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  • Composition of “Karma” based on the Gestalt Modeling of “Ponteio No. 29” by Camargo Guarnieri

    Helder Alves de Oliveira, Liduino Pitombeira
    1-37
    2024-01-30
    DOI: https://doi.org/10.33871/23179937.2023.11.3.8241
  • Patches in a timeline with ossia score

    Jean-Michaël Celerier
    21
    2021-11-30
    DOI: https://doi.org/10.33871/23179937.2021.9.2.21
  • The “grandfather of the modern guitar”: Quincas Laranjeiras and his role as a cultural mediator

    Humberto Amorim, Paulo Martelli
    1-29
    2023-04-08
    DOI: https://doi.org/10.33871/23179937.2023.11.1.7100
  • Building in-situ instruments for the Street Sonatas #1 and #5

    Hans Roels
    27
    2021-11-30
    DOI: https://doi.org/10.33871/23179937.2021.9.2.27
  • valencia & 19th dissolving

    Dylan Neely
    140-168
    2014-12-30
    DOI: https://doi.org/10.33871/23179937.2014.2.2.469
  • The Unity of the musical work in Aristotle Metaphysics

    Paul Wegmann, Indioney Rodrigues
    1-33
    2022-09-29
    DOI: https://doi.org/10.33871/23179937.2022.10.2.6820
  • Duas transcrições para canto e violão de canções para canto e piano de Dinorá de Carvalho: processos composicionais e adaptação ao idiomatismo técnico instrumental

    Luís Cláudio Cabral da Silveira Ranna, Eduardo Meirinhos
    1-51
    2016-12-31
    DOI: https://doi.org/10.33871/23179937.2016.4.3.1337
  • Review: Marianne Tansman's "La guitare dans la vie d'Alexandre Tansman" (2018)

    Luigi Brandão, Marcos Holler
    2019-12-01
    DOI: https://doi.org/10.33871/23179937.2019.7.3.3207
  • Waltzifiability hypothesis

    Angel Tateishi, Amanda Carpenedo, Jean Lopes Baiano
    1-23
    2023-07-14
    DOI: https://doi.org/10.33871/23179937.2023.11.2.7619
  • Starling Murmurations as a Model for Sound Spatialization

    Said Bonduki, Leon Steidle
    2024-12-03
    DOI: https://doi.org/10.33871/vortex.2024.12.9579
  • Sergio Abreu’s arrangement of the Poco Adagio, by C.P.E. Bach: comparison and instrumental analysis

    Cauã Canilha, Daniel Wolff, Edelton Gloeden
    1-41
    2023-10-12
    DOI: https://doi.org/10.33871/23179937.2023.11.2.7941
  • Bream, Birtwistle, and Beyond: The Genesis of a New Work

    Jonathan Leathwood
    1.53
    2020-12-15
    DOI: https://doi.org/10.33871/23179937.2020.8.3.1.53
  • Audiovisual interactive artwork via web-deployed software: Motus composes Homino-idea

    Augusto Piato Amstalden, Tiago Fernandes Tavares, Anésio Azevedo Costa Neto, Giovana Cardi Camarini
    2022-04-30
    DOI: https://doi.org/10.33871/23179937.2022.10.1.6
  • Rare (Earth) Elements

    Camilo Mendéz
    122-139
    2014-12-30
    DOI: https://doi.org/10.33871/23179937.2014.2.2.468
  • Procesos de preparación para tocar en vivo: relatos de guitarristas de excelencia

    Rafael Iravedra, Daniel Wolff
    1.21
    2020-12-15
    DOI: https://doi.org/10.33871/23179937.2020.8.3.1.21
  • “Indios muzicos” of the 18th Century: The Indigenous Musical Ensemble of Embu (1783-1829)

    Daniel Issa Gonçalves, Paulo Augusto Castagna
    1-31
    2024-04-23
    DOI: https://doi.org/10.33871/vortex.2024.12.8712
  • ESPER 2, an improvised oscilloscope music set

    Eric Lennartson
    25
    2021-11-30
    DOI: https://doi.org/10.33871/23179937.2021.9.2.25
  • Inner radiance

    Gabriel Mălăncioiu
    110-120
    2014-06-30
    DOI: https://doi.org/10.33871/23179937.2014.2.1.452
  • El landó y sus posibilidades en la guitarra: dilucidando un ethos performativo

    Fernando Elías Llanos, Daniel Wolff
    2019-12-01
    DOI: https://doi.org/10.33871/23179937.2019.7.3.3204
  • A Musicology of Iron and Leather: Musithinking Foundations in Ketu’s Candomblé Toque

    Ferran Tamarit
    1-34
    2026-03-17
    DOI: https://doi.org/10.33871/vortex.2026.14.10939
  • "Those were absolutely brutal years!" Sounds and memories of rock in the Aveiro region

    Artur Calado, Vitor Marques, Aoife Hiney, Pedro Aragão, Ana Flavia Miguel, Susana Sardo
    1-29
    2022-09-29
    DOI: https://doi.org/10.33871/23179937.2022.10.2.6819
  • Lilinha Fernandes and Quincas Laranjeiras: two Swallows among passing Dreams

    Humberto Amorim
    1-42
    2024-04-29
    DOI: https://doi.org/10.33871/vortex.2024.12.8686
  • Music-Therapy Experiences from a Ubiquitous Music Perspective

    Tereza Raquel Alcântara-Silva, Sandra Rocha do Nascimento, Mayara Kelly Alves Ribeiro, Damián Keller
    1-20
    2023-04-15
    DOI: https://doi.org/10.33871/23179937.2023.11.1.7772
  • Studying with Bream

    Alice Artzt
    1.49
    2020-12-15
    DOI: https://doi.org/10.33871/23179937.2020.8.3.1.49
  • Dossier "Homage to Sérgio Abreu: guitar, contexts, practices and characters" Dossiê “Homenagem a Sérgio Abreu: violão, contextos, práticas e personagens”

    Humberto Amorim, Ricardo Dias, Felipe de Almeida Ribeiro, Fabio Guilherme Poletto
    1-2
    2023-10-12
    DOI: https://doi.org/10.33871/23179937.2023.11.2.8362
226 - 250 of 330 items << < 5 6 7 8 9 10 11 12 13 14 > >> 
Language
  •   English
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Keywords

  • Musical Interpretation
  • Classical Guitar
  • Musical Analysis
  • Composition
  • New music
  • Rock
  • Acoustic Ecology
  • instrumental performance
  • Piano performance
  • Toy piano
  • Intersectionality
  • Performance Practice
  • Listening
  • Percussion
  • contemporary music
  • Electroacoustic Music
  • Performance
  • Music Composition
  • Sérgio Abreu
  • Pure Data
  • Women
  • Pedagogy
  • identity
  • Field Recording
  • extended techniques
  • sound art
  • Samba
  • Silence
  • modernism
  • Soundscape
  • Brazilian music
  • Guitar
  • Improvisation
  • Artistic research
  • compositional techniques
  • Female Composers
  • Camargo Guarnieri
  • Technology
  • Music
  • Musical performance

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