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• Analysis and interpretation of the Sonatina for guitar by Sérgio Vasconcellos-Corrêa

  Jéfrey Antônio de Andrade, Rogério Tavares Constante

  1-44

  2024-09-09

  DOI: https://doi.org/10.33871/vortex.2024.12.8864

• Towards Overcoming the Guitar's Color Research Gap

  Rita Torres, Paulo Ferreira-Lopes

  16-36

  2014-06-30

  DOI: https://doi.org/10.33871/23179937.2014.2.1.445

• Editing Strategies for Overcoming Instrumentation Issues in Rebay's Großes Duo in a-Moll

  Luiz Mantovani

  1.15

  2020-12-15

  DOI: https://doi.org/10.33871/23179937.2020.8.3.1.15

• Guitar Articulation: A Pedagogical Proposal for the Method of Henrique Pinto

  Felipe Afonso, Fernando Aguera

  1-27

  2026-04-28

  DOI: https://doi.org/10.33871/vortex.2026.14.11115

• Parsimonious relations between Guitar Textural Proposals

  Bernardo Ramos Pinto, Pauxy Gentil-Nunes

  1.1

  2020-12-15

  DOI: https://doi.org/10.33871/23179937.2020.8.3.1.1

• Bimanual Coordination on the Guitar: an Experimental Study with Music Undergraduate Students un estudio experimental con estudiantes de pregrado en Música

  Renan Colombo Simões, Daniel Wolff

  1-39

  2023-12-31

  DOI: https://doi.org/10.33871/23179937.2023.11.3.8145

• Words, Sounds, and Images – Representations of the Guitar in Brazilian Literary Prose

  Cláudia Araújo Garcia

  1-28

  2024-09-16

  DOI: https://doi.org/10.33871/vortex.2024.12.8726

• Reflections on guitar technique based on the experience of Nenéu Liberalquino

  Deyvison Lucas da Silva, Viviane dos Santos Louro

  1-26

  2025-12-05

  DOI: https://doi.org/10.33871/vortex.2025.13.10653

• Tradition, Innovation and Sustanability in Classical Guitar Construction

  Ricardo Barceló Ricardo Barceló

  1-44

  2026-06-03

  DOI: https://doi.org/10.33871/vortex.2026.14.11262

• Si amanece, nos vamos for solo guitar: Using multiphonics in a new way

  Rita Torres

  1.7

  2020-12-15

  DOI: https://doi.org/10.33871/23179937.2020.8.3.1.7

• Sérgio Abreu and the history of his contribution with Quaternaglia and Brazilian Guitar Quartet

  Teresinha Prada, Hoberdan Peno

  1-27

  2023-10-12

  DOI: https://doi.org/10.33871/23179937.2023.11.2.7945

• Waltzifiability hypothesis

  Angel Tateishi, Amanda Carpenedo, Jean Lopes Baiano

  1-23

  2023-07-14

  DOI: https://doi.org/10.33871/23179937.2023.11.2.7619

• Two unpublished transcriptions by Sérgio Abreu: procedures, contexts and criteria for diplomatic editions

  Humberto Amorim, Ricardo Dias, Paulo Martelli

  1-46

  2023-10-12

  DOI: https://doi.org/10.33871/23179937.2023.11.2.8359

• The Guitar as a Laboratory for Experimentation

  Camilo A. Mendez San Juan

  1.10

  2020-12-15

  DOI: https://doi.org/10.33871/23179937.2020.8.3.1.10

• Behind the scenes of Francisco Mignone’s “Concerto for Guitar and Orchestra” reviewed by Sergio Abreu.

  Maurício Orosco

  1-27

  2023-10-12

  DOI: https://doi.org/10.33871/23179937.2023.11.2.7933

• The classical guitar in the interior of São Paulo (1940-2000): analysis of the concert programs of Milton Nunes's personal collection

  Stephen Coffey Bolis, Fabio Scarduelli

  1-49

  2022-09-29

  DOI: https://doi.org/10.33871/23179937.2022.10.2.6800

• The Woman and the Guitar in Portugal: Cataloging Process

  Maria Beatriz Oliveira, Pedro Rodrigues

  1-28

  2025-08-19

  DOI: https://doi.org/10.33871/vortex.2025.13.9727

• The “grandfather of the modern guitar”: Quincas Laranjeiras and his role as a cultural mediator

  Humberto Amorim, Paulo Martelli

  1-29

  2023-04-08

  DOI: https://doi.org/10.33871/23179937.2023.11.1.7100

• Sergio Abreu’s arrangement of the Poco Adagio, by C.P.E. Bach: comparison and instrumental analysis

  Cauã Canilha, Daniel Wolff, Edelton Gloeden

  1-41

  2023-10-12

  DOI: https://doi.org/10.33871/23179937.2023.11.2.7941

• Temporality and performing style in Luciano Berio's Sequenza XI for guitar

  Diego Castro-Magas

  1.31

  2020-12-15

  DOI: https://doi.org/10.33871/23179937.2020.8.3.1.31

• A Narrative Model in Three Versions of “My Favorite Things” by Jonathan Kreisberg.

  Rafael Gonçalves

  1 - 38

  2025-10-28

  DOI: https://doi.org/10.33871/vortex.2025.13.9849

• Studying with Bream

  Alice Artzt

  1.49

  2020-12-15

  DOI: https://doi.org/10.33871/23179937.2020.8.3.1.49

• Review: Marianne Tansman's "La guitare dans la vie d'Alexandre Tansman" (2018)

  Luigi Brandão, Marcos Holler

  2019-12-01

  DOI: https://doi.org/10.33871/23179937.2019.7.3.3207

• Dossier "Homage to Sérgio Abreu: guitar, contexts, practices and characters" Dossiê “Homenagem a Sérgio Abreu: violão, contextos, práticas e personagens”

  Humberto Amorim, Ricardo Dias, Felipe de Almeida Ribeiro, Fabio Guilherme Poletto

  1-2

  2023-10-12

  DOI: https://doi.org/10.33871/23179937.2023.11.2.8362

• Three sketches for guitar

  Mário Aníbal Gonçalves Rego Cardoso

  1.43

  2020-12-15

  DOI: https://doi.org/10.33871/23179937.2020.8.3.1.43