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• The stylus phantasticus in the toccata BWV 912 of Johann Sebastian Bach

  Lucas Thomasi Genero, Helena Jank

  1-25

  2023-05-16

  DOI: https://doi.org/10.33871/23179937.2023.11.1.7390

• The Aesthetics of the Cold and its guitar idioms: an analysis of Vitor Ramil’s songbook

  Luan Augusto Langaro Teixeira, Beatriz Magalhães-Castro

  1-21

  2023-10-12

  DOI: https://doi.org/10.33871/23179937.2023.11.2.7955

• The Body of Time: a reading of Gérard Grisey's Prologue una lectura de la obra Prologue de Gérard Grisey

  Silvio Ferraz, William Teixeira

  1-27

  2023-12-24

  DOI: https://doi.org/10.33871/23179937.2023.11.3.8224

• valencia & 19th dissolving

  Dylan Neely

  140-168

  2014-12-30

  DOI: https://doi.org/10.33871/23179937.2014.2.2.469

• Starling Murmurations as a Model for Sound Spatialization

  Said Bonduki, Leon Steidle

  2024-12-03

  DOI: https://doi.org/10.33871/vortex.2024.12.9579

• Audiovisual interactive artwork via web-deployed software: Motus composes Homino-idea

  Augusto Piato Amstalden, Tiago Fernandes Tavares, Anésio Azevedo Costa Neto, Giovana Cardi Camarini

  2022-04-30

  DOI: https://doi.org/10.33871/23179937.2022.10.1.6

• ESPER 2, an improvised oscilloscope music set

  Eric Lennartson

  25

  2021-11-30

  DOI: https://doi.org/10.33871/23179937.2021.9.2.25

• Studying with Bream

  Alice Artzt

  1.49

  2020-12-15

  DOI: https://doi.org/10.33871/23179937.2020.8.3.1.49

• Neither idiomatism nor extended technique: vibraphone approaches on Traldi and Rosauro

  Isabella Tais Sonsin, Alexandre Remuzzi Ficagna

  1-37

  2023-05-16

  DOI: https://doi.org/10.33871/23179937.2023.11.1.7312

• Perfis composicionais como base metodológica para a modelagem do Prelúdio n.2 de Santoro

  Daniel Moreira, Helder Oliveira, Leandro Chrispim, Lucas Padrão, Roberto Macedo, Vilane Trindade, Liduino Pitombeira

  11

  2021-12-15

  DOI: https://doi.org/10.33871/23179937.2021.9.3.11