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• Artistic Research in Theses and Dissertations at Brazilian Universities between 2018 and 2022

  Marta Macedo Brietzke, Mario Videira

  1-42

  2025-07-22

  DOI: https://doi.org/10.33871/vortex.2025.13.10394

• Writings in the Dust, for Guitar and Electronic Sounds: Reflections on Mixed Music with Tape and Its Relationship with Tradition

  Felipe Vasconcelos, Renan Simões

  1-37

  2025-11-17

  DOI: https://doi.org/10.33871/vortex.2025.13.10837

• Interface Computacional para Controle Musical Utilizando os Movimentos dos Olhos

  Higor Araújo Fim Camporez, Anselmo Frizera Neto, Leandro Lesqueves Costalonga, Helder Roberto de Oliveira Rocha

  2018-09-01

  DOI: https://doi.org/10.33871/23179937.2018.6.2.2616

• Real-time Analysis of Interactive Scores in PWGL

  Mika Kuuskankare

  2022-04-30

  DOI: https://doi.org/10.33871/23179937.2022.10.1.4

• Parsimonious relations between Guitar Textural Proposals

  Bernardo Ramos Pinto, Pauxy Gentil-Nunes

  1.1

  2020-12-15

  DOI: https://doi.org/10.33871/23179937.2020.8.3.1.1

• Composing Sound Spaces: an interview with Hans Tutschku

  Ingrid Mayumi Yamazato de Souza, William Teixeira da Silva

  1-25

  2024-12-01

  DOI: https://doi.org/10.33871/vortex.2024.12.9523

• Pan-American Sounds: Carleton Sprague Smith’s Role in Camargo Guarnieri’s Career and Music

  Pyero Talone

  1-35

  2026-05-12

  DOI: https://doi.org/10.33871/vortex.2026.14.11058

• Rogério Duprat’s Film Music Manuscripts for Noite vazia and the Synthesizer at the Vera Cruz Studios

  Itamar Vidal, Danilo Rossetti

  1-47

  2026-05-12

  DOI: https://doi.org/10.33871/vortex.2026.14.11000

• The paradigms of authenticity in the interpretation of Variações by Llobet on Op. 15 by Sor

  Luciano Souto, Adrielle Clara Silva Melo

  1-40

  2024-03-28

  DOI: https://doi.org/10.33871/vortex.2024.12.8286

• Reflections on guitar technique based on the experience of Nenéu Liberalquino

  Deyvison Lucas da Silva, Viviane dos Santos Louro

  1-26

  2025-12-05

  DOI: https://doi.org/10.33871/vortex.2025.13.10653

• Women in Percussion: An Investigation of Composers and Works in Latin America and the Caribbean

  Juliane Larsen, Camila Cardoso

  1-34

  2025-08-20

  DOI: https://doi.org/10.33871/vortex.2025.13.9887

• From Compact Discs to Streaming: A Comparison of Eras within the Brazilian Market

  Danilo B. Seufitelli, Gabriel P. Oliveira, Mariana O. Silva, Gabriel R. G. Barbosa, Bruna C. Melo, Juliana E. Botelho, Luiza de Melo-Gomes, Mirella M. Moro

  2022-04-30

  DOI: https://doi.org/10.33871/23179937.2022.10.1.2

• Temporal Success Analyses in Music Collaboration Networks: Brazilian and Global Scenarios

  Mariana O. Silva, Gabriel P. Oliveira, Danilo B. Seufitelli, Mirella M. Moro

  1-27

  2023-08-03

  DOI: https://doi.org/10.33871/23179937.2023.11.2.7185

• Composition of “Karma” based on the Gestalt Modeling of “Ponteio No. 29” by Camargo Guarnieri

  Helder Alves de Oliveira, Liduino Pitombeira

  1-37

  2024-01-30

  DOI: https://doi.org/10.33871/23179937.2023.11.3.8241

• The dialogue between singing and piano: a textural analysis of five songs by Camargo Guarnieri

  Polyane Schneider Hochheim, Ana Telles

  1-33

  2026-03-24

  DOI: https://doi.org/10.33871/vortex.2026.14.11049

• The classical guitar in the interior of São Paulo (1940-2000): analysis of the concert programs of Milton Nunes's personal collection

  Stephen Coffey Bolis, Fabio Scarduelli

  1-49

  2022-09-29

  DOI: https://doi.org/10.33871/23179937.2022.10.2.6800

• A Mathematical, Graphical and Visual Approach to Granular Synthesis Composition

  Fernando Falci de Souza, Adolfo Maia Jr.

  4

  2021-11-30

  DOI: https://doi.org/10.33871/23179937.2021.9.2.4

• Intertextuality and Performance in “Três Sátiras para Piano” by José Alberto Kaplan

  Tassio Lima, Joana Holanda

  1-41

  2024-08-07

  DOI: https://doi.org/10.33871/vortex.2024.12.8485

• Poscolonial Peruvian Sheep and Their Digital Dreams: Pure Data as a Tool for Conceptual Reconfiguration in Peruvian Musical Education

  José Ignacio López Ramírez Gastón

  16

  2021-11-30

  DOI: https://doi.org/10.33871/23179937.2021.9.2.16

• A Narrative Model in Three Versions of “My Favorite Things” by Jonathan Kreisberg.

  Rafael Gonçalves

  1 - 38

  2025-10-28

  DOI: https://doi.org/10.33871/vortex.2025.13.9849

• Creative processes in musical composition: sources of inspiration under self-scrutiny

  Rita Torres

  1-14

  2023-05-02

  DOI: https://doi.org/10.33871/23179937.2023.11.1.7444

• moon chunks: creating musical meanings

  Sara Carvalho

  1-19

  2017-06-01

  DOI: https://doi.org/10.33871/23179937.2017.5.2.2151

• Expanding the Pianist’s Toolbox: Approaches to Arpeggiation, Pedalling, and Gesture

  Óscar Caravaca González

  1-38

  2025-09-16

  DOI: https://doi.org/10.33871/vortex.2025.13.9839

• An introduction to the poetics of sacred sound in twentieth-century music

  Luigi Antonio Irlandini

  65-86

  2013-12-30

  DOI: https://doi.org/10.33871/23179937.2013.1.2.430

• Macedo Pinto’s Nove Instantâneos for piano sources, contexts, and pedagogical contribution

  Gustavo Afonso, Helena Marinho

  1-35

  2024-06-24

  DOI: https://doi.org/10.33871/vortex.2024.12.8450