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• Analysis and interpretation of the Sonatina for guitar by Sérgio Vasconcellos-Corrêa

  Jéfrey Antônio de Andrade, Rogério Tavares Constante

  1-44

  2024-09-09

  DOI: https://doi.org/10.33871/vortex.2024.12.8864

• Reflections on the concepts of Meyer's Theory of Styles for musical performance

  Samuel Henrique da Silva Cianbroni, Regina Antunes Teixeira Dos Santos

  1-26

  2024-09-17

  DOI: https://doi.org/10.33871/vortex.2024.12.9270

• Compositional Achievements of Rebecca Clarke in the Sonata for Viola and Piano

  Adriana Lopes da Cunha Moreira, Laís Ferreira Lopes

  1-29

  2025-08-20

  DOI: https://doi.org/10.33871/vortex.2025.13.9925

• Magda Tagliaferro: the criticisms of the French music press and gender issues

  Anderson da Mata Daher

  1-26

  2025-08-20

  DOI: https://doi.org/10.33871/vortex.2025.13.9774

• Research in composition and musical analysis: Computational tools, inter-relationships and emergences

  Danilo Rossetti

  1-31

  2023-04-08

  DOI: https://doi.org/10.33871/23179937.2023.11.1.7382

• Uma saudade que ficou: the silencing in Dinorá de Carvalho’s compositional work

  Tadeu Moraes Taffarello, Raquel Juliana Prado Leite de Sousa, Flávio Cardoso de Carvalho, Vitor Alves de Mello Lopes

  1-34

  2025-08-20

  DOI: https://doi.org/10.33871/vortex.2025.13.9869

• Layers of musical interaction: an analysis of Anders Lind's installation Lines

  Cristiane dos Guimarães Alvim Nunes, Marco Antonio Pasqualini de Andrade, Daniel Luís Barreiro

  1-38

  2026-07-10

  DOI: https://doi.org/10.33871/vortex.2026.14.11478

• Pianistic Expressivity: Interfaces between Cognition, Visual Metaphors, and Music Education

  Thiago, Elenisio

  1-26

  2025-10-27

  DOI: https://doi.org/10.33871/vortex.2025.13.10702

• Performer openness strategies and the discourse control procedures

  Daniel Pizaia, Fabio Furlanete

  1-29

  2023-07-14

  DOI: https://doi.org/10.33871/23179937.2023.11.2.7496

• Poetry and Music Relationship in Let my Love be Heard by Jake Runestad

  Lucas Gabriel Almeida Bispo, Luciano de Freitas Camargo

  1-34

  2026-02-20

  DOI: https://doi.org/10.33871/vortex.2026.14.11041

• ‘Chess studies’ for String Quartet: Composition based on chess

  Alberto Hortigüela, Sara Carvalho

  1-34

  2025-07-22

  DOI: https://doi.org/10.33871/vortex.2025.13.9479

• The Waldstein Gesture and the Tetradic Space

  Carlos Almada

  1 - 31

  2026-03-24

  DOI: https://doi.org/10.33871/vortex.2026.14.11073

• Leonor de Castro: the first female teacher at the Rio de Janeiro Music Conservatory

  Clara Fernandes Albuquerque

  1-30

  2025-08-20

  DOI: https://doi.org/10.33871/vortex.2025.13.9963

• The Body of Time: a reading of Gérard Grisey's Prologue una lectura de la obra Prologue de Gérard Grisey

  Silvio Ferraz, William Teixeira

  1-27

  2023-12-24

  DOI: https://doi.org/10.33871/23179937.2023.11.3.8224

• Women in the History of Music, in textbooks and in teacher education

  Andréia Schach Fey, Guilherme Romanelli

  1-25

  2025-08-19

  DOI: https://doi.org/10.33871/vortex.2025.13.9914

• The Spatial Dimension as an Expressive and Structuring Element in Phonograms from the 1950s

  Gilberto Assis Rosa

  1-22

  2024-12-06

  DOI: https://doi.org/10.33871/vortex.2024.12.9084

• Searching for the sonority in the scope of Popular Music

  Luisa Meirelles, Jônatas Manzolli, Regina Machado

  1-28

  2022-09-29

  DOI: https://doi.org/10.33871/23179937.2022.10.2.6761

• An expert pianist's strategies for learning a song from a lead sheet

  Joao G A Lima, Danilo Ramos

  1-45

  2024-08-05

  DOI: https://doi.org/10.33871/vortex.2024.12.8443

• Music virality on social platforms: A literature review

  Gabriel P. Oliveira, Ana Paula Couto da Silva, Mirella M. Moro

  1-32

  2025-11-17

  DOI: https://doi.org/10.33871/vortex.2025.13.10848

• Praxis of guitar performance: three recordings of Tedesco’s “Omaggio a Boccherini”

  Caio Victor de Oliveira Lemos, Carolina Lindenberg Lemos

  1-38

  2023-05-11

  DOI: https://doi.org/10.33871/23179937.2023.11.1.7440

• Formal segmentation and harmonic pentatonicism in Sgt. Peppers Lonely Hearts Club Band

  Ciro Visconti

  1-30

  2022-09-29

  DOI: https://doi.org/10.33871/23179937.2022.10.2.6729

• The Chromatic False Relation: A Compositional Device and Diegetic Trope in the English Renaissance

  Eduardo Solá Chagas Lima

  1-49

  2025-08-26

  DOI: https://doi.org/10.33871/vortex.2025.13.9621

• Damiano Cozzella’s pop avant-garde: cultural hybridization and the composition as a critical act

  Fernando Magre, Mónica Vermes

  1-26

  2025-07-08

  DOI: https://doi.org/10.33871/vortex.2025.13.10593

• Notes on Psychological Suffering and Musical Performance

  Luigi Brandão, Flavio Barbeitas

  1-29

  2023-05-11

  DOI: https://doi.org/10.33871/23179937.2023.11.1.7117

• Debating the permanencies of nationalist musical modernism in the 20th century.

  Wesley Higino, Marcelo Rauta

  1-34

  2022-12-16

  DOI: https://doi.org/10.33871/23179937.2022.10.3.7008