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  • Idiosyncrasies in rabeca making in Pernambuco: The case of Valério Bizunga, Olinda, Pernambuco, Brazil

    Erasmo Estrada, Jorge Ventura de Morais
    1-50
    2025-04-15
    DOI: https://doi.org/10.33871/vortex.2025.13.9210
  • DCnet: A Spatial Representation of Chains of Consecutive Dominants

    Carlos Almada, Max Kühn
    1-22
    2022-10-26
    DOI: https://doi.org/10.33871/23179937.2022.10.2.7122
  • “They killed a child while she was going to school”: media, police violence and politics in “Delação premiada”.

    Adelcio Camilo Machado, Débora Camargo
    1-20
    2022-12-16
    DOI: https://doi.org/10.33871/23179937.2022.10.3.6825
  • Neither idiomatism nor extended technique: vibraphone approaches on Traldi and Rosauro

    Isabella Tais Sonsin, Alexandre Remuzzi Ficagna
    1-37
    2023-05-16
    DOI: https://doi.org/10.33871/23179937.2023.11.1.7312
76 - 79 of 79 items << < 1 2 3 4 
Language
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Keywords

  • Musical Interpretation
  • Classical Guitar
  • Musical Analysis
  • Composition
  • New music
  • Rock
  • Acoustic Ecology
  • instrumental performance
  • Piano performance
  • Toy piano
  • Intersectionality
  • Performance Practice
  • Listening
  • Percussion
  • contemporary music
  • Electroacoustic Music
  • Performance
  • Music Composition
  • Sérgio Abreu
  • Pure Data
  • Women
  • Pedagogy
  • identity
  • Field Recording
  • extended techniques
  • sound art
  • Samba
  • Silence
  • modernism
  • Soundscape
  • Brazilian music
  • Guitar
  • Improvisation
  • Artistic research
  • compositional techniques
  • Female Composers
  • Camargo Guarnieri
  • Technology
  • Music
  • Musical performance

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