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• Thematic convergences between "Canto de amor e paz" and "Sinfonia 4" by Cláudio Santoro

  Paulo de Paula, Carlos Fernando Fiorini

  1-27

  2025-09-28

  DOI: https://doi.org/10.33871/vortex.2025.13.9830

• Women in the practice of Mbira in Mozambique: breaking down gender barriers.

  Micas Orlando Silambo

  1-41

  2025-08-20

  DOI: https://doi.org/10.33871/vortex.2025.13.9681

• Parsimonious relations between Guitar Textural Proposals

  Bernardo Ramos Pinto, Pauxy Gentil-Nunes

  1.1

  2020-12-15

  DOI: https://doi.org/10.33871/23179937.2020.8.3.1.1

• The dialogue between singing and piano: a textural analysis of five songs by Camargo Guarnieri

  Polyane Schneider Hochheim, Ana Telles

  1-33

  2026-03-24

  DOI: https://doi.org/10.33871/vortex.2026.14.11049

• [vstplugin~] – A Pd external for hosting VST plugins

  Christof Ressi

  20

  2021-11-30

  DOI: https://doi.org/10.33871/23179937.2021.9.2.20

• The 1922 Week of Modern Art and the nationalist element in the discourse on music in Brazil

  Flavio Terrigno Barbeitas

  1-22

  2022-12-16

  DOI: https://doi.org/10.33871/23179937.2022.10.3.7101

• The Toy Piano Is Not a Toy

  Antonietta Loffredo

  3

  2020-09-15

  DOI: https://doi.org/10.33871/23179937.2020.8.2.3

• Pd and Audio Programming in the 21st Century

  Eric Lyon

  12

  2021-11-30

  DOI: https://doi.org/10.33871/23179937.2021.9.2.12

• Music – source of immense joy or of disturbing frustration?

  Gabriel Mălăncioiu

  1-6

  2020-02-27

  DOI: https://doi.org/10.33871/23179937.2020.8.1.1-6

• Composing Sound Spaces: an interview with Hans Tutschku

  Ingrid Mayumi Yamazato de Souza, William Teixeira da Silva

  1-25

  2024-12-01

  DOI: https://doi.org/10.33871/vortex.2024.12.9523

• “Ayisyen kite lakay”: an introduction to the music of the Haitian diaspora in Brazil

  Caetano Maschio Santos

  1-33

  2025-12-15

  DOI: https://doi.org/10.33871/vortex.2025.13.10777

• Sound feedback control model for live electronic performance in the Ecos Study

  Ricardo Thomasi, Regis R. A. Faria

  3

  2021-12-15

  DOI: https://doi.org/10.33871/23179937.2021.9.3.3

• In the Era of Computers, Internet and Multimedia, are we still Teaching Composers to become Chapel-Masters?

  Rodolfo Coelho de Souza

  1-14

  2020-02-27

  DOI: https://doi.org/10.33871/23179937.2020.8.1.1-14

• Click Tracker PD patch

  João Pais

  201-203

  2014-12-30

  DOI: https://doi.org/10.33871/23179937.2014.2.2.475

• Making Complex Music with Simple Algorithms, is it Even Possible?

  Risto Holopainen

  3

  2021-11-30

  DOI: https://doi.org/10.33871/23179937.2021.9.2.3

• Kirchner and Time – An Analysis of Linear and Nonlinear Time in Leon Kirchner's Interlude I

  Adriana Jarvis Twitchell, Guilherme Sauerbronn Barros

  2019-04-01

  DOI: https://doi.org/10.33871/23179937.2019.7.1.2670

• The therapeutic power of black women's music: perspectives for the clinic

  Sara Santos Dias Costa, Maylla Monnik Rodrigues de Sousa Chaveiro

  1-22

  2025-08-20

  DOI: https://doi.org/10.33871/vortex.2025.13.9867

• Form and Structure in J. Haydn's "Von deiner Güt' o Herr und Gott" , from The Creation

  Eduardo Sola Chagas Lima

  2

  2021-05-15

  DOI: https://doi.org/10.33871/23179937.2021.9.1.2

• Noise is Not Volume Alone – Ambiences and Drony Experiments in Music and Sound Art

  Ianni Barros Luna

  2

  2021-11-30

  DOI: https://doi.org/10.33871/23179937.2021.9.2.2

• Historicized Composition and Creative Ethnomusicology

  Dániel Péter Biró

  1-22

  2013-06-30

  DOI: https://doi.org/10.33871/23179937.2013.1.1.367

• Rhythms of Diplomacy: Pan-American Echoes in Guarnieri’s Flute Improviso No. 2

  Pyero Talone

  1-28

  2024-02-06

  DOI: https://doi.org/10.33871/23179937.2023.11.3.8218

• We walk together (2020)

  Rui Chaves, Eduardo Patrício, Laura Romero, Lilian Nakahodo, Luz da Camara

  8

  2021-11-30

  DOI: https://doi.org/10.33871/23179937.2021.9.2.8

• Nzikitanza – A piece on the resistance against the MUOS in Niscemi, Sicily

  Marcello Messina

  208-223

  2015-12-31

  DOI: https://doi.org/10.33871/23179937.2015.3.2.899

• Serendipity Poetry and Play in Toy Piano composition and Four Pieces for Toy Piano

  Brian Inglis

  5

  2020-09-15

  DOI: https://doi.org/10.33871/23179937.2020.8.2.5

• Si amanece, nos vamos for solo guitar: Using multiphonics in a new way

  Rita Torres

  1.7

  2020-12-15

  DOI: https://doi.org/10.33871/23179937.2020.8.3.1.7