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• Listening to/with Mar Paradoxo: a collective practice for sharing listenings

  Gustavo Branco Germano, Alexandre Marino, Daniel Tápia, Henrique Rocha de Souza Lima, Lílian Campesato, Marina Mapurunga de Miranda da Ferreira, Valéria Bonafé, Vicente Reis

  1

  2021-11-30

  DOI: https://doi.org/10.33871/23179937.2021.9.2.1

• Women in Samba: work, collective experiences, and cultural policies

  Laila Andresa Cavalcante Rosa, Julia Ricciardi Lima, Rayra Mayara Santos

  1-28

  2025-08-20

  DOI: https://doi.org/10.33871/vortex.2025.13.9960

• Piano Repertoire for the Left Hand: A Performative Study of Portuguese Works

  Andre Roque Cardoso, Helena Marinho

  1-34

  2026-03-31

  DOI: https://doi.org/10.33871/vortex.2026.14.10853

• Musical Transcription: creation and analysis in five approaches influenced by Luciano Berio

  Felipe Vasconcelos

  1-22

  2023-05-20

  DOI: https://doi.org/10.33871/23179937.2023.11.1.7459

• From Nature to Instrument: Mimetic Realism in Two Works by Carola Bauckholt

  Thiago Diniz Gonzaga de Lima, Igor Leão Maia

  1-45

  2024-12-20

  DOI: https://doi.org/10.33871/vortex.2024.12.9525

• Gesture as a metaphorical process: an exploration through musical composition

  Sara Carvalho

  1-9

  2017-06-30

  DOI: https://doi.org/10.33871/23179937.2017.5.1.1852

• In the Era of Computers, Internet and Multimedia, are we still Teaching Composers to become Chapel-Masters?

  Rodolfo Coelho de Souza

  1-14

  2020-02-27

  DOI: https://doi.org/10.33871/23179937.2020.8.1.1-14

• Teledescante nº1: polyphony in time of plague

  Maurício Funcia De Bonis, Fábio Scucuglia

  5

  2021-11-30

  DOI: https://doi.org/10.33871/23179937.2021.9.2.5

• Sonata form in Alberto Nepomuceno’s Symphony in G minor

  Norton Dudeque

  1-36

  2024-03-28

  DOI: https://doi.org/10.33871/vortex.2024.12.8621

• Schaeffer's Solfège, Percussion, Audio Descriptors: Towards an Interactive Musical System

  Sérgio Freire, José Henrique Padovani, Caio Costa Campos

  2022-04-30

  DOI: https://doi.org/10.33871/23179937.2022.10.1.5

• The stylus phantasticus in the toccata BWV 912 of Johann Sebastian Bach

  Lucas Thomasi Genero, Helena Jank

  1-25

  2023-05-16

  DOI: https://doi.org/10.33871/23179937.2023.11.1.7390

• Discussing the teaching of composition at the university

  Yuri Behr, Clayton Rosa Mamedes, Isaac Felix Chueke

  14

  2020-02-27

  DOI: https://doi.org/10.33871/23179937.2020.8.1.14

• A quantitative comparison of viral and hit songs in the Brazilian music market

  Gabriel Oliveira, Ana Paula Couto da Silva, Mirella Moro

  1-29

  2024-09-07

  DOI: https://doi.org/10.33871/vortex.2024.12.8727

• Temporality and performing style in Luciano Berio's Sequenza XI for guitar

  Diego Castro-Magas

  1.31

  2020-12-15

  DOI: https://doi.org/10.33871/23179937.2020.8.3.1.31

• Invention is not taught

  Flo Menezes

  11

  2020-02-27

  DOI: https://doi.org/10.33871/23179937.2020.8.1.11

• Jade God In

  Ivan Eiji Simurra

  181-188

  2014-12-30

  DOI: https://doi.org/10.33871/23179937.2014.2.2.471

• Interview with Luigi Abbate

  Luigi Abbate, Eduardo Campolina, Igor Leão Maia

  1-31

  2020-02-27

  DOI: https://doi.org/10.33871/23179937.2020.8.1.1-31

• A Compositional Application of the Intertextual Compass and the Strange Infinite Return

  Gabriel Mesquita

  1-46

  2026-08-11

  DOI: https://doi.org/10.33871/vortex.2026.14.11210

• Map, Trigger, Score, Procedure: machine-listening paradigms in live-electronics

  Vinícius Cesar de Oliveira, José Henrique Padovani

  2022-04-30

  DOI: https://doi.org/10.33871/23179937.2022.10.1.3

• Aspects of Villa-Lobos's Tonal Style in Some of His Studies for Guitar

  Gabriel Navia

  1.12

  2020-12-15

  DOI: https://doi.org/10.33871/23179937.2020.8.3.1.12

• The Practice of Teaching Composition

  Dániel Péter Biró

  1-11

  2020-02-27

  DOI: https://doi.org/10.33871/23179937.2020.8.1.1-11

• Developing a Crossover Idiomatic Writing for the Double Bass: Composing/Arranging & Playing, and ... Da capo !

  Fausto Borém

  7

  2020-09-15

  DOI: https://doi.org/10.33871/23179937.2020.8.2.7

• Noise as Timbre of Materiality

  Roberto Wu

  1-24

  2025-08-29

  DOI: https://doi.org/10.33871/vortex.2025.13.10840

• An analysis of labor conditions of black and indigenous singers in the bahian music

  Júlia Melo Salgado, Daniele Pereira Canedo

  1-42

  2025-08-20

  DOI: https://doi.org/10.33871/vortex.2025.13.9886

• The territory of Artistic Research: investigating the margins of polysemy

  Bibiana Bragagnolo

  1-26

  2025-10-07

  DOI: https://doi.org/10.33871/vortex.2025.13.9870