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  • The long modernism: reflections on the political and cultural agenda of the Brazilian twentieth century.

    Marcos Napolitano
    1-23
    2022-12-16
    DOI: https://doi.org/10.33871/23179937.2022.10.3.6948
  • Debating the permanencies of nationalist musical modernism in the 20th century.

    Wesley Higino, Marcelo Rauta
    1-34
    2022-12-16
    DOI: https://doi.org/10.33871/23179937.2022.10.3.7008
  • Aspects of Villa-Lobos's Tonal Style in Some of His Studies for Guitar

    Gabriel Navia
    1.12
    2020-12-15
    DOI: https://doi.org/10.33871/23179937.2020.8.3.1.12
  • The Semana de Arte Moderna sucess in the musical criticism: Mario de Andrade and Luiz Heitor, 1927 to 1945.

    André Egg
    1-26
    2022-12-16
    DOI: https://doi.org/10.33871/23179937.2022.10.3.7013
  • Searching for Villa-Lobos’s First Piano Trio

    Paulo de Tarso Salles
    1-31
    2023-07-14
    DOI: https://doi.org/10.33871/23179937.2023.11.2.7488
1 - 5 of 5 items
Language
  •   English
  •   Español
  •   Português

Keywords

  • Musical Interpretation
  • Classical Guitar
  • Musical Analysis
  • Composition
  • New music
  • Rock
  • Acoustic Ecology
  • instrumental performance
  • Piano performance
  • Toy piano
  • Intersectionality
  • Performance Practice
  • Listening
  • Percussion
  • contemporary music
  • Electroacoustic Music
  • Performance
  • Music Composition
  • Sérgio Abreu
  • Pure Data
  • Women
  • Pedagogy
  • identity
  • Field Recording
  • extended techniques
  • sound art
  • Samba
  • Silence
  • modernism
  • Soundscape
  • Brazilian music
  • Guitar
  • Improvisation
  • Artistic research
  • compositional techniques
  • Female Composers
  • Camargo Guarnieri
  • Technology
  • Music
  • Musical performance

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