Search

Search Results

• The Practice of Teaching Composition

  Dániel Péter Biró

  1-11

  2020-02-27

  DOI: https://doi.org/10.33871/23179937.2020.8.1.1-11

• Serendipity Poetry and Play in Toy Piano composition and Four Pieces for Toy Piano

  Brian Inglis

  5

  2020-09-15

  DOI: https://doi.org/10.33871/23179937.2020.8.2.5

• Gesture as a metaphorical process: an exploration through musical composition

  Sara Carvalho

  1-9

  2017-06-30

  DOI: https://doi.org/10.33871/23179937.2017.5.1.1852

• Analysis and interpretation of the Sonatina for guitar by Sérgio Vasconcellos-Corrêa

  Jéfrey Antônio de Andrade, Rogério Tavares Constante

  1-44

  2024-09-09

  DOI: https://doi.org/10.33871/vortex.2024.12.8864

• Contemporary music at Fundação de Educação Artística in the decade before COVID-19 los impactos de la pandemia de COVID-19 en Belo Horizonte

  Guilherme Nascimento

  1-17

  2024-12-01

  DOI: https://doi.org/10.33871/vortex.2024.12.8464

• Damiano Cozzella’s pop avant-garde: cultural hybridization and the composition as a critical act

  Fernando Magre, Mónica Vermes

  1-26

  2025-07-08

  DOI: https://doi.org/10.33871/vortex.2025.13.10593

• Compositional Achievements of Rebecca Clarke in the Sonata for Viola and Piano

  Adriana Lopes da Cunha Moreira, Laís Ferreira Lopes

  1-29

  2025-08-20

  DOI: https://doi.org/10.33871/vortex.2025.13.9925

• Karen Tuttle's Coordination applied to the performance and interpretation of Edino Krieger's Brasiliana

  Leonardo Piermartiri, Daphne Capparelli Gerling

  13

  2021-05-15

  DOI: https://doi.org/10.33871/23179937.2021.9.1.13

• Occupied reflections: audience as performers

  Sara Carvalho

  1

  2020-09-15

  DOI: https://doi.org/10.33871/23179937.2020.8.2.1

• Como una luna en el agua

  Francisco del Pino

  169-180

  2014-12-30

  DOI: https://doi.org/10.33871/23179937.2014.2.2.470

• Ubá, Belenenses

  Eduardo Frigatti

  1.42

  2020-12-15

  DOI: https://doi.org/10.33871/23179937.2020.8.3.1.42

• Composing Sound Spaces: an interview with Hans Tutschku

  Ingrid Mayumi Yamazato de Souza, William Teixeira da Silva

  1-25

  2024-12-01

  DOI: https://doi.org/10.33871/vortex.2024.12.9523

• In the Era of Computers, Internet and Multimedia, are we still Teaching Composers to become Chapel-Masters?

  Rodolfo Coelho de Souza

  1-14

  2020-02-27

  DOI: https://doi.org/10.33871/23179937.2020.8.1.1-14

• Click Tracker PD patch

  João Pais

  201-203

  2014-12-30

  DOI: https://doi.org/10.33871/23179937.2014.2.2.475

• Layers of musical interaction: an analysis of Anders Lind's installation Lines

  Cristiane dos Guimarães Alvim Nunes, Marco Antonio Pasqualini de Andrade, Daniel Luís Barreiro

  1-38

  2026-07-10

  DOI: https://doi.org/10.33871/vortex.2026.14.11478

• Tinctoris on false concordances: a mistake made by all composers?

  Matheus Rocha Grain

  1-26

  2025-06-09

  DOI: https://doi.org/10.33871/vortex.2025.13.9467

• Developing an interpretation of Luigi Nono's ...sofferte onde serene...

  Luciane Cardassi

  1-10

  2016-12-31

  DOI: https://doi.org/10.33871/23179937.2016.4.3.1334

• Invention is not taught

  Flo Menezes

  11

  2020-02-27

  DOI: https://doi.org/10.33871/23179937.2020.8.1.11

• Contrasting noises and expanding sounds: the composition process of Caminantes I to IV

  Igor Leão Maia

  2018-09-01

  DOI: https://doi.org/10.33871/23179937.2018.6.2.2606

• Fireman Dither – Variate Ilona

  Ivan Eiji Simurra

  121-163

  2014-06-30

  DOI: https://doi.org/10.33871/23179937.2014.2.1.472

• Performer openness strategies and the discourse control procedures

  Daniel Pizaia, Fabio Furlanete

  1-29

  2023-07-14

  DOI: https://doi.org/10.33871/23179937.2023.11.2.7496

• moon chunks: creating musical meanings

  Sara Carvalho

  1-19

  2017-06-01

  DOI: https://doi.org/10.33871/23179937.2017.5.2.2151

• Searching for the sonority in the scope of Popular Music

  Luisa Meirelles, Jônatas Manzolli, Regina Machado

  1-28

  2022-09-29

  DOI: https://doi.org/10.33871/23179937.2022.10.2.6761

• Towards Overcoming the Guitar's Color Research Gap

  Rita Torres, Paulo Ferreira-Lopes

  16-36

  2014-06-30

  DOI: https://doi.org/10.33871/23179937.2014.2.1.445

• The Toy Piano Is Not a Toy

  Antonietta Loffredo

  3

  2020-09-15

  DOI: https://doi.org/10.33871/23179937.2020.8.2.3