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• Improvisation Pedagogy: An Epistemological Perspective of the 4‘E’ Model within Digital Musical Instruments

  Isabela Corintha, Giordano Cabral

  7

  2022-04-30

  DOI: https://doi.org/10.33871/23179937.2022.10.1.7

• A Narrative Model in Three Versions of “My Favorite Things” by Jonathan Kreisberg.

  Rafael Gonçalves

  1 - 38

  2025-10-28

  DOI: https://doi.org/10.33871/vortex.2025.13.9849

• Jazz performance: improvisação como conversação.

  Túlio Augusto Silva Santos

  1-5

  2016-12-31

  DOI: https://doi.org/10.33871/23179937.2016.4.3.1344

• From Scratch

  Sergio Kafejian

  1.41

  2020-12-15

  DOI: https://doi.org/10.33871/23179937.2020.8.3.1.41

• A Networked Hybrid Interface for Audience Sonification and Machine Learning

  Konstantinos Vasilakos

  2022-04-30

  DOI: https://doi.org/10.33871/23179937.2022.10.1.4695

• Performer openness strategies and the discourse control procedures

  Daniel Pizaia, Fabio Furlanete

  1-29

  2023-07-14

  DOI: https://doi.org/10.33871/23179937.2023.11.2.7496

• Almost 20 years of Cyclone; past, present and future

  Alexandre Torres Porres, Matt Barber, Derek Kwan

  15

  2021-11-30

  DOI: https://doi.org/10.33871/23179937.2021.9.2.15

• Click Tracker PD patch

  João Pais

  201-203

  2014-12-30

  DOI: https://doi.org/10.33871/23179937.2014.2.2.475

• Sound feedback control model for live electronic performance in the Ecos Study

  Ricardo Thomasi, Regis R. A. Faria

  3

  2021-12-15

  DOI: https://doi.org/10.33871/23179937.2021.9.3.3

• Notes on the historical factors that led composition become distanced from music education

  Eduardo Wanderley Brasil, Fernando Gabriel Batista Lima, Fábio Silva Ventura, Caroline Caregnato

  1-31

  2026-06-26

  DOI: https://doi.org/10.33871/vortex.2026.14.11372

• Schaeffer's Solfège, Percussion, Audio Descriptors: Towards an Interactive Musical System

  Sérgio Freire, José Henrique Padovani, Caio Costa Campos

  2022-04-30

  DOI: https://doi.org/10.33871/23179937.2022.10.1.5

• Sensible listening technologies: a feminist and decolonial methodology for music

  Isabel Porto Nogueira

  1-32

  2025-08-20

  DOI: https://doi.org/10.33871/vortex.2025.13.9958

• Visuals, Structure and Emotion: The Toy Piano in the Dramaturgy of Piano Recitals

  Késia Decoté Rodrigues

  4

  2020-09-15

  DOI: https://doi.org/10.33871/23179937.2020.8.2.4

• On the nature of musical scores and the rationale to prepare them: formulating directives

  Marcus Alessi Bittencourt

  8

  2020-09-15

  DOI: https://doi.org/10.33871/23179937.2020.8.2.8

• “Suite of Movements” by Castilla-Ávila Movement, emotion and search sound resources

  Juan Manuel Márquez Vázquez

  1-12

  2022-09-29

  DOI: https://doi.org/10.33871/23179937.2022.10.2.7058

• An introduction to the poetics of sacred sound in twentieth-century music

  Luigi Antonio Irlandini

  65-86

  2013-12-30

  DOI: https://doi.org/10.33871/23179937.2013.1.2.430