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• Do Alaúde para o Violão: Recursos Idiomáticos Potencializadores da Expressividade Musical

  Vitor de Souza Leite, Luciano Hercílio Alves Souto

  1.4

  2020-12-15

  DOI: https://doi.org/10.33871/23179937.2020.8.3.1.4

• Composing Sound Spaces: an interview with Hans Tutschku

  Ingrid Mayumi Yamazato de Souza, William Teixeira da Silva

  1-25

  2024-12-01

  DOI: https://doi.org/10.33871/vortex.2024.12.9523

• Análise de atividades de percepção musical de acordo com a Matriz de Processos Perceptivos (MPP)

  Ricardo Dourado Freire

  2018-12-01

  DOI: https://doi.org/10.33871/23179937.2018.6.3.2638

• “Our model is sound”: Gérard Grisey's spectralism, processes, temporalities and influences

  Danilo Rossetti

  1-24

  2023-12-24

  DOI: https://doi.org/10.33871/23179937.2023.11.3.8235

• Temporality and performing style in Luciano Berio's Sequenza XI for guitar

  Diego Castro-Magas

  1.31

  2020-12-15

  DOI: https://doi.org/10.33871/23179937.2020.8.3.1.31

• Karen Tuttle's Coordination applied to the performance and interpretation of Edino Krieger's Brasiliana

  Leonardo Piermartiri, Daphne Capparelli Gerling

  13

  2021-05-15

  DOI: https://doi.org/10.33871/23179937.2021.9.1.13

• Performance, interatividade e localidade em "Santos Football Music" de Gilberto Mendes

  Fernando de Oliveira Magre, Luciana Fernandes Rosa

  6

  2021-05-15

  DOI: https://doi.org/10.33871/23179937.2021.9.1.6

• Tradition, Innovation and Sustanability in Classical Guitar Construction

  Ricardo Barceló Ricardo Barceló

  1-44

  2026-06-03

  DOI: https://doi.org/10.33871/vortex.2026.14.11262

• A Produção de Conhecimento sobre Violão em Dois Eventos Nacionais (2007-2018)

  Jonathan Douglas Lopo Martins, Renan Colombo Simões

  1.29

  2020-12-15

  DOI: https://doi.org/10.33871/23179937.2020.8.3.1.29

• Estratégias para o ensino de instrumento musical: bases teóricas e exemplos práticos aplicados ao violão

  Ricieri Carlini Zorzal

  1.8

  2020-12-15

  DOI: https://doi.org/10.33871/23179937.2020.8.3.1.8

• The Chromatic False Relation: A Compositional Device and Diegetic Trope in the English Renaissance

  Eduardo Solá Chagas Lima

  1-49

  2025-08-26

  DOI: https://doi.org/10.33871/vortex.2025.13.9621

• moon chunks: creating musical meanings

  Sara Carvalho

  1-19

  2017-06-01

  DOI: https://doi.org/10.33871/23179937.2017.5.2.2151

• Shared musical creativity: teaching composer-performer collaboration

  Luciane Cardassi, Guilherme Bertissolo

  13

  2020-02-27

  DOI: https://doi.org/10.33871/23179937.2020.8.1.13

• Lino José Nunes (1789-1847): um afro-brasileiro seria o compositor mais cromático das Américas até meados do século XIX?

  Fausto Borém

  1-12

  2017-06-30

  DOI: https://doi.org/10.33871/23179937.2017.5.1.1854

• A identificação do mito da sereia a partir da análise do "Lied Der Fischerknabe" , de Franz Liszt

  Rosedalia Carlos de Oliveira, Helvis Costa, Angelo José Fernandes

  10

  2021-05-15

  DOI: https://doi.org/10.33871/23179937.2021.9.1.10

• Uma proposta de sistematização de notação percussiva para o violão

  Amanda Carpenedo, Helena Marinho

  1.36

  2020-12-15

  DOI: https://doi.org/10.33871/23179937.2020.8.3.1.36

• A obra para violão de Ernst Mahle: um panorama histórico e analí­tico

  Guilherme Arce, Fábio Bartoloni

  1.27

  2020-12-15

  DOI: https://doi.org/10.33871/23179937.2020.8.3.1.27

• O uso da Loop Station em performance musical: implicações e exigências interpretativas

  Alexsander Jorge Duarte

  14

  2020-09-30

  DOI: https://doi.org/10.33871/23179937.2020.8.2.14

• Developing a Crossover Idiomatic Writing for the Double Bass: Composing/Arranging & Playing, and ... Da capo !

  Fausto Borém

  7

  2020-09-15

  DOI: https://doi.org/10.33871/23179937.2020.8.2.7

• Parsimonious relations between Guitar Textural Proposals

  Bernardo Ramos Pinto, Pauxy Gentil-Nunes

  1.1

  2020-12-15

  DOI: https://doi.org/10.33871/23179937.2020.8.3.1.1

• Sérgio Abreu: the foundations of a guitar school

  Luciano Morais

  1-25

  2023-10-12

  DOI: https://doi.org/10.33871/23179937.2023.11.2.7948

• The stylus phantasticus in the toccata BWV 912 of Johann Sebastian Bach

  Lucas Thomasi Genero, Helena Jank

  1-25

  2023-05-16

  DOI: https://doi.org/10.33871/23179937.2023.11.1.7390

• Fantasia Sul América para saxofone solo, processos de assimilação e incorporação de repertório

  José de Carvalho Oliveira, Marco Tulio de Paula Pinto

  13

  2020-09-30

  DOI: https://doi.org/10.33871/23179937.2020.8.2.13

• The classical guitar in the interior of São Paulo (1940-2000): analysis of the concert programs of Milton Nunes's personal collection

  Stephen Coffey Bolis, Fabio Scarduelli

  1-49

  2022-09-29

  DOI: https://doi.org/10.33871/23179937.2022.10.2.6800

• Sérgio Abreu and the history of his contribution with Quaternaglia and Brazilian Guitar Quartet

  Teresinha Prada, Hoberdan Peno

  1-27

  2023-10-12

  DOI: https://doi.org/10.33871/23179937.2023.11.2.7945