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  • Women in the History of Music, in textbooks and in teacher education

    Andréia Schach Fey, Guilherme Romanelli
    1-25
    2025-08-19
    DOI: https://doi.org/10.33871/vortex.2025.13.9914
  • Leonor de Castro: the first female teacher at the Rio de Janeiro Music Conservatory

    Clara Fernandes Albuquerque
    1-30
    2025-08-20
    DOI: https://doi.org/10.33871/vortex.2025.13.9963
  • Women in Samba: work, collective experiences, and cultural policies

    Laila Andresa Cavalcante Rosa, Julia Ricciardi Lima, Rayra Mayara Santos
    1-28
    2025-08-20
    DOI: https://doi.org/10.33871/vortex.2025.13.9960
  • Rachel Reis' decolonial performance on the album Meu Esquema and Salvador's Afro-Latin music scene

    Nadja Vladi Gumes, Tatiana Rodrigues Lima
    1-33
    2024-04-30
    DOI: https://doi.org/10.33871/vortex.2024.12.8724
  • Tropical(ist) Fantasies: Bossa nova and samba in contemporary Lebanon

    Gabrielle Messeder
    2018-12-01
    DOI: https://doi.org/10.33871/23179937.2018.6.3.2632
  • An analysis of labor conditions of black and indigenous singers in the bahian music

    Júlia Melo Salgado, Daniele Pereira Canedo
    1-42
    2025-08-20
    DOI: https://doi.org/10.33871/vortex.2025.13.9886
1 - 6 of 6 items
Language
  •   English
  •   Español
  •   Português

Keywords

  • Musical Interpretation
  • Classical Guitar
  • Musical Analysis
  • Composition
  • New music
  • Rock
  • Acoustic Ecology
  • instrumental performance
  • Piano performance
  • Toy piano
  • Intersectionality
  • Performance Practice
  • Listening
  • Percussion
  • contemporary music
  • Electroacoustic Music
  • Performance
  • Music Composition
  • Sérgio Abreu
  • Pure Data
  • Women
  • Pedagogy
  • identity
  • Field Recording
  • extended techniques
  • sound art
  • Samba
  • Silence
  • modernism
  • Soundscape
  • Brazilian music
  • Guitar
  • Improvisation
  • Artistic research
  • compositional techniques
  • Female Composers
  • Camargo Guarnieri
  • Technology
  • Music
  • Musical performance

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