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Interview with Luigi Abbate
Luigi Abbate, Eduardo Campolina, Igor Leão Maia
1-31
2020-02-27
DOI:
https://doi.org/10.33871/23179937.2020.8.1.1-31
Application of the Aesthetic of Guqin (古琴) for Contemporary Music Composition
Barry Yuk Bun Wan
2
2021-12-15
DOI:
https://doi.org/10.33871/23179937.2021.9.3.2
An introduction to the poetics of sacred sound in twentieth-century music
Luigi Antonio Irlandini
65-86
2013-12-30
DOI:
https://doi.org/10.33871/23179937.2013.1.2.430
Music Composition Today
Ming Tsao
1-10
2020-02-27
DOI:
https://doi.org/10.33871/23179937.2020.8.1.1-10
Composition of “Karma” based on the Gestalt Modeling of “Ponteio No. 29” by Camargo Guarnieri
Helder Alves de Oliveira, Liduino Pitombeira
1-37
2024-01-30
DOI:
https://doi.org/10.33871/23179937.2023.11.3.8241
‘Chess studies’ for String Quartet: Composition based on chess
Alberto Hortigüela, Sara Carvalho
1-34
2025-07-22
DOI:
https://doi.org/10.33871/vortex.2025.13.9479
Discussing the teaching of composition at the university
Yuri Behr, Clayton Rosa Mamedes, Isaac Felix Chueke
14
2020-02-27
DOI:
https://doi.org/10.33871/23179937.2020.8.1.14
Como una luna en el agua
Francisco del Pino
169-180
2014-12-30
DOI:
https://doi.org/10.33871/23179937.2014.2.2.470
Morton Feldman @100
Ming Tsao
1-21
2026-03-30
DOI:
https://doi.org/10.33871/vortex.2026.14.11610
The Practice of Teaching Composition
Dániel Péter Biró
1-11
2020-02-27
DOI:
https://doi.org/10.33871/23179937.2020.8.1.1-11
Real-time Analysis of Interactive Scores in PWGL
Mika Kuuskankare
2022-04-30
DOI:
https://doi.org/10.33871/23179937.2022.10.1.4
Halny, for flute and guitar
Eduardo Frigatti
2018-09-01
DOI:
https://doi.org/10.33871/23179937.2018.6.2.2624
Space in Music: what we call ‘space’ in music and what it really is
Fabio Wanderley Janhan Sousa
1-24
2024-06-18
DOI:
https://doi.org/10.33871/vortex.2024.12.8490
Historicized Composition and Creative Ethnomusicology
Dániel Péter Biró
1-22
2013-06-30
DOI:
https://doi.org/10.33871/23179937.2013.1.1.367
Teaching Music Composition: A Poetic Interdisciplinary Path Through Art and Life
Roseane Yampolschi
15
2020-03-27
DOI:
https://doi.org/10.33871/23179937.2020.8.1.15
Making Complex Music with Simple Algorithms, is it Even Possible?
Risto Holopainen
3
2021-11-30
DOI:
https://doi.org/10.33871/23179937.2021.9.2.3
Jade God In
Ivan Eiji Simurra
181-188
2014-12-30
DOI:
https://doi.org/10.33871/23179937.2014.2.2.471
Notes on the historical factors that led composition become distanced from music education
Eduardo Wanderley Brasil, Fernando Gabriel Batista Lima, Fábio Silva Ventura, Caroline Caregnato
1-31
2026-06-26
DOI:
https://doi.org/10.33871/vortex.2026.14.11372
The analogies toy: poetic algorithm as a composition strategy
Armando Lôbo
1-7
2020-02-27
DOI:
https://doi.org/10.33871/23179937.2020.8.1.1-7
Schaeffer's Solfège, Percussion, Audio Descriptors: Towards an Interactive Musical System
Sérgio Freire, José Henrique Padovani, Caio Costa Campos
2022-04-30
DOI:
https://doi.org/10.33871/23179937.2022.10.1.5
The night, the music: a cognitive hypothesis
Maurício Dottori
7
2020-02-27
DOI:
https://doi.org/10.33871/23179937.2020.8.1.7
Parsimonious relations between Guitar Textural Proposals
Bernardo Ramos Pinto, Pauxy Gentil-Nunes
1.1
2020-12-15
DOI:
https://doi.org/10.33871/23179937.2020.8.3.1.1
Teledescante nº1: polyphony in time of plague
Maurício Funcia De Bonis, Fábio Scucuglia
5
2021-11-30
DOI:
https://doi.org/10.33871/23179937.2021.9.2.5
Map, Trigger, Score, Procedure: machine-listening paradigms in live-electronics
Vinícius Cesar de Oliveira, José Henrique Padovani
2022-04-30
DOI:
https://doi.org/10.33871/23179937.2022.10.1.3
Serendipity Poetry and Play in Toy Piano composition and Four Pieces for Toy Piano
Brian Inglis
5
2020-09-15
DOI:
https://doi.org/10.33871/23179937.2020.8.2.5
1 - 25 of 118 items
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