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• Pianistic Expressivity: Interfaces between Cognition, Visual Metaphors, and Music Education

  Thiago, Elenisio

  1-26

  2025-10-27

  DOI: https://doi.org/10.33871/vortex.2025.13.10702

• Guitar Articulation: A Pedagogical Proposal for the Method of Henrique Pinto

  Felipe Afonso, Fernando Aguera

  1-27

  2026-04-28

  DOI: https://doi.org/10.33871/vortex.2026.14.11115

• The classical guitar in the interior of São Paulo (1940-2000): analysis of the concert programs of Milton Nunes's personal collection

  Stephen Coffey Bolis, Fabio Scarduelli

  1-49

  2022-09-29

  DOI: https://doi.org/10.33871/23179937.2022.10.2.6800

• Music Conducting Pedagogy and Technology: A Descriptive Review of Literature

  Adamilson Abreu

  1-30

  2025-10-20

  DOI: https://doi.org/10.33871/vortex.2025.13.9841

• Conceptions about singing and vocal production in Camillo Maffei's Discorso della voce (1562)

  Viviane Alves Kubo

  1-25

  2024-12-01

  DOI: https://doi.org/10.33871/vortex.2024.12.8773

• Women in the History of Music, in textbooks and in teacher education

  Andréia Schach Fey, Guilherme Romanelli

  1-25

  2025-08-19

  DOI: https://doi.org/10.33871/vortex.2025.13.9914

• Improvisation Pedagogy: An Epistemological Perspective of the 4‘E’ Model within Digital Musical Instruments

  Isabela Corintha, Giordano Cabral

  7

  2022-04-30

  DOI: https://doi.org/10.33871/23179937.2022.10.1.7

• An expert pianist's strategies for learning a song from a lead sheet

  Joao G A Lima, Danilo Ramos

  1-45

  2024-08-05

  DOI: https://doi.org/10.33871/vortex.2024.12.8443

• Uma saudade que ficou: the silencing in Dinorá de Carvalho’s compositional work

  Tadeu Moraes Taffarello, Raquel Juliana Prado Leite de Sousa, Flávio Cardoso de Carvalho, Vitor Alves de Mello Lopes

  1-34

  2025-08-20

  DOI: https://doi.org/10.33871/vortex.2025.13.9869

• Reflections on the concepts of Meyer's Theory of Styles for musical performance

  Samuel Henrique da Silva Cianbroni, Regina Antunes Teixeira Dos Santos

  1-26

  2024-09-17

  DOI: https://doi.org/10.33871/vortex.2024.12.9270

• A study about the use of Musicomovigrams in musical education

  Miguel Clemente Rubio, José Fornari Junior, Adriana N. Mendes

  1-19

  2017-06-01

  DOI: https://doi.org/10.33871/23179937.2017.5.2.2149

• A constellation for Jocy de Oliveira’s artwork

  Claudia Helena Azevedo Alvarenga

  1-38

  2024-09-18

  DOI: https://doi.org/10.33871/vortex.2024.12.9225

• The territory of Artistic Research: investigating the margins of polysemy

  Bibiana Bragagnolo

  1-26

  2025-10-07

  DOI: https://doi.org/10.33871/vortex.2025.13.9870

• Three sketches for guitar

  Mário Aníbal Gonçalves Rego Cardoso

  1.43

  2020-12-15

  DOI: https://doi.org/10.33871/23179937.2020.8.3.1.43

• Notes on the historical factors that led composition become distanced from music education

  Eduardo Wanderley Brasil, Fernando Gabriel Batista Lima, Fábio Silva Ventura, Caroline Caregnato

  1-31

  2026-06-26

  DOI: https://doi.org/10.33871/vortex.2026.14.11372

• Composition of “Karma” based on the Gestalt Modeling of “Ponteio No. 29” by Camargo Guarnieri

  Helder Alves de Oliveira, Liduino Pitombeira

  1-37

  2024-01-30

  DOI: https://doi.org/10.33871/23179937.2023.11.3.8241

• Artistic Research in Theses and Dissertations at Brazilian Universities between 2018 and 2022

  Marta Macedo Brietzke, Mario Videira

  1-42

  2025-07-22

  DOI: https://doi.org/10.33871/vortex.2025.13.10394

• The Toy Piano Is Not a Toy

  Antonietta Loffredo

  3

  2020-09-15

  DOI: https://doi.org/10.33871/23179937.2020.8.2.3

• The night, the music: a cognitive hypothesis

  Maurício Dottori

  7

  2020-02-27

  DOI: https://doi.org/10.33871/23179937.2020.8.1.7

• An analysis of Ruggiero Ricci's conceptions of left-hand violin technique

  Brigitta Calloni

  1-32

  2025-07-07

  DOI: https://doi.org/10.33871/vortex.2025.13.9459

• What Pd Can't Teach; What It Can

  Joshua Hudelson

  13

  2021-11-30

  DOI: https://doi.org/10.33871/23179937.2021.9.2.13