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• Poetics in sound art: an interview with Paulo Nenflidio

  Roseane Yampolschi, Clayton Rosa Mamedes, Paulo Nenflidio

  6

  2021-11-30

  DOI: https://doi.org/10.33871/23179937.2021.9.2.6

• Personal Thinking on the Creative Directions of Chinese Contemporary Zheng Music

  Peng Liu

  1-9

  2020-02-27

  DOI: https://doi.org/10.33871/23179937.2020.8.1.1-9

• Halny, for flute and guitar

  Eduardo Frigatti

  2018-09-01

  DOI: https://doi.org/10.33871/23179937.2018.6.2.2624

• Teaching and Learning Electronic Music Composition

  Joachim Heintz

  1-8

  2020-02-27

  DOI: https://doi.org/10.33871/23179937.2020.8.1.1-8

• Uma saudade que ficou: the silencing in Dinorá de Carvalho’s compositional work

  Tadeu Moraes Taffarello, Raquel Juliana Prado Leite de Sousa, Flávio Cardoso de Carvalho, Vitor Alves de Mello Lopes

  1-34

  2025-08-20

  DOI: https://doi.org/10.33871/vortex.2025.13.9869

• A Brief Primer to Sergei Taneyev’s Treatise “Convertible Counterpoint in the Strict Style”

  Marcus Alessi Bittencourt, Lilian Cristyelen Martins

  1-46

  2026-03-30

  DOI: https://doi.org/10.33871/vortex.2026.14.11205

• Drawing texture with the toy piano

  Diana Blom

  2

  2020-09-15

  DOI: https://doi.org/10.33871/23179937.2020.8.2.2

• The Invention of the Vocal Instrument in Got Lost, by Helmut Lachenmann

  Lucas Mateus Silva, William Teixeira da Silva

  1-32

  2025-05-28

  DOI: https://doi.org/10.33871/vortex.2025.13.9096

• ‘Chess studies’ for String Quartet: Composition based on chess

  Alberto Hortigüela, Sara Carvalho

  1-34

  2025-07-22

  DOI: https://doi.org/10.33871/vortex.2025.13.9479

• The analogies toy: poetic algorithm as a composition strategy

  Armando Lôbo

  1-7

  2020-02-27

  DOI: https://doi.org/10.33871/23179937.2020.8.1.1-7

• Teledescante nº1: polyphony in time of plague

  Maurício Funcia De Bonis, Fábio Scucuglia

  5

  2021-11-30

  DOI: https://doi.org/10.33871/23179937.2021.9.2.5

• From Scratch

  Sergio Kafejian

  1.41

  2020-12-15

  DOI: https://doi.org/10.33871/23179937.2020.8.3.1.41

• The Guitar as a Laboratory for Experimentation

  Camilo A. Mendez San Juan

  1.10

  2020-12-15

  DOI: https://doi.org/10.33871/23179937.2020.8.3.1.10

• Shared musical creativity: teaching composer-performer collaboration

  Luciane Cardassi, Guilherme Bertissolo

  13

  2020-02-27

  DOI: https://doi.org/10.33871/23179937.2020.8.1.13

• Performing the Immersive: Electroacoustic Music at the Threshold of Technology

  César Rennó-Costa, Alyson Souza, Stefane Orichuela, João Anisio da Nobrega, Leonardo Pereira, Jonatas Manzolli, Cleber Campos

  1-39

  2026-08-11

  DOI: https://doi.org/10.33871/vortex.2026.14.11748

• Some Compositional Approaches in the Practice of live-electronic music from the perspective of technique and technological tools

  Vinícius Cesar de Oliveira, Thales Roel P. Pessanha

  8

  2021-12-15

  DOI: https://doi.org/10.33871/23179937.2021.9.3.8

• El Cimarrón by Hans Werner Henze – A New Approach to Political Song

  Jose Mario Ortiz

  1-12

  2017-12-29

  DOI: https://doi.org/10.33871/23179937.2017.5.3.2160

• Music and Silence

  Gisèle Brelet; Gustavo Bonin, Juliana Di Fiori Pondian

  1-22

  2024-09-16

  DOI: https://doi.org/10.33871/vortex.2024.12.9117

• Making Complex Music with Simple Algorithms, is it Even Possible?

  Risto Holopainen

  3

  2021-11-30

  DOI: https://doi.org/10.33871/23179937.2021.9.2.3

• Historicized Composition and Creative Ethnomusicology

  Dániel Péter Biró

  1-22

  2013-06-30

  DOI: https://doi.org/10.33871/23179937.2013.1.1.367

• Parsimonious relations between Guitar Textural Proposals

  Bernardo Ramos Pinto, Pauxy Gentil-Nunes

  1.1

  2020-12-15

  DOI: https://doi.org/10.33871/23179937.2020.8.3.1.1

• Dragonslayer: musical composition and mythical thought

  Luigi Antonio Irlandini

  5

  2021-12-15

  DOI: https://doi.org/10.33871/23179937.2021.9.3.5

• Pandemics, Delays, and Pure Data: on 'afterlives' (2020), for Flute and Live Electronics and Visuals

  José Henrique Padovani

  17

  2021-11-30

  DOI: https://doi.org/10.33871/23179937.2021.9.2.17

• On the nature of musical scores and the rationale to prepare them: formulating directives

  Marcus Alessi Bittencourt

  8

  2020-09-15

  DOI: https://doi.org/10.33871/23179937.2020.8.2.8

• Composition of “Karma” based on the Gestalt Modeling of “Ponteio No. 29” by Camargo Guarnieri

  Helder Alves de Oliveira, Liduino Pitombeira

  1-37

  2024-01-30

  DOI: https://doi.org/10.33871/23179937.2023.11.3.8241