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• Fireman Dither – Variate Ilona

  Ivan Eiji Simurra

  121-163

  2014-06-30

  DOI: https://doi.org/10.33871/23179937.2014.2.1.472

• On the nature of musical scores and the rationale to prepare them: formulating directives

  Marcus Alessi Bittencourt

  8

  2020-09-15

  DOI: https://doi.org/10.33871/23179937.2020.8.2.8

• The Guitar as a Laboratory for Experimentation

  Camilo A. Mendez San Juan

  1.10

  2020-12-15

  DOI: https://doi.org/10.33871/23179937.2020.8.3.1.10

• The Collaborative Role of the Technician in ...sofferte onde serene...

  Darren Miller

  37-47

  2014-06-30

  DOI: https://doi.org/10.33871/23179937.2014.2.1.446

• El Cimarrón by Hans Werner Henze – A New Approach to Political Song

  Jose Mario Ortiz

  1-12

  2017-12-29

  DOI: https://doi.org/10.33871/23179937.2017.5.3.2160

• Analysis and interpretation of the Sonatina for guitar by Sérgio Vasconcellos-Corrêa

  Jéfrey Antônio de Andrade, Rogério Tavares Constante

  1-44

  2024-09-09

  DOI: https://doi.org/10.33871/vortex.2024.12.8864

• Poetics in sound art: an interview with Paulo Nenflidio

  Roseane Yampolschi, Clayton Rosa Mamedes, Paulo Nenflidio

  6

  2021-11-30

  DOI: https://doi.org/10.33871/23179937.2021.9.2.6

• Nzikitanza – A piece on the resistance against the MUOS in Niscemi, Sicily

  Marcello Messina

  208-223

  2015-12-31

  DOI: https://doi.org/10.33871/23179937.2015.3.2.899

• Towards Overcoming the Guitar's Color Research Gap

  Rita Torres, Paulo Ferreira-Lopes

  16-36

  2014-06-30

  DOI: https://doi.org/10.33871/23179937.2014.2.1.445

• Creative processes in musical composition: sources of inspiration under self-scrutiny

  Rita Torres

  1-14

  2023-05-02

  DOI: https://doi.org/10.33871/23179937.2023.11.1.7444

• Some Compositional Approaches in the Practice of live-electronic music from the perspective of technique and technological tools

  Vinícius Cesar de Oliveira, Thales Roel P. Pessanha

  8

  2021-12-15

  DOI: https://doi.org/10.33871/23179937.2021.9.3.8

• Performing the Immersive: Electroacoustic Music at the Threshold of Technology

  César Rennó-Costa, Alyson Souza, Stefane Orichuela, João Anisio da Nobrega, Leonardo Pereira, Jonatas Manzolli, Cleber Campos

  1-39

  2026-08-11

  DOI: https://doi.org/10.33871/vortex.2026.14.11748

• Music – source of immense joy or of disturbing frustration?

  Gabriel Mălăncioiu

  1-6

  2020-02-27

  DOI: https://doi.org/10.33871/23179937.2020.8.1.1-6

• Rogério Duprat’s Film Music Manuscripts for Noite vazia and the Synthesizer at the Vera Cruz Studios

  Itamar Vidal, Danilo Rossetti

  1-47

  2026-05-12

  DOI: https://doi.org/10.33871/vortex.2026.14.11000

• The stylus phantasticus in the toccata BWV 912 of Johann Sebastian Bach

  Lucas Thomasi Genero, Helena Jank

  1-25

  2023-05-16

  DOI: https://doi.org/10.33871/23179937.2023.11.1.7390

• The Body of Time: a reading of Gérard Grisey's Prologue una lectura de la obra Prologue de Gérard Grisey

  Silvio Ferraz, William Teixeira

  1-27

  2023-12-24

  DOI: https://doi.org/10.33871/23179937.2023.11.3.8224

• I saw them colours of your flag – A Speech-Based Composition on Aboriginal Sovereignty

  Marcello Messina

  1-8

  2017-06-30

  DOI: https://doi.org/10.33871/23179937.2017.5.1.1865

• Personal Thinking on the Creative Directions of Chinese Contemporary Zheng Music

  Peng Liu

  1-9

  2020-02-27

  DOI: https://doi.org/10.33871/23179937.2020.8.1.1-9

• The Toy Piano Is Not a Toy

  Antonietta Loffredo

  3

  2020-09-15

  DOI: https://doi.org/10.33871/23179937.2020.8.2.3

• The paradigms of authenticity in the interpretation of Variações by Llobet on Op. 15 by Sor

  Luciano Souto, Adrielle Clara Silva Melo

  1-40

  2024-03-28

  DOI: https://doi.org/10.33871/vortex.2024.12.8286

• Layers of musical interaction: an analysis of Anders Lind's installation Lines

  Cristiane dos Guimarães Alvim Nunes, Marco Antonio Pasqualini de Andrade, Daniel Luís Barreiro

  1-38

  2026-07-10

  DOI: https://doi.org/10.33871/vortex.2026.14.11478

• Provincializing opera - the production of otherness in Les Indes Galantes producción de alteridades en Les Indes Galantes

  Maya Suemi Lemos

  1-26

  2023-12-24

  DOI: https://doi.org/10.33871/23179937.2023.11.3.8229

• Searching for the sonority in the scope of Popular Music

  Luisa Meirelles, Jônatas Manzolli, Regina Machado

  1-28

  2022-09-29

  DOI: https://doi.org/10.33871/23179937.2022.10.2.6761

• Almost 20 years of Cyclone; past, present and future

  Alexandre Torres Porres, Matt Barber, Derek Kwan

  15

  2021-11-30

  DOI: https://doi.org/10.33871/23179937.2021.9.2.15

• The Aesthetics of the Cold and its guitar idioms: an analysis of Vitor Ramil’s songbook

  Luan Augusto Langaro Teixeira, Beatriz Magalhães-Castro

  1-21

  2023-10-12

  DOI: https://doi.org/10.33871/23179937.2023.11.2.7955