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• The music in concertato style in the Real Mosteiro de São Bento da Avé-Maria in Oporto between the 18th and the 19th century

  Rosana Marreco Brescia, Marco Brescia

  1-26

  2025-07-08

  DOI: https://doi.org/10.33871/vortex.2025.13.9600

• Women in Percussion: An Investigation of Composers and Works in Latin America and the Caribbean

  Juliane Larsen, Camila Cardoso

  1-34

  2025-08-20

  DOI: https://doi.org/10.33871/vortex.2025.13.9887

• Space in Music: what we call ‘space’ in music and what it really is

  Fabio Wanderley Janhan Sousa

  1-24

  2024-06-18

  DOI: https://doi.org/10.33871/vortex.2024.12.8490

• Notes on the historical factors that led composition become distanced from music education

  Eduardo Wanderley Brasil, Fernando Gabriel Batista Lima, Fábio Silva Ventura, Caroline Caregnato

  1-31

  2026-06-26

  DOI: https://doi.org/10.33871/vortex.2026.14.11372

• Application of the Aesthetic of Guqin (古琴) for Contemporary Music Composition

  Barry Yuk Bun Wan

  2

  2021-12-15

  DOI: https://doi.org/10.33871/23179937.2021.9.3.2

• Idiosyncratic Audio Feedback Networks for Music Creation

  Adriano Claro Monteiro

  2022-04-30

  DOI: https://doi.org/10.33871/23179937.2022.10.1.1

• Listening to/with Mar Paradoxo: a collective practice for sharing listenings

  Gustavo Branco Germano, Alexandre Marino, Daniel Tápia, Henrique Rocha de Souza Lima, Lílian Campesato, Marina Mapurunga de Miranda da Ferreira, Valéria Bonafé, Vicente Reis

  1

  2021-11-30

  DOI: https://doi.org/10.33871/23179937.2021.9.2.1

• Teaching electronic music – journeys through a changing landscape

  Simon Emmerson

  12

  2020-02-27

  DOI: https://doi.org/10.33871/23179937.2020.8.1.12

• The night, the music: a cognitive hypothesis

  Maurício Dottori

  7

  2020-02-27

  DOI: https://doi.org/10.33871/23179937.2020.8.1.7

• Map, Trigger, Score, Procedure: machine-listening paradigms in live-electronics

  Vinícius Cesar de Oliveira, José Henrique Padovani

  2022-04-30

  DOI: https://doi.org/10.33871/23179937.2022.10.1.3

• Women in the History of Music, in textbooks and in teacher education

  Andréia Schach Fey, Guilherme Romanelli

  1-25

  2025-08-19

  DOI: https://doi.org/10.33871/vortex.2025.13.9914

• Leonor de Castro: the first female teacher at the Rio de Janeiro Music Conservatory

  Clara Fernandes Albuquerque

  1-30

  2025-08-20

  DOI: https://doi.org/10.33871/vortex.2025.13.9963

• Editorial v.8 n.1 (2020)

  Felipe de Almeida Ribeiro

  2020-03-27

• A Research Path on Flausino Valle since the Long Play by Jerzy Milewski (1985)

  Leonardo Vieira Feichas, Emerson Luiz de Biaggi, David John Cranmer

  1-24

  2023-05-19

  DOI: https://doi.org/10.33871/23179937.2023.11.1.7431

• Music Composition Today

  Ming Tsao

  1-10

  2020-02-27

  DOI: https://doi.org/10.33871/23179937.2020.8.1.1-10

• An expert pianist's strategies for learning a song from a lead sheet

  Joao G A Lima, Danilo Ramos

  1-45

  2024-08-05

  DOI: https://doi.org/10.33871/vortex.2024.12.8443

• Creating from the Body: Gendered Agency in Contemporary Music Performance

  Iracema De Andrade Almeida

  1-27

  2026-02-20

  DOI: https://doi.org/10.33871/vortex.2026.14.11231

• Writings in the Dust, for Guitar and Electronic Sounds: Reflections on Mixed Music with Tape and Its Relationship with Tradition

  Felipe Vasconcelos, Renan Simões

  1-37

  2025-11-17

  DOI: https://doi.org/10.33871/vortex.2025.13.10837

• Audio Quality X Accessibility How Digital Technology Changed the Way We Listen and Consume Popular Music

  Ricardo Milani Gomes

  1-14

  2016-10-31

  DOI: https://doi.org/10.33871/23179937.2016.4.2.1320

• Reimagining a Riemannian symbology for the structural harmonic analysis of 19th-century tonal music.

  Marcus Alessi Bittencourt

  30-48

  2013-12-30

  DOI: https://doi.org/10.33871/23179937.2013.1.2.428

• Guitar Articulation: A Pedagogical Proposal for the Method of Henrique Pinto

  Felipe Afonso, Fernando Aguera

  1-27

  2026-04-28

  DOI: https://doi.org/10.33871/vortex.2026.14.11115

• Music Segmentation and Similarity Estimation Applied to a Gaze-Controlled Musical Interface

  Higor A. F. Camporez, Yasmin M. de Freitas, Jair A. L. Silva, Leandro L. Costalonga, Helder R. O. Rocha

  1-25

  2023-05-02

  DOI: https://doi.org/10.33871/23179937.2023.11.1.7068

• Still Life with Silence

  Agustín Castilla-Ávila

  1-19

  2022-09-29

  DOI: https://doi.org/10.33871/23179937.2022.10.2.7056

• Rogério Duprat’s Film Music Manuscripts for Noite vazia and the Synthesizer at the Vera Cruz Studios

  Itamar Vidal, Danilo Rossetti

  1-47

  2026-05-12

  DOI: https://doi.org/10.33871/vortex.2026.14.11000

• Uma saudade que ficou: the silencing in Dinorá de Carvalho’s compositional work

  Tadeu Moraes Taffarello, Raquel Juliana Prado Leite de Sousa, Flávio Cardoso de Carvalho, Vitor Alves de Mello Lopes

  1-34

  2025-08-20

  DOI: https://doi.org/10.33871/vortex.2025.13.9869