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• Perspectivas Filosóficas da Educação Musical

  Randall Allsup, Margarete Arroyo, Renato de Carvalho Cardoso

  2018-04-01

  DOI: https://doi.org/10.33871/23179937.2018.6.1.2405

• The territory of Artistic Research: investigating the margins of polysemy

  Bibiana Bragagnolo

  1-26

  2025-10-07

  DOI: https://doi.org/10.33871/vortex.2025.13.9870

• Colaboração, composição e preparação para a performance de "For guitar" para violão solo

  Márlou Peruzzolo Vieira, Samuel Peruzzolo Vieira

  1.23

  2020-12-15

  DOI: https://doi.org/10.33871/23179937.2020.8.3.1.23

• Abordagem Sociointerativa da Performance Musical – Reflexões Sobre Redes Sociocolaborativas da Cultura Popular em João Pessoa-PB

  Fábio Henrique Gomes Ribeiro

  2019-04-01

  DOI: https://doi.org/10.33871/23179937.2019.7.1.2686

• Práticas de desclassificação na performance musical: perspectivas emancipatórias para a Pesquisa Artí­stica

  Bibiana Bragagnolo

  1

  2021-05-15

  DOI: https://doi.org/10.33871/23179937.2021.9.1.1

• A Narrative Model in Three Versions of “My Favorite Things” by Jonathan Kreisberg.

  Rafael Gonçalves

  1 - 38

  2025-10-28

  DOI: https://doi.org/10.33871/vortex.2025.13.9849

• Words, Sounds, and Images – Representations of the Guitar in Brazilian Literary Prose

  Cláudia Araújo Garcia

  1-28

  2024-09-16

  DOI: https://doi.org/10.33871/vortex.2024.12.8726

• Intertextuality and Performance in “Três Sátiras para Piano” by José Alberto Kaplan

  Tassio Lima, Joana Holanda

  1-41

  2024-08-07

  DOI: https://doi.org/10.33871/vortex.2024.12.8485

• Editorial v.10 n.2

  Felipe de Almeida Ribeiro; Fabio Poletto

  1-2

  2022-11-21

  DOI: https://doi.org/10.33871/23179937.2022.10.2.7184

• The music in concertato style in the Real Mosteiro de São Bento da Avé-Maria in Oporto between the 18th and the 19th century

  Rosana Marreco Brescia, Marco Brescia

  1-26

  2025-07-08

  DOI: https://doi.org/10.33871/vortex.2025.13.9600

• Coeducação Musical e os "Encontros de Flauta Doce" – Um olhar para o musicar da Igreja do Caminho

  Daniela Weingärtner, Vânia Beatriz Müller

  2019-04-01

  DOI: https://doi.org/10.33871/23179937.2019.7.1.2669

• Development and Construction of the Snare Control System by Pedal - SICESP2020

  Fernando Martins de Castro Chaib, Charles Augusto Braga Leandro, Leandro César, Tiago Alexandre Silva

  1-31

  2023-04-09

  DOI: https://doi.org/10.33871/23179937.2023.11.1.7075

• Creating from the Body: Gendered Agency in Contemporary Music Performance

  Iracema De Andrade Almeida

  1-27

  2026-02-20

  DOI: https://doi.org/10.33871/vortex.2026.14.11231

• Post-Colonial Disputes in Kriolu Rap: lusophony’s erasures in a communicational perspective.

  Mário A. O. M. Rolim, Thiago Soares, Guilherme Souto

  1-25

  2026-09-02

  DOI: https://doi.org/10.33871/vortex.2026.14.11252

• A Colaboração Compositor-Intérprete na Reelaboração de Passagens Não-Idiomáticas no Violão

  Sabrina Souza Gomes, Leonardo Loureiro Winter

  1.24

  2020-12-15

  DOI: https://doi.org/10.33871/23179937.2020.8.3.1.24

• Waltzifiability hypothesis

  Angel Tateishi, Amanda Carpenedo, Jean Lopes Baiano

  1-23

  2023-07-14

  DOI: https://doi.org/10.33871/23179937.2023.11.2.7619

• Rogério Duprat’s Film Music Manuscripts for Noite vazia and the Synthesizer at the Vera Cruz Studios

  Itamar Vidal, Danilo Rossetti

  1-47

  2026-05-12

  DOI: https://doi.org/10.33871/vortex.2026.14.11000

• The paradigms of authenticity in the interpretation of Variações by Llobet on Op. 15 by Sor

  Luciano Souto, Adrielle Clara Silva Melo

  1-40

  2024-03-28

  DOI: https://doi.org/10.33871/vortex.2024.12.8286

• A Research Path on Flausino Valle since the Long Play by Jerzy Milewski (1985)

  Leonardo Vieira Feichas, Emerson Luiz de Biaggi, David John Cranmer

  1-24

  2023-05-19

  DOI: https://doi.org/10.33871/23179937.2023.11.1.7431

• Research in composition and musical analysis: Computational tools, inter-relationships and emergences

  Danilo Rossetti

  1-31

  2023-04-08

  DOI: https://doi.org/10.33871/23179937.2023.11.1.7382

• Magdalena Tagliaferro: repertoire and performances according to French music critics

  Anderson da Mata Daher

  1-30

  2024-06-19

  DOI: https://doi.org/10.33871/vortex.2024.12.8546

• Rossiniana n° 1 by Mauro Giuliani: interpretation of "Assisa à piè d'un salice" from primary sources.

  Helvis Costa, Fabio Scarduelli

  1-39

  2024-04-19

  DOI: https://doi.org/10.33871/vortex.2024.12.8631

• Performance musical como discurso: Proposta de análise

  Caio Victor de Oliveira Lemos

  2019-04-01

  DOI: https://doi.org/10.33871/23179937.2019.7.1.2687

• Gestos corporais na performance de Andrés Segovia

  Bruno Madeira, Fabio Scarduelli

  1-14

  2016-12-31

  DOI: https://doi.org/10.33871/23179937.2016.4.3.1340

• Ritmo de frase e expressividade no Estudo op. 6, n.8, de Fernando Sor

  Felipe Augusto Vieira da Silva

  1.25

  2020-12-15

  DOI: https://doi.org/10.33871/23179937.2020.8.3.1.25