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• Analysis and interpretation of the Sonatina for guitar by Sérgio Vasconcellos-Corrêa

  Jéfrey Antônio de Andrade, Rogério Tavares Constante

  1-44

  2024-09-09

  DOI: https://doi.org/10.33871/vortex.2024.12.8864

• Reflections on the concepts of Meyer's Theory of Styles for musical performance

  Samuel Henrique da Silva Cianbroni, Regina Antunes Teixeira Dos Santos

  1-26

  2024-09-17

  DOI: https://doi.org/10.33871/vortex.2024.12.9270

• Notes on the historical factors that led composition become distanced from music education

  Eduardo Wanderley Brasil, Fernando Gabriel Batista Lima, Fábio Silva Ventura, Caroline Caregnato

  1-31

  2026-06-26

  DOI: https://doi.org/10.33871/vortex.2026.14.11372

• Performing the Immersive: Electroacoustic Music at the Threshold of Technology

  César Rennó-Costa, Alyson Souza, Stefane Orichuela, João Anisio da Nobrega, Leonardo Pereira, Jonatas Manzolli, Cleber Campos

  1-39

  2026-08-11

  DOI: https://doi.org/10.33871/vortex.2026.14.11748

• Pianistic Expressivity: Interfaces between Cognition, Visual Metaphors, and Music Education

  Thiago, Elenisio

  1-26

  2025-10-27

  DOI: https://doi.org/10.33871/vortex.2025.13.10702

• Rachel Reis' decolonial performance on the album Meu Esquema and Salvador's Afro-Latin music scene

  Nadja Vladi Gumes, Tatiana Rodrigues Lima

  1-33

  2024-04-30

  DOI: https://doi.org/10.33871/vortex.2024.12.8724

• The Musical Interpreter and the Art Technique: Reflections on a Proposition by Mário de Andrade

  Luigi Brandão, Flavio Barbeitas

  1-25

  2025-07-07

  DOI: https://doi.org/10.33871/vortex.2025.13.9425

• Reflections on guitar technique based on the experience of Nenéu Liberalquino

  Deyvison Lucas da Silva, Viviane dos Santos Louro

  1-26

  2025-12-05

  DOI: https://doi.org/10.33871/vortex.2025.13.10653

• Magda Tagliaferro: the criticisms of the French music press and gender issues

  Anderson da Mata Daher

  1-26

  2025-08-20

  DOI: https://doi.org/10.33871/vortex.2025.13.9774

• Instrumental Substitution and Repertoire Dissemination: a report on Directionlessness (2020/2022), by Luís Bittencourt

  Fernando Martins de Castro Chaib, Luis Alberto Teixeira Bittencourt

  1-42

  2026-05-25

  DOI: https://doi.org/10.33871/vortex.2026.14.11015

• O Novo Estado da Arte dos Estudos em Performance

  Ian Pace, Vitória Louveira, William Teixeira

  18

  2020-09-30

  DOI: https://doi.org/10.33871/23179937.2020.8.2.18

• A Brief Primer to Sergei Taneyev’s Treatise “Convertible Counterpoint in the Strict Style”

  Marcus Alessi Bittencourt, Lilian Cristyelen Martins

  1-46

  2026-03-30

  DOI: https://doi.org/10.33871/vortex.2026.14.11205

• Expanding the Pianist’s Toolbox: Approaches to Arpeggiation, Pedalling, and Gesture

  Óscar Caravaca González

  1-38

  2025-09-16

  DOI: https://doi.org/10.33871/vortex.2025.13.9839

• Desconstructing Ligeti: report of an artistic experimentation

  Alice Martins Belém Vieira, Felipe de Oliveira Amorim

  1-26

  2023-05-11

  DOI: https://doi.org/10.33871/23179937.2023.11.1.7225

• Leonor de Castro: the first female teacher at the Rio de Janeiro Music Conservatory

  Clara Fernandes Albuquerque

  1-30

  2025-08-20

  DOI: https://doi.org/10.33871/vortex.2025.13.9963

• Notes on Psychological Suffering and Musical Performance

  Luigi Brandão, Flavio Barbeitas

  1-29

  2023-05-11

  DOI: https://doi.org/10.33871/23179937.2023.11.1.7117

• Compositional Achievements of Rebecca Clarke in the Sonata for Viola and Piano

  Adriana Lopes da Cunha Moreira, Laís Ferreira Lopes

  1-29

  2025-08-20

  DOI: https://doi.org/10.33871/vortex.2025.13.9925

• Praxis of guitar performance: three recordings of Tedesco’s “Omaggio a Boccherini”

  Caio Victor de Oliveira Lemos, Carolina Lindenberg Lemos

  1-38

  2023-05-11

  DOI: https://doi.org/10.33871/23179937.2023.11.1.7440

• Piano Repertoire for the Left Hand: A Performative Study of Portuguese Works

  Andre Roque Cardoso, Helena Marinho

  1-34

  2026-03-31

  DOI: https://doi.org/10.33871/vortex.2026.14.10853

• Interferências nas Práticas Performáticas Musicais: Gatilhos e Minimização por Meio de Técnicas de Yoga

  Helder Tomas Pinheiro

  1.26

  2020-12-15

  DOI: https://doi.org/10.33871/23179937.2020.8.3.1.26

• Writings in the Dust, for Guitar and Electronic Sounds: Reflections on Mixed Music with Tape and Its Relationship with Tradition

  Felipe Vasconcelos, Renan Simões

  1-37

  2025-11-17

  DOI: https://doi.org/10.33871/vortex.2025.13.10837

• An expert pianist's strategies for learning a song from a lead sheet

  Joao G A Lima, Danilo Ramos

  1-45

  2024-08-05

  DOI: https://doi.org/10.33871/vortex.2024.12.8443

• The Body of Time: a reading of Gérard Grisey's Prologue una lectura de la obra Prologue de Gérard Grisey

  Silvio Ferraz, William Teixeira

  1-27

  2023-12-24

  DOI: https://doi.org/10.33871/23179937.2023.11.3.8224

• Poetry and Music Relationship in Let my Love be Heard by Jake Runestad

  Lucas Gabriel Almeida Bispo, Luciano de Freitas Camargo

  1-34

  2026-02-20

  DOI: https://doi.org/10.33871/vortex.2026.14.11041

• Performer openness strategies and the discourse control procedures

  Daniel Pizaia, Fabio Furlanete

  1-29

  2023-07-14

  DOI: https://doi.org/10.33871/23179937.2023.11.2.7496