Foundations in Ketu’s Candomblé Toque

Poetry and Music Relationship in Let my Love be Heard by Jake Runestad

Dossier “Morton Feldman – A Silent Revolution Over 100 Years”

Morton Feldman @100

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