Search

Search Results

• Investigating neoclassicism around Alexandre Tansman

  Luigi Brandão

  1.14

  2020-12-15

  DOI: https://doi.org/10.33871/23179937.2020.8.3.1.14

• Aspects of Villa-Lobos's Tonal Style in Some of His Studies for Guitar

  Gabriel Navia

  1.12

  2020-12-15

  DOI: https://doi.org/10.33871/23179937.2020.8.3.1.12

• Lilinha Fernandes and Quincas Laranjeiras: two Swallows among passing Dreams

  Humberto Amorim

  1-42

  2024-04-29

  DOI: https://doi.org/10.33871/vortex.2024.12.8686

• Writings in the Dust, for Guitar and Electronic Sounds: Reflections on Mixed Music with Tape and Its Relationship with Tradition

  Felipe Vasconcelos, Renan Simões

  1-37

  2025-11-17

  DOI: https://doi.org/10.33871/vortex.2025.13.10837

• The Aesthetics of the Cold and its guitar idioms: an analysis of Vitor Ramil’s songbook

  Luan Augusto Langaro Teixeira, Beatriz Magalhães-Castro

  1-21

  2023-10-12

  DOI: https://doi.org/10.33871/23179937.2023.11.2.7955

• Rossiniana n° 1 by Mauro Giuliani: interpretation of "Assisa à piè d'un salice" from primary sources.

  Helvis Costa, Fabio Scarduelli

  1-39

  2024-04-19

  DOI: https://doi.org/10.33871/vortex.2024.12.8631

• Microtonal Scordatura in the Guitar Works of A. Castilla-Ávila (1996-2021)

  Agustín Castilla-Ávila

  1

  2021-12-15

  DOI: https://doi.org/10.33871/23179937.2021.9.3.1

• Bream, Birtwistle, and Beyond: The Genesis of a New Work

  Jonathan Leathwood

  1.53

  2020-12-15

  DOI: https://doi.org/10.33871/23179937.2020.8.3.1.53

• Praxis of guitar performance: three recordings of Tedesco’s “Omaggio a Boccherini”

  Caio Victor de Oliveira Lemos, Carolina Lindenberg Lemos

  1-38

  2023-05-11

  DOI: https://doi.org/10.33871/23179937.2023.11.1.7440

• Sérgio Abreu: the foundations of a guitar school

  Luciano Morais

  1-25

  2023-10-12

  DOI: https://doi.org/10.33871/23179937.2023.11.2.7948

• Colaboração, composição e preparação para a performance de "For guitar" para violão solo

  Márlou Peruzzolo Vieira, Samuel Peruzzolo Vieira

  1.23

  2020-12-15

  DOI: https://doi.org/10.33871/23179937.2020.8.3.1.23

• Right-hand guitar techniques incorporated unevenly in Spanish and English-speaking countries

  Ricardo Barceló

  1-30

  2023-08-15

  DOI: https://doi.org/10.33871/23179937.2023.11.2.7842

• From Scratch

  Sergio Kafejian

  1.41

  2020-12-15

  DOI: https://doi.org/10.33871/23179937.2020.8.3.1.41

• El Cimarrón by Hans Werner Henze – A New Approach to Political Song

  Jose Mario Ortiz

  1-12

  2017-12-29

  DOI: https://doi.org/10.33871/23179937.2017.5.3.2160

• Cataloging Sérgio Abreu guitars

  Walmor Angelo Boza, Daiane Boza, Juarez Bergmann Filho

  1-31

  2023-10-12

  DOI: https://doi.org/10.33871/23179937.2023.11.2.7950

• Halny, for flute and guitar

  Eduardo Frigatti

  2018-09-01

  DOI: https://doi.org/10.33871/23179937.2018.6.2.2624

• The Musical Interpreter and the Art Technique: Reflections on a Proposition by Mário de Andrade

  Luigi Brandão, Flavio Barbeitas

  1-25

  2025-07-07

  DOI: https://doi.org/10.33871/vortex.2025.13.9425

• Le Rossiniane op.121 (n.3) for guitar by Mauro Giuliani: considerations on the construction of performance

  Fabio Scarduelli

  1-4

  2023-04-09

  DOI: https://doi.org/10.33871/23179937.2023.11.1.7070

• Julian Bream

  Laura Snowden

  1.47

  2020-12-15

  DOI: https://doi.org/10.33871/23179937.2020.8.3.1.47

• Sérgio Abreu and his time

  Humberto Amorim, Ricardo Dias, Felipe de Almeida Ribeiro, Fabio Poletto

  1-228

  2023-10-06

  DOI: https://doi.org/10.33871/23179937.2023.11.2.8345

• Ubá, Belenenses

  Eduardo Frigatti

  1.42

  2020-12-15

  DOI: https://doi.org/10.33871/23179937.2020.8.3.1.42

• From Nature to Instrument: Mimetic Realism in Two Works by Carola Bauckholt

  Thiago Diniz Gonzaga de Lima, Igor Leão Maia

  1-45

  2024-12-20

  DOI: https://doi.org/10.33871/vortex.2024.12.9525

• O Violão Sete Cordas no Choro Tradicional e no Choro Não Tradicional

  Luís Fabiano Farias Borges, Maria Alice Volpe

  1.38

  2020-12-15

  DOI: https://doi.org/10.33871/23179937.2020.8.3.1.38

• "Souvenir du Pará" : pioneirismo no "tremolo" (1909) e critérios de uma nova edição para violão

  Humberto Amorim, Ivan Paschoito

  14

  2021-12-15

  DOI: https://doi.org/10.33871/23179937.2021.9.3.14

• Possível influência de Quincas Laranjeiras no desenvolvimento do estilo violonístico de Heitor Villa-Lobos

  Humberto Amorim, Sérgio Abreu

  1-38

  2023-11-01

  DOI: https://doi.org/10.33871/23179937.2023.11.2.8376