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  • Listening to/with Mar Paradoxo: a collective practice for sharing listenings

    Gustavo Branco Germano, Alexandre Marino, Daniel Tápia, Henrique Rocha de Souza Lima, Lílian Campesato, Marina Mapurunga de Miranda da Ferreira, Valéria Bonafé, Vicente Reis
    1
    2021-11-30
    DOI: https://doi.org/10.33871/23179937.2021.9.2.1
  • Sensible listening technologies: a feminist and decolonial methodology for music

    Isabel Porto Nogueira
    1-32
    2025-08-20
    DOI: https://doi.org/10.33871/vortex.2025.13.9958
  • Performative Listening with Trees in the Sonic Ecology of Forests

    Suna Başlantı
    1-23
    2024-12-21
    DOI: https://doi.org/10.33871/vortex.2024.12.9511
  • The Critical Ear

    Sara Pinheiro
    1-17
    2024-12-22
    DOI: https://doi.org/10.33871/vortex.2024.12.9522
  • Map, Trigger, Score, Procedure: machine-listening paradigms in live-electronics

    Vinícius Cesar de Oliveira, José Henrique Padovani
    2022-04-30
    DOI: https://doi.org/10.33871/23179937.2022.10.1.3
  • The influence of instrumental timbre on the perception of tonal melodies

    Jessé Meier de Andrade, Cristiane Hatsue Vital Otutumi
    1-29
    2024-01-18
    DOI: https://doi.org/10.33871/23179937.2023.11.3.8209
  • Listening after nature? Field recording in flux.

    Rui Miguel Paiva Chaves
    1-5
    2023-07-14
    DOI: https://doi.org/10.33871/23179937.2023.11.2.7637
  • Audio Quality X Accessibility How Digital Technology Changed the Way We Listen and Consume Popular Music

    Ricardo Milani Gomes
    1-14
    2016-10-31
    DOI: https://doi.org/10.33871/23179937.2016.4.2.1320
  • A study about the use of Musicomovigrams in musical education

    Miguel Clemente Rubio, José Fornari Junior, Adriana N. Mendes
    1-19
    2017-06-01
    DOI: https://doi.org/10.33871/23179937.2017.5.2.2149
  • Visuals, Structure and Emotion: The Toy Piano in the Dramaturgy of Piano Recitals

    Késia Decoté Rodrigues
    4
    2020-09-15
    DOI: https://doi.org/10.33871/23179937.2020.8.2.4
  • A Market of Noises and Sounds for Wellbeing (MONSWELL)

    Vinícius Andrade Pereira, Cássio de Borba Lucas
    1-20
    2024-12-24
    DOI: https://doi.org/10.33871/vortex.2024.12.9666
  • Post-immersive Listening: Perspectives on the Mediation of Sonic Environments

    Budhaditya Chattopadhyay
    1-19
    2025-01-22
    DOI: https://doi.org/10.33871/vortex.2024.12.9663
  • Noise is Not Volume Alone – Ambiences and Drony Experiments in Music and Sound Art

    Ianni Barros Luna
    2
    2021-11-30
    DOI: https://doi.org/10.33871/23179937.2021.9.2.2
  • Performing the Immersive: Electroacoustic Music at the Threshold of Technology

    César Rennó-Costa, Alyson Souza, Stefane Orichuela, João Anisio da Nobrega, Leonardo Pereira, Jonatas Manzolli, Cleber Campos
    1-39
    2026-08-11
    DOI: https://doi.org/10.33871/vortex.2026.14.11748
  • Direcionamentos na escuta e suas influências no processo criativo - O caso do grupo Obra Aberta

    Lucas Zewe Uriarte, José Augusto Mannis
    1-23
    2017-06-30
    DOI: https://doi.org/10.33871/23179937.2017.5.1.1856
  • Rogério Duprat’s Film Music Manuscripts for Noite vazia and the Synthesizer at the Vera Cruz Studios

    Itamar Vidal, Danilo Rossetti
    1-47
    2026-05-12
    DOI: https://doi.org/10.33871/vortex.2026.14.11000
  • Some Compositional Approaches in the Practice of live-electronic music from the perspective of technique and technological tools

    Vinícius Cesar de Oliveira, Thales Roel P. Pessanha
    8
    2021-12-15
    DOI: https://doi.org/10.33871/23179937.2021.9.3.8
  • Reinterpreting dual-aspect meter in 20th and 21st century repertoires

    Leandro Gumboski
    1-28
    2024-12-01
    DOI: https://doi.org/10.33871/vortex.2024.12.9169
  • Schaeffer's Solfège, Percussion, Audio Descriptors: Towards an Interactive Musical System

    Sérgio Freire, José Henrique Padovani, Caio Costa Campos
    2022-04-30
    DOI: https://doi.org/10.33871/23179937.2022.10.1.5
  • Reflections on the concepts of Meyer's Theory of Styles for musical performance

    Samuel Henrique da Silva Cianbroni, Regina Antunes Teixeira Dos Santos
    1-26
    2024-09-17
    DOI: https://doi.org/10.33871/vortex.2024.12.9270
  • Sound Narrative: Honing a Deeper Understanding of Soundscapes

    Daniel Walzer
    16
    2020-03-27
    DOI: https://doi.org/10.33871/23179937.2020.8.1.16
  • The Aesthetic Impact of Loudness War in Angra's Discography

    Lucas Antunes Mesquita, Carlos Roberto Ferreira Menezes Júnior
    1-35
    2022-09-29
    DOI: https://doi.org/10.33871/23179937.2022.10.2.6822
  • Editorial: New Sound Ecologies

    William Teixeira, Jacek Smolicki
    1-6
    2025-02-14
    DOI: https://doi.org/10.33871/vortex.2024.12.10335
  • The Death of Narcissus: On Musical Subjectivity

    James Currie
    36-50
    2013-06-30
    DOI: https://doi.org/10.33871/23179937.2013.1.1.370
1 - 24 of 24 items
Language
  •   English
  •   Español
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Keywords

  • Musical Interpretation
  • Classical Guitar
  • Musical Analysis
  • Composition
  • New music
  • Rock
  • Acoustic Ecology
  • instrumental performance
  • Piano performance
  • Toy piano
  • Intersectionality
  • Performance Practice
  • Listening
  • Percussion
  • contemporary music
  • Electroacoustic Music
  • Performance
  • Music Composition
  • Sérgio Abreu
  • Pure Data
  • Women
  • Pedagogy
  • identity
  • Field Recording
  • extended techniques
  • sound art
  • Samba
  • Silence
  • modernism
  • Soundscape
  • Brazilian music
  • Guitar
  • Improvisation
  • Artistic research
  • compositional techniques
  • Female Composers
  • Camargo Guarnieri
  • Technology
  • Music
  • Musical performance

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