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• INKBLOT

  Serge Bulat

  9

  2021-11-30

  DOI: https://doi.org/10.33871/23179937.2021.9.2.9

• Expanded Modal Rhythm

  Luigi Antonio Irlandini

  1-24

  2017-06-30

  DOI: https://doi.org/10.33871/23179937.2017.5.1.1859

• The Critical Ear

  Sara Pinheiro

  1-17

  2024-12-22

  DOI: https://doi.org/10.33871/vortex.2024.12.9522

• Analysis and resynthesis of real instruments using Pure Data and the MKMR library

  Miguel Moreno

  22

  2021-11-30

  DOI: https://doi.org/10.33871/23179937.2021.9.2.22

• The Collaborative Role of the Technician in ...sofferte onde serene...

  Darren Miller

  37-47

  2014-06-30

  DOI: https://doi.org/10.33871/23179937.2014.2.1.446

• Ubá, Belenenses

  Eduardo Frigatti

  1.42

  2020-12-15

  DOI: https://doi.org/10.33871/23179937.2020.8.3.1.42

• Perspectivas Filosóficas da Educação Musical

  Randall Allsup, Margarete Arroyo, Renato de Carvalho Cardoso

  2018-04-01

  DOI: https://doi.org/10.33871/23179937.2018.6.1.2405

• Play, perform, experiment, create: György Kurtág's 'Jatékók' and playful music-making

  Gustavo Rodrigues Penha, Silvio Ferraz Mello Filho

  1-37

  2024-06-27

  DOI: https://doi.org/10.33871/vortex.2024.12.8398

• Two unpublished transcriptions by Sérgio Abreu: procedures, contexts and criteria for diplomatic editions

  Humberto Amorim, Ricardo Dias, Paulo Martelli

  1-46

  2023-10-12

  DOI: https://doi.org/10.33871/23179937.2023.11.2.8359

• Contrasting noises and expanding sounds: the composition process of Caminantes I to IV

  Igor Leão Maia

  2018-09-01

  DOI: https://doi.org/10.33871/23179937.2018.6.2.2606

• Sérgio Abreu and his time

  Humberto Amorim, Ricardo Dias, Felipe de Almeida Ribeiro, Fabio Poletto

  1-228

  2023-10-06

  DOI: https://doi.org/10.33871/23179937.2023.11.2.8345

• The Practice of Teaching Composition

  Dániel Péter Biró

  1-11

  2020-02-27

  DOI: https://doi.org/10.33871/23179937.2020.8.1.1-11

• What Pd Can't Teach; What It Can

  Joshua Hudelson

  13

  2021-11-30

  DOI: https://doi.org/10.33871/23179937.2021.9.2.13

• A Compositional Application of the Intertextual Compass and the Strange Infinite Return

  Gabriel Mesquita

  1-46

  2026-08-11

  DOI: https://doi.org/10.33871/vortex.2026.14.11210

• Violin in choro: interpretative possibilities based on compositions by J. E. Gramani

  Carolina Momm de Melo, Luiz Henrique Fiaminghi

  1-38

  2024-06-25

  DOI: https://doi.org/10.33871/vortex.2024.12.8415

• To Kill Prejudice, I Was Reborn: Two Black Women’s Voice in a Carnival Bloco

  Thiago de Souza Borges, Samuel Araújo

  1-21

  2025-08-19

  DOI: https://doi.org/10.33871/vortex.2025.13.9953

• Temporality and performing style in Luciano Berio's Sequenza XI for guitar

  Diego Castro-Magas

  1.31

  2020-12-15

  DOI: https://doi.org/10.33871/23179937.2020.8.3.1.31

• Desconstructing Ligeti: report of an artistic experimentation

  Alice Martins Belém Vieira, Felipe de Oliveira Amorim

  1-26

  2023-05-11

  DOI: https://doi.org/10.33871/23179937.2023.11.1.7225

• Conceptions about singing and vocal production in Camillo Maffei's Discorso della voce (1562)

  Viviane Alves Kubo

  1-25

  2024-12-01

  DOI: https://doi.org/10.33871/vortex.2024.12.8773

• Sound Narrative: Honing a Deeper Understanding of Soundscapes

  Daniel Walzer

  16

  2020-03-27

  DOI: https://doi.org/10.33871/23179937.2020.8.1.16

• Editorial: Ebony & Ivory - History, Contexts and Practices Related to Piano

  Alfonso Benetti

  1-14

  2024-08-08

  DOI: https://doi.org/10.33871/vortex.2024.12.9555

• On Music and Political Concerns: An Interview with Hilda Paredes

  Luis Velasco-Pufleau, Hilda Paredes

  16

  2020-09-30

  DOI: https://doi.org/10.33871/23179937.2020.8.2.16

• A Market of Noises and Sounds for Wellbeing (MONSWELL)

  Vinícius Andrade Pereira, Cássio de Borba Lucas

  1-20

  2024-12-24

  DOI: https://doi.org/10.33871/vortex.2024.12.9666

• Post-Colonial Disputes in Kriolu Rap: lusophony’s erasures in a communicational perspective.

  Mário A. O. M. Rolim, Thiago Soares, Guilherme Souto

  1-25

  2026-09-02

  DOI: https://doi.org/10.33871/vortex.2026.14.11252

• It Is Black Song: Pride in Samba and in the Journeys of Dona Ivone Lara and Tia Doca of Portelaer’s

  Denise Santiago-Figueiredo, Ana Paola Laeber

  1-36

  2025-08-20

  DOI: https://doi.org/10.33871/vortex.2025.13.9893