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• Towards Overcoming the Guitar's Color Research Gap

  Rita Torres, Paulo Ferreira-Lopes

  16-36

  2014-06-30

  DOI: https://doi.org/10.33871/23179937.2014.2.1.445

• cents_analysis_v1.0

  Felipe de Almeida Ribeiro

  207-208

  2014-12-30

  DOI: https://doi.org/10.33871/23179937.2014.2.2.478

• Reflections on the concepts of Meyer's Theory of Styles for musical performance

  Samuel Henrique da Silva Cianbroni, Regina Antunes Teixeira Dos Santos

  1-26

  2024-09-17

  DOI: https://doi.org/10.33871/vortex.2024.12.9270

• A constellation for Jocy de Oliveira’s artwork

  Claudia Helena Azevedo Alvarenga

  1-38

  2024-09-18

  DOI: https://doi.org/10.33871/vortex.2024.12.9225

• Developing a Crossover Idiomatic Writing for the Double Bass: Composing/Arranging & Playing, and ... Da capo !

  Fausto Borém

  7

  2020-09-15

  DOI: https://doi.org/10.33871/23179937.2020.8.2.7

• Waltzifiability hypothesis

  Angel Tateishi, Amanda Carpenedo, Jean Lopes Baiano

  1-23

  2023-07-14

  DOI: https://doi.org/10.33871/23179937.2023.11.2.7619

• Sound Narrative: Honing a Deeper Understanding of Soundscapes

  Daniel Walzer

  16

  2020-03-27

  DOI: https://doi.org/10.33871/23179937.2020.8.1.16

• The Collaborative Role of the Technician in ...sofferte onde serene...

  Darren Miller

  37-47

  2014-06-30

  DOI: https://doi.org/10.33871/23179937.2014.2.1.446

• Nzikitanza – A piece on the resistance against the MUOS in Niscemi, Sicily

  Marcello Messina

  208-223

  2015-12-31

  DOI: https://doi.org/10.33871/23179937.2015.3.2.899

• [vstplugin~] – A Pd external for hosting VST plugins

  Christof Ressi

  20

  2021-11-30

  DOI: https://doi.org/10.33871/23179937.2021.9.2.20

• Sound feedback control model for live electronic performance in the Ecos Study

  Ricardo Thomasi, Regis R. A. Faria

  3

  2021-12-15

  DOI: https://doi.org/10.33871/23179937.2021.9.3.3

• Women in Samba: work, collective experiences, and cultural policies

  Laila Andresa Cavalcante Rosa, Julia Ricciardi Lima, Rayra Mayara Santos

  1-28

  2025-08-20

  DOI: https://doi.org/10.33871/vortex.2025.13.9960

• Women in the practice of Mbira in Mozambique: breaking down gender barriers.

  Micas Orlando Silambo

  1-41

  2025-08-20

  DOI: https://doi.org/10.33871/vortex.2025.13.9681

• Form and Structure in J. Haydn's "Von deiner Güt' o Herr und Gott" , from The Creation

  Eduardo Sola Chagas Lima

  2

  2021-05-15

  DOI: https://doi.org/10.33871/23179937.2021.9.1.2

• We walk together (2020)

  Rui Chaves, Eduardo Patrício, Laura Romero, Lilian Nakahodo, Luz da Camara

  8

  2021-11-30

  DOI: https://doi.org/10.33871/23179937.2021.9.2.8

• Si amanece, nos vamos for solo guitar: Using multiphonics in a new way

  Rita Torres

  1.7

  2020-12-15

  DOI: https://doi.org/10.33871/23179937.2020.8.3.1.7

• Petrasonic, a musical exploration of Iowa's geology

  Jean-François Charles

  7

  2021-11-30

  DOI: https://doi.org/10.33871/23179937.2021.9.2.7

• Compositional Planning of Trivium for Helder Alto Recorder

  Liduino José Pitombeira de Oliveira

  1-63

  2026-07-10

  DOI: https://doi.org/10.33871/vortex.2026.14.11516

• Research in composition and musical analysis: Computational tools, inter-relationships and emergences

  Danilo Rossetti

  1-31

  2023-04-08

  DOI: https://doi.org/10.33871/23179937.2023.11.1.7382

• I saw them colours of your flag – A Speech-Based Composition on Aboriginal Sovereignty

  Marcello Messina

  1-8

  2017-06-30

  DOI: https://doi.org/10.33871/23179937.2017.5.1.1865

• Provincializing opera - the production of otherness in Les Indes Galantes producción de alteridades en Les Indes Galantes

  Maya Suemi Lemos

  1-26

  2023-12-24

  DOI: https://doi.org/10.33871/23179937.2023.11.3.8229

• From Nature to Instrument: Mimetic Realism in Two Works by Carola Bauckholt

  Thiago Diniz Gonzaga de Lima, Igor Leão Maia

  1-45

  2024-12-20

  DOI: https://doi.org/10.33871/vortex.2024.12.9525

• Expanded Modal Rhythm

  Luigi Antonio Irlandini

  1-24

  2017-06-30

  DOI: https://doi.org/10.33871/23179937.2017.5.1.1859

• Play, perform, experiment, create: György Kurtág's 'Jatékók' and playful music-making

  Gustavo Rodrigues Penha, Silvio Ferraz Mello Filho

  1-37

  2024-06-27

  DOI: https://doi.org/10.33871/vortex.2024.12.8398

• A Compositional Application of the Intertextual Compass and the Strange Infinite Return

  Gabriel Mesquita

  1-46

  2026-08-11

  DOI: https://doi.org/10.33871/vortex.2026.14.11210