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• Elastic Rhythm in Signal-Synchronised Sequencing Objects for Pure Data

  Edward Kelly

  24

  2021-11-30

  DOI: https://doi.org/10.33871/23179937.2021.9.2.24

• Magdalena Tagliaferro: repertoire and performances according to French music critics

  Anderson da Mata Daher

  1-30

  2024-06-19

  DOI: https://doi.org/10.33871/vortex.2024.12.8546

• The Death of Narcissus: On Musical Subjectivity

  James Currie

  36-50

  2013-06-30

  DOI: https://doi.org/10.33871/23179937.2013.1.1.370

• Perdão (1960) – Composição de Dinorá de Carvalho, Transcrição para Canto e Violão de original para Canto e Piano

  Luís Ranna, Eduardo Meirinhos

  1-7

  2016-12-31

  DOI: https://doi.org/10.33871/23179937.2016.4.3.1349

• (I) Materialisms: Grisey, Dufourt, and the liminality between object, form, and subject in process music

  Austeclínio Lopes de Farias, Tatiana Catanzaro

  1-25

  2024-02-14

  DOI: https://doi.org/10.33871/23179937.2023.11.3.8246

• The Role of Proportion in the First-Movement Expositions of Mozart's String Quintets

  Eduardo Sola Chagas Lima

  48-61

  2014-06-30

  DOI: https://doi.org/10.33871/23179937.2014.2.1.447

• Julian Bream (1933-2020)

  Fabio Zanon

  1.46

  2020-12-15

  DOI: https://doi.org/10.33871/23179937.2020.8.3.1.46

• Fedra

  Lilian Campesato

  265-269

  2015-12-31

  DOI: https://doi.org/10.33871/23179937.2015.3.2.906

• Contributions of Gibson's Ecological Psychology to the Creation of Interactive Sound Installations

  Rael Bertarelli Gimenes Toffolo

  1-29

  2024-12-01

  DOI: https://doi.org/10.33871/vortex.2024.12.9513

• Provincializing opera - the production of otherness in Les Indes Galantes producción de alteridades en Les Indes Galantes

  Maya Suemi Lemos

  1-26

  2023-12-24

  DOI: https://doi.org/10.33871/23179937.2023.11.3.8229

• Composição para Piano a Quatro Mãos e Dois Comentários de Edson Zampronha: Elementos musicais de identificação e de sincronia técnico-interpretativa

  Maria Bernardete Castelan Póvoas, Luís Cláudio Barros

  1-26

  2017-12-29

  DOI: https://doi.org/10.33871/23179937.2017.5.3.2168

• Pop Art as an Artistic Material of Modernity in Rock and Its Distinctions in England and the USA

  Vanessa Pironato Milani, José Cesar Fernandes Gomes

  1 - 28

  2025-08-26

  DOI: https://doi.org/10.33871/vortex.2025.13.10047

• The territory of Artistic Research: investigating the margins of polysemy

  Bibiana Bragagnolo

  1-26

  2025-10-07

  DOI: https://doi.org/10.33871/vortex.2025.13.9870

• Review: The Music of Antonio Carlos Jobim

  Ines Rosa Bianca Loureiro

  1-6

  2022-12-16

  DOI: https://doi.org/10.33871/23179937.2022.10.3.4700

• Beats + Sample Manipulation in Pure Data with Raspberry Pi

  Nick Demopoulos

  28

  2021-11-30

  DOI: https://doi.org/10.33871/23179937.2021.9.2.28

• Editorial Dossier Brazilian Symposium on Computer Music

  Ivan Simurra, Flávio Schiavoni, Cristiano Figueiró, Isabel Nogueira

  2022-04-30

• “Our model is sound”: Gérard Grisey's spectralism, processes, temporalities and influences

  Danilo Rossetti

  1-24

  2023-12-24

  DOI: https://doi.org/10.33871/23179937.2023.11.3.8235

• Como una luna en el agua

  Francisco del Pino

  169-180

  2014-12-30

  DOI: https://doi.org/10.33871/23179937.2014.2.2.470

• Women in samba: what do recent academic productions say?

  Yanne Angelim Dias, Maria Zelma de Araújo Madeira

  1-27

  2025-08-19

  DOI: https://doi.org/10.33871/vortex.2025.13.9936

• Editorial "The Toy Piano Takes the Stage" Dossier

  Sara Carvalho

  2020-09-15

• Composition of “Karma” based on the Gestalt Modeling of “Ponteio No. 29” by Camargo Guarnieri

  Helder Alves de Oliveira, Liduino Pitombeira

  1-37

  2024-01-30

  DOI: https://doi.org/10.33871/23179937.2023.11.3.8241

• Patches in a timeline with ossia score

  Jean-Michaël Celerier

  21

  2021-11-30

  DOI: https://doi.org/10.33871/23179937.2021.9.2.21

• The “grandfather of the modern guitar”: Quincas Laranjeiras and his role as a cultural mediator

  Humberto Amorim, Paulo Martelli

  1-29

  2023-04-08

  DOI: https://doi.org/10.33871/23179937.2023.11.1.7100

• Building in-situ instruments for the Street Sonatas #1 and #5

  Hans Roels

  27

  2021-11-30

  DOI: https://doi.org/10.33871/23179937.2021.9.2.27

• The Unity of the musical work in Aristotle Metaphysics

  Paul Wegmann, Indioney Rodrigues

  1-33

  2022-09-29

  DOI: https://doi.org/10.33871/23179937.2022.10.2.6820