Skip to main content
Skip to main navigation menu
Skip to site footer
Open Menu
Current
Archives
Submissions
Announcements
About
About the journal
Editorial Policy
Editorial Masthead
Evaluation
ad hoc Reviewers
Index Bases
Open Access
Contact
Portal
Register
Login
Home
/
Search
Search
Search articles for
Advanced filters
Published After
Year
2013
2014
2015
2016
2017
2018
2019
2020
2021
2022
2023
2024
2025
2026
Month
Jan
Feb
Mar
Apr
May
Jun
Jul
Aug
Sep
Oct
Nov
Dec
Day
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
Published Before
Year
2013
2014
2015
2016
2017
2018
2019
2020
2021
2022
2023
2024
2025
2026
Month
Jan
Feb
Mar
Apr
May
Jun
Jul
Aug
Sep
Oct
Nov
Dec
Day
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
By Author
Search
Search Results
##search.searchResults.foundPlural##
The Aesthetics of the Cold and its guitar idioms: an analysis of Vitor Ramil’s songbook
Luan Augusto Langaro Teixeira, Beatriz Magalhães-Castro
1-21
2023-10-12
DOI:
https://doi.org/10.33871/23179937.2023.11.2.7955
From Seeds to Gardens: Transcription and Orchestration in Notations VII by Pierre Boulez
Igor Leão Maia, Felipe Mendes Vasconcelos, Samuel Araújo Alves
1-31
2024-03-28
DOI:
https://doi.org/10.33871/vortex.2024.12.8731
Analysis and resynthesis of real instruments using Pure Data and the MKMR library
Miguel Moreno
22
2021-11-30
DOI:
https://doi.org/10.33871/23179937.2021.9.2.22
The equivalence of sound and visual images in Di-stances, by Vânia Dantas Leite.
Alexandre Fenerich
1-27
2024-08-20
DOI:
https://doi.org/10.33871/vortex.2024.12.8824
Gender Negotiation of the composer Kaija Saariaho in Finland: The Woman Composer as Nomadic Subject.
Pirkko Moisala, Camila Durães Zerbinatti
1-24
2015-12-31
DOI:
https://doi.org/10.33871/23179937.2015.3.2.886
Music – source of immense joy or of disturbing frustration?
Gabriel Mălăncioiu
1-6
2020-02-27
DOI:
https://doi.org/10.33871/23179937.2020.8.1.1-6
Sergio Abreu’s arrangement of the Poco Adagio, by C.P.E. Bach: comparison and instrumental analysis
Cauã Canilha, Daniel Wolff, Edelton Gloeden
1-41
2023-10-12
DOI:
https://doi.org/10.33871/23179937.2023.11.2.7941
Reinterpreting dual-aspect meter in 20th and 21st century repertoires
Leandro Gumboski
1-28
2024-12-01
DOI:
https://doi.org/10.33871/vortex.2024.12.9169
The Collaborative Role of the Technician in ...sofferte onde serene...
Darren Miller
37-47
2014-06-30
DOI:
https://doi.org/10.33871/23179937.2014.2.1.446
Idiosyncrasies in rabeca making in Pernambuco: The case of Valério Bizunga, Olinda, Pernambuco, Brazil
Erasmo Estrada, Jorge Ventura de Morais
1-50
2025-04-15
DOI:
https://doi.org/10.33871/vortex.2025.13.9210
It Is Black Song: Pride in Samba and in the Journeys of Dona Ivone Lara and Tia Doca of Portelaer’s
Denise Santiago-Figueiredo, Ana Paola Laeber
1-36
2025-08-20
DOI:
https://doi.org/10.33871/vortex.2025.13.9893
Rhythms of Diplomacy: Pan-American Echoes in Guarnieri’s Flute Improviso No. 2
Pyero Talone
1-28
2024-02-06
DOI:
https://doi.org/10.33871/23179937.2023.11.3.8218
Karen Tuttle's Coordination applied to the performance and interpretation of Edino Krieger's Brasiliana
Leonardo Piermartiri, Daphne Capparelli Gerling
13
2021-05-15
DOI:
https://doi.org/10.33871/23179937.2021.9.1.13
"Alfonsina y el mar" in MPB: Brazilian reinterpretations of Argentine song
Daniel Menezes Lovisi
1-26
2025-09-09
DOI:
https://doi.org/10.33871/vortex.2025.13.10354
The night, the music: a cognitive hypothesis
Maurício Dottori
7
2020-02-27
DOI:
https://doi.org/10.33871/23179937.2020.8.1.7
Pandemics, Delays, and Pure Data: on 'afterlives' (2020), for Flute and Live Electronics and Visuals
José Henrique Padovani
17
2021-11-30
DOI:
https://doi.org/10.33871/23179937.2021.9.2.17
Bimanual Coordination on the Guitar: an Experimental Study with Music Undergraduate Students
un estudio experimental con estudiantes de pregrado en Música
Renan Colombo Simões, Daniel Wolff
1-39
2023-12-31
DOI:
https://doi.org/10.33871/23179937.2023.11.3.8145
Neither idiomatism nor extended technique: vibraphone approaches on Traldi and Rosauro
Isabella Tais Sonsin, Alexandre Remuzzi Ficagna
1-37
2023-05-16
DOI:
https://doi.org/10.33871/23179937.2023.11.1.7312
The concept of piano timbre: perspectives from five graduate pianists
Nayane Nogueira Soares
1-34
2024-12-18
DOI:
https://doi.org/10.33871/vortex.2024.12.9190
The therapeutic power of black women's music: perspectives for the clinic
Sara Santos Dias Costa, Maylla Monnik Rodrigues de Sousa Chaveiro
1-22
2025-08-20
DOI:
https://doi.org/10.33871/vortex.2025.13.9867
Sound board's Frequency Response Analysis of Classical Guitars
Milton Ernesto Romero Romero, Rafael Pedrosa Salgado, Evandro Mazina Martins
1-31
2023-09-06
DOI:
https://doi.org/10.33871/23179937.2023.11.2.7762
cents_analysis_v1.0
Felipe de Almeida Ribeiro
207-208
2014-12-30
DOI:
https://doi.org/10.33871/23179937.2014.2.2.478
Fireman Dither – Variate Ilona
Ivan Eiji Simurra
121-163
2014-06-30
DOI:
https://doi.org/10.33871/23179937.2014.2.1.472
76 - 98 of 98 items
<<
<
1
2
3
4
Language
English
Español
Português
Keywords
Musical Interpretation
Classical Guitar
Musical Analysis
Composition
New music
Rock
Acoustic Ecology
instrumental performance
Piano performance
Toy piano
Intersectionality
Performance Practice
Listening
Percussion
contemporary music
Electroacoustic Music
Performance
Music Composition
Sérgio Abreu
Pure Data
Women
Pedagogy
identity
Field Recording
extended techniques
sound art
Samba
Silence
modernism
Soundscape
Brazilian music
Guitar
Improvisation
Artistic research
compositional techniques
Female Composers
Camargo Guarnieri
Technology
Music
Musical performance
Make a Submission
Make a Submission