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Women in Percussion: An Investigation of Composers and Works in Latin America and the Caribbean
Juliane Larsen, Camila Cardoso
1-34
2025-08-20
DOI:
https://doi.org/10.33871/vortex.2025.13.9887
BatuCantada: Women in percussion subverting the musical patriarchy
Vanessa Ramos de Oliveira Souza, Denise Marcos Bussoletti
1-24
2025-08-19
DOI:
https://doi.org/10.33871/vortex.2025.13.9951
Instrumental Substitution and Repertoire Dissemination: a report on Directionlessness (2020/2022), by Luís Bittencourt
Fernando Martins de Castro Chaib, Luis Alberto Teixeira Bittencourt
1-42
2026-05-25
DOI:
https://doi.org/10.33871/vortex.2026.14.11015
Schaeffer's Solfège, Percussion, Audio Descriptors: Towards an Interactive Musical System
Sérgio Freire, José Henrique Padovani, Caio Costa Campos
2022-04-30
DOI:
https://doi.org/10.33871/23179937.2022.10.1.5
Development and Construction of the Snare Control System by Pedal - SICESP2020
Fernando Martins de Castro Chaib, Charles Augusto Braga Leandro, Leandro César, Tiago Alexandre Silva
1-31
2023-04-09
DOI:
https://doi.org/10.33871/23179937.2023.11.1.7075
Performing the Immersive: Electroacoustic Music at the Threshold of Technology
César Rennó-Costa, Alyson Souza, Stefane Orichuela, João Anisio da Nobrega, Leonardo Pereira, Jonatas Manzolli, Cleber Campos
1-39
2026-08-11
DOI:
https://doi.org/10.33871/vortex.2026.14.11748
Developing a Crossover Idiomatic Writing for the Double Bass: Composing/Arranging & Playing, and ... Da capo !
Fausto Borém
7
2020-09-15
DOI:
https://doi.org/10.33871/23179937.2020.8.2.7
Almost 20 years of Cyclone; past, present and future
Alexandre Torres Porres, Matt Barber, Derek Kwan
15
2021-11-30
DOI:
https://doi.org/10.33871/23179937.2021.9.2.15
To Kill Prejudice, I Was Reborn: Two Black Women’s Voice in a Carnival Bloco
Thiago de Souza Borges, Samuel Araújo
1-21
2025-08-19
DOI:
https://doi.org/10.33871/vortex.2025.13.9953
Dragonslayer: musical composition and mythical thought
Luigi Antonio Irlandini
5
2021-12-15
DOI:
https://doi.org/10.33871/23179937.2021.9.3.5
Development and Construction of a Crotales Dampening System by Pedal - SACRO2020
Fernando Martins de Castro Chaib, Charles Augusto , Leandro César, Tiago Silva
1-32
2022-11-03
DOI:
https://doi.org/10.33871/23179937.2022.10.2.7119
Neither idiomatism nor extended technique: vibraphone approaches on Traldi and Rosauro
Isabella Tais Sonsin, Alexandre Remuzzi Ficagna
1-37
2023-05-16
DOI:
https://doi.org/10.33871/23179937.2023.11.1.7312
New Findings of Sicilian Folk Songs in Luciano Berio´s Naturale
Leonardo Piermartiri
2018-09-01
DOI:
https://doi.org/10.33871/23179937.2018.6.2.2605
ESPER 2, an improvised oscilloscope music set
Eric Lennartson
25
2021-11-30
DOI:
https://doi.org/10.33871/23179937.2021.9.2.25
1 - 14 of 14 items
Language
English
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Keywords
Musical Interpretation
Classical Guitar
Musical Analysis
Composition
New music
Rock
Acoustic Ecology
instrumental performance
Piano performance
Toy piano
Intersectionality
Performance Practice
Listening
Percussion
contemporary music
Electroacoustic Music
Performance
Music Composition
Sérgio Abreu
Pure Data
Women
Pedagogy
identity
Field Recording
extended techniques
sound art
Samba
Silence
modernism
Soundscape
Brazilian music
Guitar
Improvisation
Artistic research
compositional techniques
Female Composers
Camargo Guarnieri
Technology
Music
Musical performance
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