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• Violin in choro: interpretative possibilities based on compositions by J. E. Gramani

  Carolina Momm de Melo, Luiz Henrique Fiaminghi

  1-38

  2024-06-25

  DOI: https://doi.org/10.33871/vortex.2024.12.8415

• The 1922 Week of Modern Art and the nationalist element in the discourse on music in Brazil

  Flavio Terrigno Barbeitas

  1-22

  2022-12-16

  DOI: https://doi.org/10.33871/23179937.2022.10.3.7101

• Editorial: New Sound Ecologies

  William Teixeira, Jacek Smolicki

  1-6

  2025-02-14

  DOI: https://doi.org/10.33871/vortex.2024.12.10335

• In the Era of Computers, Internet and Multimedia, are we still Teaching Composers to become Chapel-Masters?

  Rodolfo Coelho de Souza

  1-14

  2020-02-27

  DOI: https://doi.org/10.33871/23179937.2020.8.1.1-14

• We walk together (2020)

  Rui Chaves, Eduardo Patrício, Laura Romero, Lilian Nakahodo, Luz da Camara

  8

  2021-11-30

  DOI: https://doi.org/10.33871/23179937.2021.9.2.8

• Words, Sounds, and Images – Representations of the Guitar in Brazilian Literary Prose

  Cláudia Araújo Garcia

  1-28

  2024-09-16

  DOI: https://doi.org/10.33871/vortex.2024.12.8726

• It Is Black Song: Pride in Samba and in the Journeys of Dona Ivone Lara and Tia Doca of Portelaer’s

  Denise Santiago-Figueiredo, Ana Paola Laeber

  1-36

  2025-08-20

  DOI: https://doi.org/10.33871/vortex.2025.13.9893

• Black female composers and singers - aesthetic experience and representation in music

  Gisele Massola, Michele Castro

  1-25

  2025-08-19

  DOI: https://doi.org/10.33871/vortex.2025.13.9906

• The therapeutic power of black women's music: perspectives for the clinic

  Sara Santos Dias Costa, Maylla Monnik Rodrigues de Sousa Chaveiro

  1-22

  2025-08-20

  DOI: https://doi.org/10.33871/vortex.2025.13.9867

• Rhythms of Diplomacy: Pan-American Echoes in Guarnieri’s Flute Improviso No. 2

  Pyero Talone

  1-28

  2024-02-06

  DOI: https://doi.org/10.33871/23179937.2023.11.3.8218

• BatuCantada: Women in percussion subverting the musical patriarchy

  Vanessa Ramos de Oliveira Souza, Denise Marcos Bussoletti

  1-24

  2025-08-19

  DOI: https://doi.org/10.33871/vortex.2025.13.9951

• Bimanual Coordination on the Guitar: an Experimental Study with Music Undergraduate Students un estudio experimental con estudiantes de pregrado en Música

  Renan Colombo Simões, Daniel Wolff

  1-39

  2023-12-31

  DOI: https://doi.org/10.33871/23179937.2023.11.3.8145

• A Narrative Model in Three Versions of “My Favorite Things” by Jonathan Kreisberg.

  Rafael Gonçalves

  1 - 38

  2025-10-28

  DOI: https://doi.org/10.33871/vortex.2025.13.9849

• Searching for Villa-Lobos’s First Piano Trio

  Paulo de Tarso Salles

  1-31

  2023-07-14

  DOI: https://doi.org/10.33871/23179937.2023.11.2.7488

• To Kill Prejudice, I Was Reborn: Two Black Women’s Voice in a Carnival Bloco

  Thiago de Souza Borges, Samuel Araújo

  1-21

  2025-08-19

  DOI: https://doi.org/10.33871/vortex.2025.13.9953

• Contrasting noises and expanding sounds: the composition process of Caminantes I to IV

  Igor Leão Maia

  2018-09-01

  DOI: https://doi.org/10.33871/23179937.2018.6.2.2606

• Ubá, Belenenses

  Eduardo Frigatti

  1.42

  2020-12-15

  DOI: https://doi.org/10.33871/23179937.2020.8.3.1.42

• Magdalena Tagliaferro: repertoire and performances according to French music critics

  Anderson da Mata Daher

  1-30

  2024-06-19

  DOI: https://doi.org/10.33871/vortex.2024.12.8546

• Noise as Timbre of Materiality

  Roberto Wu

  1-24

  2025-08-29

  DOI: https://doi.org/10.33871/vortex.2025.13.10840

• Editorial Dossier Brazilian Symposium on Computer Music

  Ivan Simurra, Flávio Schiavoni, Cristiano Figueiró, Isabel Nogueira

  2022-04-30

• The 1986s BRock music videos from a techno(counter)cultural perspective

  Ananda Zambi de Albuquerque, Tiago Ricciardi Correa Lopes

  1-18

  2022-10-05

  DOI: https://doi.org/10.33871/23179937.2022.10.2.6866

• Women in samba: what do recent academic productions say?

  Yanne Angelim Dias, Maria Zelma de Araújo Madeira

  1-27

  2025-08-19

  DOI: https://doi.org/10.33871/vortex.2025.13.9936

• Contributions of Gibson's Ecological Psychology to the Creation of Interactive Sound Installations

  Rael Bertarelli Gimenes Toffolo

  1-29

  2024-12-01

  DOI: https://doi.org/10.33871/vortex.2024.12.9513

• Waltzifiability hypothesis

  Angel Tateishi, Amanda Carpenedo, Jean Lopes Baiano

  1-23

  2023-07-14

  DOI: https://doi.org/10.33871/23179937.2023.11.2.7619

• Audiovisual interactive artwork via web-deployed software: Motus composes Homino-idea

  Augusto Piato Amstalden, Tiago Fernandes Tavares, Anésio Azevedo Costa Neto, Giovana Cardi Camarini

  2022-04-30

  DOI: https://doi.org/10.33871/23179937.2022.10.1.6