Vol. 12 (2024): Revista Vórtex

View Vol. 12 (2024): Revista Vórtex

Published: 2024-03-28

Original Article

Words, Sounds, and Images – Representations of the Guitar in Brazilian Literary Prose

Cláudia Araújo Garcia

1-28
- PDF (Portuguese (Brazil))
DOI: https://doi.org/10.33871/vortex.2024.12.8726
A constellation for Jocy de Oliveira’s artwork

Claudia Helena Azevedo Alvarenga

1-38
- PDF (Portuguese (Brazil))
DOI: https://doi.org/10.33871/vortex.2024.12.9225
Analysis and interpretation of the Sonatina for guitar by Sérgio Vasconcellos-Corrêa

Jéfrey Antônio de Andrade, Rogério Tavares Constante

1-44
- PDF (Portuguese (Brazil))
DOI: https://doi.org/10.33871/vortex.2024.12.8864
A quantitative comparison of viral and hit songs in the Brazilian music market

Gabriel Oliveira, Ana Paula Couto da Silva, Mirella Moro

1-29
- PDF
DOI: https://doi.org/10.33871/vortex.2024.12.8727
"Indios muzicos" of the 18th century: The Indigenous Musical Ensemble of Itapecerica (1767-1835)

Daniel Issa Gonçalves, Paulo Augusto Castagna

1-34
- PDF (Portuguese (Brazil))
DOI: https://doi.org/10.33871/vortex.2024.12.9301
The equivalence of sound and visual images in Di-stances, by Vânia Dantas Leite.

Alexandre Fenerich

1-27
- PDF (Portuguese (Brazil))
DOI: https://doi.org/10.33871/vortex.2024.12.8824
Reflections on the concepts of Meyer's Theory of Styles for musical performance

Samuel Henrique da Silva Cianbroni, Regina Antunes Teixeira Dos Santos

1-26
- PDF (Portuguese (Brazil))
DOI: https://doi.org/10.33871/vortex.2024.12.9270
The transit of lyric companies between the cities of Desterro and Rio Grande from 1850 to 1880

Marcele Pedrotti Dutra Meneses, Marcos Holler

1-32
- PDF (Portuguese (Brazil))
DOI: https://doi.org/10.33871/vortex.2024.12.8561
Rachel Reis' decolonial performance on the album Meu Esquema and Salvador's Afro-Latin music scene

Nadja Vladi Gumes, Tatiana Rodrigues Lima

1-33
- PDF (Portuguese (Brazil))
DOI: https://doi.org/10.33871/vortex.2024.12.8724
Space in Music: what we call ‘space’ in music and what it really is

Fabio Wanderley Janhan Sousa

1-24
- PDF
DOI: https://doi.org/10.33871/vortex.2024.12.8490
From Seeds to Gardens: Transcription and Orchestration in Notations VII by Pierre Boulez

Igor Leão Maia, Felipe Mendes Vasconcelos, Samuel Araújo Alves

1-31
- PDF (Portuguese (Brazil))
DOI: https://doi.org/10.33871/vortex.2024.12.8731
Violin in choro: interpretative possibilities based on compositions by J. E. Gramani

Carolina Momm de Melo, Luiz Henrique Fiaminghi

1-38
- PDF (Portuguese (Brazil))
DOI: https://doi.org/10.33871/vortex.2024.12.8415
Sonata form in Alberto Nepomuceno’s Symphony in G minor

Norton Dudeque

1-36
- PDF (Portuguese (Brazil))
DOI: https://doi.org/10.33871/vortex.2024.12.8621
“Indios muzicos” of the 18th Century: The Indigenous Musical Ensemble of Embu (1783-1829)

Daniel Issa Gonçalves, Paulo Augusto Castagna

1-31
- PDF (Portuguese (Brazil))
DOI: https://doi.org/10.33871/vortex.2024.12.8712
Lilinha Fernandes and Quincas Laranjeiras: two Swallows among passing Dreams

Humberto Amorim

1-42
- PDF (Portuguese (Brazil))
DOI: https://doi.org/10.33871/vortex.2024.12.8686
Rossiniana n° 1 by Mauro Giuliani: interpretation of "Assisa à piè d'un salice" from primary sources.

Helvis Costa, Fabio Scarduelli

1-39
- PDF (Portuguese (Brazil))
DOI: https://doi.org/10.33871/vortex.2024.12.8631
The paradigms of authenticity in the interpretation of Variações by Llobet on Op. 15 by Sor

Luciano Souto, Adrielle Clara Silva Melo

1-40
- PDF (Portuguese (Brazil))
DOI: https://doi.org/10.33871/vortex.2024.12.8286
Conceptions about singing and vocal production in Camillo Maffei's Discorso della voce (1562)

Viviane Alves Kubo

1-25
- PDF (Portuguese (Brazil))
DOI: https://doi.org/10.33871/vortex.2024.12.8773
Contemporary music at Fundação de Educação Artística in the decade before COVID-19 los impactos de la pandemia de COVID-19 en Belo Horizonte

Guilherme Nascimento

1-17
- PDF (Portuguese (Brazil))
DOI: https://doi.org/10.33871/vortex.2024.12.8464
Reinterpreting dual-aspect meter in 20th and 21st century repertoires

Leandro Gumboski

1-28
- PDF (Portuguese (Brazil))
DOI: https://doi.org/10.33871/vortex.2024.12.9169
The Spatial Dimension as an Expressive and Structuring Element in Phonograms from the 1950s

Gilberto Assis Rosa

1-22
- PDF (Portuguese (Brazil))
DOI: https://doi.org/10.33871/vortex.2024.12.9084
The concept of piano timbre: perspectives from five graduate pianists

Nayane Nogueira Soares

1-34
- PDF (Portuguese (Brazil))
DOI: https://doi.org/10.33871/vortex.2024.12.9190
"It will be an honor for the country and for the friend": the letters of Friar Pedro Sinzig to Curt Lange

Marta Castello Branco

1-25
- PDF (Portuguese (Brazil))
DOI: https://doi.org/10.33871/vortex.2024.12.9272

Dossier “New Sound Ecologies”

Editorial: New Sound Ecologies

William Teixeira, Jacek Smolicki

1-6
- PDF
DOI: https://doi.org/10.33871/vortex.2024.12.10335
Composing Sound Spaces: an interview with Hans Tutschku

Ingrid Mayumi Yamazato de Souza, William Teixeira da Silva

1-25
- PDF
DOI: https://doi.org/10.33871/vortex.2024.12.9523
Contributions of Gibson's Ecological Psychology to the Creation of Interactive Sound Installations

Rael Bertarelli Gimenes Toffolo

1-29
- PDF
DOI: https://doi.org/10.33871/vortex.2024.12.9513
Starling Murmurations as a Model for Sound Spatialization

Said Bonduki, Leon Steidle
- PDF (Portuguese (Brazil))
DOI: https://doi.org/10.33871/vortex.2024.12.9579
Ecosystem [512]: Acoustic Ecology Surveys as Music

Garrison Gerard

1-27
- PDF
DOI: https://doi.org/10.33871/vortex.2024.12.9521
From Nature to Instrument: Mimetic Realism in Two Works by Carola Bauckholt

Thiago Diniz Gonzaga de Lima, Igor Leão Maia

1-45
- PDF (Portuguese (Brazil))
DOI: https://doi.org/10.33871/vortex.2024.12.9525
Performative Listening with Trees in the Sonic Ecology of Forests

Suna Başlantı

1-23
- PDF
DOI: https://doi.org/10.33871/vortex.2024.12.9511
The Critical Ear

Sara Pinheiro

1-17
- PDF
DOI: https://doi.org/10.33871/vortex.2024.12.9522
A Market of Noises and Sounds for Wellbeing (MONSWELL)

Vinícius Andrade Pereira, Cássio de Borba Lucas

1-20
- PDF
DOI: https://doi.org/10.33871/vortex.2024.12.9666
Etymology as sound analysis: a study of the terminological variation of Pantanal Birds

Thierry Delmond, William Teixeira, Maristela Benites da Silva

1-27
- PDF (Portuguese (Brazil))
DOI: https://doi.org/10.33871/vortex.2024.12.9504
Post-immersive Listening: Perspectives on the Mediation of Sonic Environments

Budhaditya Chattopadhyay

1-19
- PDF
DOI: https://doi.org/10.33871/vortex.2024.12.9663
Immersive sound image with circular arrangements of transducers spaced in equal segments

Jose Augusto Mannis, Igor Abdo Aguilar, Amanda Chang Rodrigues

1-46
- PDF (Portuguese (Brazil))
DOI: https://doi.org/10.33871/vortex.2024.12.9752

Ebony & Ivory: history, contexts and practices related to piano

Editorial: Ebony & Ivory - History, Contexts and Practices Related to Piano

Alfonso Benetti

1-14
- PDF (Portuguese (Brazil))
DOI: https://doi.org/10.33871/vortex.2024.12.9555
Play, perform, experiment, create: György Kurtág's 'Jatékók' and playful music-making

Gustavo Rodrigues Penha, Silvio Ferraz Mello Filho

1-37
- PDF (Portuguese (Brazil))
DOI: https://doi.org/10.33871/vortex.2024.12.8398
Intertextuality and Performance in “Três Sátiras para Piano” by José Alberto Kaplan

Tassio Lima, Joana Holanda

1-41
- PDF (Portuguese (Brazil))
DOI: https://doi.org/10.33871/vortex.2024.12.8485
An expert pianist's strategies for learning a song from a lead sheet

Joao G A Lima, Danilo Ramos

1-45
- PDF (Portuguese (Brazil))
DOI: https://doi.org/10.33871/vortex.2024.12.8443
Magdalena Tagliaferro: repertoire and performances according to French music critics

Anderson da Mata Daher

1-30
- PDF (Portuguese (Brazil))
DOI: https://doi.org/10.33871/vortex.2024.12.8546
Macedo Pinto’s Nove Instantâneos for piano sources, contexts, and pedagogical contribution

Gustavo Afonso, Helena Marinho

1-35
- PDF (Portuguese (Brazil))
DOI: https://doi.org/10.33871/vortex.2024.12.8450

Interview

Conducting pedagogues: a dialogue with Maestro Jean-François Rivest, act II

Erickinson Lima, André Muniz

1-29
- PDF
DOI: https://doi.org/10.33871/vortex.2024.12.8348

Translation

Music and Silence

Gisèle Brelet; Gustavo Bonin, Juliana Di Fiori Pondian

1-22
- PDF (Portuguese (Brazil))
DOI: https://doi.org/10.33871/vortex.2024.12.9117