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• A Mathematical, Graphical and Visual Approach to Granular Synthesis Composition

  Fernando Falci de Souza, Adolfo Maia Jr.

  4

  2021-11-30

  DOI: https://doi.org/10.33871/23179937.2021.9.2.4

• Ubá, Belenenses

  Eduardo Frigatti

  1.42

  2020-12-15

  DOI: https://doi.org/10.33871/23179937.2020.8.3.1.42

• Invention is not taught

  Flo Menezes

  11

  2020-02-27

  DOI: https://doi.org/10.33871/23179937.2020.8.1.11

• From Scratch

  Sergio Kafejian

  1.41

  2020-12-15

  DOI: https://doi.org/10.33871/23179937.2020.8.3.1.41

• Ecosystem [512]: Acoustic Ecology Surveys as Music

  Garrison Gerard

  1-27

  2024-12-03

  DOI: https://doi.org/10.33871/vortex.2024.12.9521

• Reimagining a Riemannian symbology for the structural harmonic analysis of 19th-century tonal music.

  Marcus Alessi Bittencourt

  30-48

  2013-12-30

  DOI: https://doi.org/10.33871/23179937.2013.1.2.428

• Gesture as a metaphorical process: an exploration through musical composition

  Sara Carvalho

  1-9

  2017-06-30

  DOI: https://doi.org/10.33871/23179937.2017.5.1.1852

• Teaching and Learning Electronic Music Composition

  Joachim Heintz

  1-8

  2020-02-27

  DOI: https://doi.org/10.33871/23179937.2020.8.1.1-8

• Waltzifiability hypothesis

  Angel Tateishi, Amanda Carpenedo, Jean Lopes Baiano

  1-23

  2023-07-14

  DOI: https://doi.org/10.33871/23179937.2023.11.2.7619

• A Brief Primer to Sergei Taneyev’s Treatise “Convertible Counterpoint in the Strict Style”

  Marcus Alessi Bittencourt, Lilian Cristyelen Martins

  1-46

  2026-03-30

  DOI: https://doi.org/10.33871/vortex.2026.14.11205

• Dragonslayer: musical composition and mythical thought

  Luigi Antonio Irlandini

  5

  2021-12-15

  DOI: https://doi.org/10.33871/23179937.2021.9.3.5

• Contrasting noises and expanding sounds: the composition process of Caminantes I to IV

  Igor Leão Maia

  2018-09-01

  DOI: https://doi.org/10.33871/23179937.2018.6.2.2606

• Writings in the Dust, for Guitar and Electronic Sounds: Reflections on Mixed Music with Tape and Its Relationship with Tradition

  Felipe Vasconcelos, Renan Simões

  1-37

  2025-11-17

  DOI: https://doi.org/10.33871/vortex.2025.13.10837

• Pandemics, Delays, and Pure Data: on 'afterlives' (2020), for Flute and Live Electronics and Visuals

  José Henrique Padovani

  17

  2021-11-30

  DOI: https://doi.org/10.33871/23179937.2021.9.2.17

• Compositional Planning of Trivium for Helder Alto Recorder

  Liduino José Pitombeira de Oliveira

  1-63

  2026-07-10

  DOI: https://doi.org/10.33871/vortex.2026.14.11516

• Listening to/with Mar Paradoxo: a collective practice for sharing listenings

  Gustavo Branco Germano, Alexandre Marino, Daniel Tápia, Henrique Rocha de Souza Lima, Lílian Campesato, Marina Mapurunga de Miranda da Ferreira, Valéria Bonafé, Vicente Reis

  1

  2021-11-30

  DOI: https://doi.org/10.33871/23179937.2021.9.2.1

• Fireman Dither – Variate Ilona

  Ivan Eiji Simurra

  121-163

  2014-06-30

  DOI: https://doi.org/10.33871/23179937.2014.2.1.472

• On the nature of musical scores and the rationale to prepare them: formulating directives

  Marcus Alessi Bittencourt

  8

  2020-09-15

  DOI: https://doi.org/10.33871/23179937.2020.8.2.8

• The Guitar as a Laboratory for Experimentation

  Camilo A. Mendez San Juan

  1.10

  2020-12-15

  DOI: https://doi.org/10.33871/23179937.2020.8.3.1.10

• The Collaborative Role of the Technician in ...sofferte onde serene...

  Darren Miller

  37-47

  2014-06-30

  DOI: https://doi.org/10.33871/23179937.2014.2.1.446

• Performer openness strategies and the discourse control procedures

  Daniel Pizaia, Fabio Furlanete

  1-29

  2023-07-14

  DOI: https://doi.org/10.33871/23179937.2023.11.2.7496

• Editorial v.8 n.1 (2020)

  Felipe de Almeida Ribeiro

  2020-03-27

• Research in composition and musical analysis: Computational tools, inter-relationships and emergences

  Danilo Rossetti

  1-31

  2023-04-08

  DOI: https://doi.org/10.33871/23179937.2023.11.1.7382

• Sound Narrative: Honing a Deeper Understanding of Soundscapes

  Daniel Walzer

  16

  2020-03-27

  DOI: https://doi.org/10.33871/23179937.2020.8.1.16

• Idiosyncratic Audio Feedback Networks for Music Creation

  Adriano Claro Monteiro

  2022-04-30

  DOI: https://doi.org/10.33871/23179937.2022.10.1.1