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• Space in Music: what we call ‘space’ in music and what it really is

  Fabio Wanderley Janhan Sousa

  1-24

  2024-06-18

  DOI: https://doi.org/10.33871/vortex.2024.12.8490

• Idiosyncratic Audio Feedback Networks for Music Creation

  Adriano Claro Monteiro

  2022-04-30

  DOI: https://doi.org/10.33871/23179937.2022.10.1.1

• Writings in the Dust, for Guitar and Electronic Sounds: Reflections on Mixed Music with Tape and Its Relationship with Tradition

  Felipe Vasconcelos, Renan Simões

  1-37

  2025-11-17

  DOI: https://doi.org/10.33871/vortex.2025.13.10837

• Application of the Aesthetic of Guqin (古琴) for Contemporary Music Composition

  Barry Yuk Bun Wan

  2

  2021-12-15

  DOI: https://doi.org/10.33871/23179937.2021.9.3.2

• Teaching electronic music – journeys through a changing landscape

  Simon Emmerson

  12

  2020-02-27

  DOI: https://doi.org/10.33871/23179937.2020.8.1.12

• Editorial v.8 n.1 (2020)

  Felipe de Almeida Ribeiro

  2020-03-27

• Creating from the Body: Gendered Agency in Contemporary Music Performance

  Iracema De Andrade Almeida

  1-27

  2026-02-20

  DOI: https://doi.org/10.33871/vortex.2026.14.11231

• Rogério Duprat’s Film Music Manuscripts for Noite vazia and the Synthesizer at the Vera Cruz Studios

  Itamar Vidal, Danilo Rossetti

  1-47

  2026-05-12

  DOI: https://doi.org/10.33871/vortex.2026.14.11000

• Ecosystem [512]: Acoustic Ecology Surveys as Music

  Garrison Gerard

  1-27

  2024-12-03

  DOI: https://doi.org/10.33871/vortex.2024.12.9521

• Almost 20 years of Cyclone; past, present and future

  Alexandre Torres Porres, Matt Barber, Derek Kwan

  15

  2021-11-30

  DOI: https://doi.org/10.33871/23179937.2021.9.2.15

• Poetics in sound art: an interview with Paulo Nenflidio

  Roseane Yampolschi, Clayton Rosa Mamedes, Paulo Nenflidio

  6

  2021-11-30

  DOI: https://doi.org/10.33871/23179937.2021.9.2.6

• Discussing the teaching of composition at the university

  Yuri Behr, Clayton Rosa Mamedes, Isaac Felix Chueke

  14

  2020-02-27

  DOI: https://doi.org/10.33871/23179937.2020.8.1.14

• The Invention of the Vocal Instrument in Got Lost, by Helmut Lachenmann

  Lucas Mateus Silva, William Teixeira da Silva

  1-32

  2025-05-28

  DOI: https://doi.org/10.33871/vortex.2025.13.9096

• Performing the Immersive: Electroacoustic Music at the Threshold of Technology

  César Rennó-Costa, Alyson Souza, Stefane Orichuela, João Anisio da Nobrega, Leonardo Pereira, Jonatas Manzolli, Cleber Campos

  1-39

  2026-08-11

  DOI: https://doi.org/10.33871/vortex.2026.14.11748

• Second stage of Colombian electroacoustic music: dissemination and consolidation (1980–1999)

  Juan Diego Martinez Alvarez, Angelica Maria Rincon

  1-38

  2026-05-19

  DOI: https://doi.org/10.33871/vortex.2026.14.11168

• Poscolonial Peruvian Sheep and Their Digital Dreams: Pure Data as a Tool for Conceptual Reconfiguration in Peruvian Musical Education

  José Ignacio López Ramírez Gastón

  16

  2021-11-30

  DOI: https://doi.org/10.33871/23179937.2021.9.2.16

• From Scratch

  Sergio Kafejian

  1.41

  2020-12-15

  DOI: https://doi.org/10.33871/23179937.2020.8.3.1.41

• Immersive sound image with circular arrangements of transducers spaced in equal segments

  Jose Augusto Mannis, Igor Abdo Aguilar, Amanda Chang Rodrigues

  1-46

  2025-01-22

  DOI: https://doi.org/10.33871/vortex.2024.12.9752

• Layers of musical interaction: an analysis of Anders Lind's installation Lines

  Cristiane dos Guimarães Alvim Nunes, Marco Antonio Pasqualini de Andrade, Daniel Luís Barreiro

  1-38

  2026-07-10

  DOI: https://doi.org/10.33871/vortex.2026.14.11478

• A constellation for Jocy de Oliveira’s artwork

  Claudia Helena Azevedo Alvarenga

  1-38

  2024-09-18

  DOI: https://doi.org/10.33871/vortex.2024.12.9225

• cents_analysis_v1.0

  Felipe de Almeida Ribeiro

  207-208

  2014-12-30

  DOI: https://doi.org/10.33871/23179937.2014.2.2.478

• Teledescante nº1: polyphony in time of plague

  Maurício Funcia De Bonis, Fábio Scucuglia

  5

  2021-11-30

  DOI: https://doi.org/10.33871/23179937.2021.9.2.5

• Composing Sound Spaces: an interview with Hans Tutschku

  Ingrid Mayumi Yamazato de Souza, William Teixeira da Silva

  1-25

  2024-12-01

  DOI: https://doi.org/10.33871/vortex.2024.12.9523

• Sound feedback control model for live electronic performance in the Ecos Study

  Ricardo Thomasi, Regis R. A. Faria

  3

  2021-12-15

  DOI: https://doi.org/10.33871/23179937.2021.9.3.3

• Making Complex Music with Simple Algorithms, is it Even Possible?

  Risto Holopainen

  3

  2021-11-30

  DOI: https://doi.org/10.33871/23179937.2021.9.2.3