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  • Women in Percussion: An Investigation of Composers and Works in Latin America and the Caribbean

    Juliane Larsen, Camila Cardoso
    1-34
    2025-08-20
    DOI: https://doi.org/10.33871/vortex.2025.13.9887
  • BatuCantada: Women in percussion subverting the musical patriarchy

    Vanessa Ramos de Oliveira Souza, Denise Marcos Bussoletti
    1-24
    2025-08-19
    DOI: https://doi.org/10.33871/vortex.2025.13.9951
  • Instrumental Substitution and Repertoire Dissemination: a report on Directionlessness (2020/2022), by Luís Bittencourt

    Fernando Martins de Castro Chaib, Luis Alberto Teixeira Bittencourt
    1-42
    2026-05-25
    DOI: https://doi.org/10.33871/vortex.2026.14.11015
  • Schaeffer's Solfège, Percussion, Audio Descriptors: Towards an Interactive Musical System

    Sérgio Freire, José Henrique Padovani, Caio Costa Campos
    2022-04-30
    DOI: https://doi.org/10.33871/23179937.2022.10.1.5
  • Development and Construction of the Snare Control System by Pedal - SICESP2020

    Fernando Martins de Castro Chaib, Charles Augusto Braga Leandro, Leandro César, Tiago Alexandre Silva
    1-31
    2023-04-09
    DOI: https://doi.org/10.33871/23179937.2023.11.1.7075
  • Performing the Immersive: Electroacoustic Music at the Threshold of Technology

    César Rennó-Costa, Alyson Souza, Stefane Orichuela, João Anisio da Nobrega, Leonardo Pereira, Jonatas Manzolli, Cleber Campos
    1-39
    2026-08-11
    DOI: https://doi.org/10.33871/vortex.2026.14.11748
  • Developing a Crossover Idiomatic Writing for the Double Bass: Composing/Arranging & Playing, and ... Da capo !

    Fausto Borém
    7
    2020-09-15
    DOI: https://doi.org/10.33871/23179937.2020.8.2.7
  • Almost 20 years of Cyclone; past, present and future

    Alexandre Torres Porres, Matt Barber, Derek Kwan
    15
    2021-11-30
    DOI: https://doi.org/10.33871/23179937.2021.9.2.15
  • To Kill Prejudice, I Was Reborn: Two Black Women’s Voice in a Carnival Bloco

    Thiago de Souza Borges, Samuel Araújo
    1-21
    2025-08-19
    DOI: https://doi.org/10.33871/vortex.2025.13.9953
  • Dragonslayer: musical composition and mythical thought

    Luigi Antonio Irlandini
    5
    2021-12-15
    DOI: https://doi.org/10.33871/23179937.2021.9.3.5
  • Development and Construction of a Crotales Dampening System by Pedal - SACRO2020

    Fernando Martins de Castro Chaib, Charles Augusto , Leandro César, Tiago Silva
    1-32
    2022-11-03
    DOI: https://doi.org/10.33871/23179937.2022.10.2.7119
  • Neither idiomatism nor extended technique: vibraphone approaches on Traldi and Rosauro

    Isabella Tais Sonsin, Alexandre Remuzzi Ficagna
    1-37
    2023-05-16
    DOI: https://doi.org/10.33871/23179937.2023.11.1.7312
  • New Findings of Sicilian Folk Songs in Luciano Berio´s Naturale

    Leonardo Piermartiri
    2018-09-01
    DOI: https://doi.org/10.33871/23179937.2018.6.2.2605
  • ESPER 2, an improvised oscilloscope music set

    Eric Lennartson
    25
    2021-11-30
    DOI: https://doi.org/10.33871/23179937.2021.9.2.25
1 - 14 of 14 items
Language
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Keywords

  • Musical Interpretation
  • Classical Guitar
  • Musical Analysis
  • Composition
  • New music
  • Rock
  • Acoustic Ecology
  • instrumental performance
  • Piano performance
  • Toy piano
  • Intersectionality
  • Performance Practice
  • Listening
  • Percussion
  • contemporary music
  • Electroacoustic Music
  • Performance
  • Music Composition
  • Sérgio Abreu
  • Pure Data
  • Women
  • Pedagogy
  • identity
  • Field Recording
  • extended techniques
  • sound art
  • Samba
  • Silence
  • modernism
  • Soundscape
  • Brazilian music
  • Guitar
  • Improvisation
  • Artistic research
  • compositional techniques
  • Female Composers
  • Camargo Guarnieri
  • Technology
  • Music
  • Musical performance

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