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• valencia & 19th dissolving

  Dylan Neely

  140-168

  2014-12-30

  DOI: https://doi.org/10.33871/23179937.2014.2.2.469

• Uma saudade que ficou: the silencing in Dinorá de Carvalho’s compositional work

  Tadeu Moraes Taffarello, Raquel Juliana Prado Leite de Sousa, Flávio Cardoso de Carvalho, Vitor Alves de Mello Lopes

  1-34

  2025-08-20

  DOI: https://doi.org/10.33871/vortex.2025.13.9869

• An expert pianist's strategies for learning a song from a lead sheet

  Joao G A Lima, Danilo Ramos

  1-45

  2024-08-05

  DOI: https://doi.org/10.33871/vortex.2024.12.8443

• Form and Structure in J. Haydn's "Von deiner Güt' o Herr und Gott" , from The Creation

  Eduardo Sola Chagas Lima

  2

  2021-05-15

  DOI: https://doi.org/10.33871/23179937.2021.9.1.2

• Perfis composicionais como base metodológica para a modelagem do Prelúdio n.2 de Santoro

  Daniel Moreira, Helder Oliveira, Leandro Chrispim, Lucas Padrão, Roberto Macedo, Vilane Trindade, Liduino Pitombeira

  11

  2021-12-15

  DOI: https://doi.org/10.33871/23179937.2021.9.3.11

• Si amanece, nos vamos for solo guitar: Using multiphonics in a new way

  Rita Torres

  1.7

  2020-12-15

  DOI: https://doi.org/10.33871/23179937.2020.8.3.1.7

• Developing a Crossover Idiomatic Writing for the Double Bass: Composing/Arranging & Playing, and ... Da capo !

  Fausto Borém

  7

  2020-09-15

  DOI: https://doi.org/10.33871/23179937.2020.8.2.7

• Women in Samba: work, collective experiences, and cultural policies

  Laila Andresa Cavalcante Rosa, Julia Ricciardi Lima, Rayra Mayara Santos

  1-28

  2025-08-20

  DOI: https://doi.org/10.33871/vortex.2025.13.9960

• Play, perform, experiment, create: György Kurtág's 'Jatékók' and playful music-making

  Gustavo Rodrigues Penha, Silvio Ferraz Mello Filho

  1-37

  2024-06-27

  DOI: https://doi.org/10.33871/vortex.2024.12.8398

• ESPER 2, an improvised oscilloscope music set

  Eric Lennartson

  25

  2021-11-30

  DOI: https://doi.org/10.33871/23179937.2021.9.2.25

• From Nature to Instrument: Mimetic Realism in Two Works by Carola Bauckholt

  Thiago Diniz Gonzaga de Lima, Igor Leão Maia

  1-45

  2024-12-20

  DOI: https://doi.org/10.33871/vortex.2024.12.9525

• Neither idiomatism nor extended technique: vibraphone approaches on Traldi and Rosauro

  Isabella Tais Sonsin, Alexandre Remuzzi Ficagna

  1-37

  2023-05-16

  DOI: https://doi.org/10.33871/23179937.2023.11.1.7312

• Developing an interpretation of Luigi Nono's ...sofferte onde serene...

  Luciane Cardassi

  1-10

  2016-12-31

  DOI: https://doi.org/10.33871/23179937.2016.4.3.1334

• Women in the practice of Mbira in Mozambique: breaking down gender barriers.

  Micas Orlando Silambo

  1-41

  2025-08-20

  DOI: https://doi.org/10.33871/vortex.2025.13.9681

• [vstplugin~] – A Pd external for hosting VST plugins

  Christof Ressi

  20

  2021-11-30

  DOI: https://doi.org/10.33871/23179937.2021.9.2.20

• cents_analysis_v1.0

  Felipe de Almeida Ribeiro

  207-208

  2014-12-30

  DOI: https://doi.org/10.33871/23179937.2014.2.2.478

• Musical Transcription: creation and analysis in five approaches influenced by Luciano Berio

  Felipe Vasconcelos

  1-22

  2023-05-20

  DOI: https://doi.org/10.33871/23179937.2023.11.1.7459

• Starling Murmurations as a Model for Sound Spatialization

  Said Bonduki, Leon Steidle

  2024-12-03

  DOI: https://doi.org/10.33871/vortex.2024.12.9579