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• Women in samba: what do recent academic productions say?

  Yanne Angelim Dias, Maria Zelma de Araújo Madeira

  1-27

  2025-08-19

  DOI: https://doi.org/10.33871/vortex.2025.13.9936

• Women in Percussion: An Investigation of Composers and Works in Latin America and the Caribbean

  Juliane Larsen, Camila Cardoso

  1-34

  2025-08-20

  DOI: https://doi.org/10.33871/vortex.2025.13.9887

• Women in Samba: work, collective experiences, and cultural policies

  Laila Andresa Cavalcante Rosa, Julia Ricciardi Lima, Rayra Mayara Santos

  1-28

  2025-08-20

  DOI: https://doi.org/10.33871/vortex.2025.13.9960

• BatuCantada: Women in percussion subverting the musical patriarchy

  Vanessa Ramos de Oliveira Souza, Denise Marcos Bussoletti

  1-24

  2025-08-19

  DOI: https://doi.org/10.33871/vortex.2025.13.9951

• Women in the practice of Mbira in Mozambique: breaking down gender barriers.

  Micas Orlando Silambo

  1-41

  2025-08-20

  DOI: https://doi.org/10.33871/vortex.2025.13.9681

• The therapeutic power of black women's music: perspectives for the clinic

  Sara Santos Dias Costa, Maylla Monnik Rodrigues de Sousa Chaveiro

  1-22

  2025-08-20

  DOI: https://doi.org/10.33871/vortex.2025.13.9867

• To Kill Prejudice, I Was Reborn: Two Black Women’s Voice in a Carnival Bloco

  Thiago de Souza Borges, Samuel Araújo

  1-21

  2025-08-19

  DOI: https://doi.org/10.33871/vortex.2025.13.9953

• Women and gender perspective: analyzing the repertoire of professional choirs in Southeast Brazil

  Maria Rúbia de Moraes Andreta, Susana Cecília Igayara-Souza

  1-37

  2025-08-20

  DOI: https://doi.org/10.33871/vortex.2025.13.9894

• Women in the History of Music, in textbooks and in teacher education

  Andréia Schach Fey, Guilherme Romanelli

  1-25

  2025-08-19

  DOI: https://doi.org/10.33871/vortex.2025.13.9914

• The Woman and the Guitar in Portugal: Cataloging Process

  Maria Beatriz Oliveira, Pedro Rodrigues

  1-28

  2025-08-19

  DOI: https://doi.org/10.33871/vortex.2025.13.9727

• It Is Black Song: Pride in Samba and in the Journeys of Dona Ivone Lara and Tia Doca of Portelaer’s

  Denise Santiago-Figueiredo, Ana Paola Laeber

  1-36

  2025-08-20

  DOI: https://doi.org/10.33871/vortex.2025.13.9893

• The Influence of Symbolic Gender Violence on the Work of Female Composers

  Janaina Fellini, Gislaine Cristina Vagetti

  1-26

  2025-08-20

  DOI: https://doi.org/10.33871/vortex.2025.13.9801

• Magda Tagliaferro: the criticisms of the French music press and gender issues

  Anderson da Mata Daher

  1-26

  2025-08-20

  DOI: https://doi.org/10.33871/vortex.2025.13.9774

• Black female composers and singers - aesthetic experience and representation in music

  Gisele Massola, Michele Castro

  1-25

  2025-08-19

  DOI: https://doi.org/10.33871/vortex.2025.13.9906

• Compositional Achievements of Rebecca Clarke in the Sonata for Viola and Piano

  Adriana Lopes da Cunha Moreira, Laís Ferreira Lopes

  1-29

  2025-08-20

  DOI: https://doi.org/10.33871/vortex.2025.13.9925

• Temporal Success Analyses in Music Collaboration Networks: Brazilian and Global Scenarios

  Mariana O. Silva, Gabriel P. Oliveira, Danilo B. Seufitelli, Mirella M. Moro

  1-27

  2023-08-03

  DOI: https://doi.org/10.33871/23179937.2023.11.2.7185

• An analysis of labor conditions of black and indigenous singers in the bahian music

  Júlia Melo Salgado, Daniele Pereira Canedo

  1-42

  2025-08-20

  DOI: https://doi.org/10.33871/vortex.2025.13.9886

• From Compact Discs to Streaming: A Comparison of Eras within the Brazilian Market

  Danilo B. Seufitelli, Gabriel P. Oliveira, Mariana O. Silva, Gabriel R. G. Barbosa, Bruna C. Melo, Juliana E. Botelho, Luiza de Melo-Gomes, Mirella M. Moro

  2022-04-30

  DOI: https://doi.org/10.33871/23179937.2022.10.1.2

• Leonor de Castro: the first female teacher at the Rio de Janeiro Music Conservatory

  Clara Fernandes Albuquerque

  1-30

  2025-08-20

  DOI: https://doi.org/10.33871/vortex.2025.13.9963

• Gender Negotiation of the composer Kaija Saariaho in Finland: The Woman Composer as Nomadic Subject.

  Pirkko Moisala, Camila Durães Zerbinatti

  1-24

  2015-12-31

  DOI: https://doi.org/10.33871/23179937.2015.3.2.886

• Piano Repertoire for the Left Hand: A Performative Study of Portuguese Works

  Andre Roque Cardoso, Helena Marinho

  1-34

  2026-03-31

  DOI: https://doi.org/10.33871/vortex.2026.14.10853

• Effects of LaxVox exercise on vocal tract resonance of lyric sopranos

  Suelen Scholl Matter, Marta Assumpção de Andrada e Silva , Zuleica Camargo, Leslie Piccolotto Ferreira, Nadja Sousa

  1-31

  2025-08-20

  DOI: https://doi.org/10.33871/vortex.2025.13.9912

• A quantitative comparison of viral and hit songs in the Brazilian music market

  Gabriel Oliveira, Ana Paula Couto da Silva, Mirella Moro

  1-29

  2024-09-07

  DOI: https://doi.org/10.33871/vortex.2024.12.8727

• Music virality on social platforms: A literature review

  Gabriel P. Oliveira, Ana Paula Couto da Silva, Mirella M. Moro

  1-32

  2025-11-17

  DOI: https://doi.org/10.33871/vortex.2025.13.10848