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• Editorial v.6 n.3

  Felipe de Almeida Ribeiro, Fabio Scarduelli

  2018-12-01

  DOI: https://doi.org/10.33871/23179937.2018.6.3.2631

• Editorial v5 n3

  Felipe de Almeida Ribeiro, Fabio Scarduelli

  1-1

  2017-12-29

  DOI: https://doi.org/10.33871/23179937.2017.5.3.2153

• Editorial Vol. 10, No. 3

  Fabio Guilherme Poletto; Felipe de Almeida Ribeiro

  i-ii

  2022-12-19

  DOI: https://doi.org/10.33871/23179937.2022.10.3.7301

• Editorial v4 n3

  Fabio Scarduelli, Felipe de Almeida Ribeiro

  1-1

  2016-12-31

  DOI: https://doi.org/10.33871/23179937.2016.4.3.1449

• Sonata form in Alberto Nepomuceno’s Symphony in G minor

  Norton Dudeque

  1-36

  2024-03-28

  DOI: https://doi.org/10.33871/vortex.2024.12.8621

• Editorial v5. n.1

  Felipe de Almeida Ribeiro, Fabio Scarduelli

  1-1

  2017-06-30

  DOI: https://doi.org/10.33871/23179937.2017.5.1.1867

• Schaeffer's Solfège, Percussion, Audio Descriptors: Towards an Interactive Musical System

  Sérgio Freire, José Henrique Padovani, Caio Costa Campos

  2022-04-30

  DOI: https://doi.org/10.33871/23179937.2022.10.1.5

• Da emergência da sonoridade às sonoridades emergentes: mediação tecnológica, emergentismo e a criação sonora com suporte computacional

  Gabriel Rimoldi, Jônatas Manzolli

  1-25

  2017-06-30

  DOI: https://doi.org/10.33871/23179937.2017.5.1.1857

• Listening to/with Mar Paradoxo: a collective practice for sharing listenings

  Gustavo Branco Germano, Alexandre Marino, Daniel Tápia, Henrique Rocha de Souza Lima, Lílian Campesato, Marina Mapurunga de Miranda da Ferreira, Valéria Bonafé, Vicente Reis

  1

  2021-11-30

  DOI: https://doi.org/10.33871/23179937.2021.9.2.1

• Editorial v.2 n.1

  Felipe de Almeida Ribeiro, Fabio Scarduelli

  iv-v

  2014-06-30

  DOI: https://doi.org/10.33871/23179937.2014.2.1.1355

• Discussing the teaching of composition at the university

  Yuri Behr, Clayton Rosa Mamedes, Isaac Felix Chueke

  14

  2020-02-27

  DOI: https://doi.org/10.33871/23179937.2020.8.1.14

• Women in the practice of Mbira in Mozambique: breaking down gender barriers.

  Micas Orlando Silambo

  1-41

  2025-08-20

  DOI: https://doi.org/10.33871/vortex.2025.13.9681

• Drawing texture with the toy piano

  Diana Blom

  2

  2020-09-15

  DOI: https://doi.org/10.33871/23179937.2020.8.2.2

• "Alfonsina y el mar" in MPB: Brazilian reinterpretations of Argentine song

  Daniel Menezes Lovisi

  1-26

  2025-09-09

  DOI: https://doi.org/10.33871/vortex.2025.13.10354

• A música de cena de Jorge Peixinho – Contributos iniciais para um estudo da sua obra para teatro, performance e mixed-media

  Francisco Pessanha Meneses

  1-24

  2015-06-30

  DOI: https://doi.org/10.33871/23179937.2015.3.1.751

• De corpo presente: Uma perspectiva dos gestos em Kristallklavierexplosionsschattensplitter

  Joana Cunha Holanda

  87-98

  2013-12-30

  DOI: https://doi.org/10.33871/23179937.2013.1.2.431

• Serendipity Poetry and Play in Toy Piano composition and Four Pieces for Toy Piano

  Brian Inglis

  5

  2020-09-15

  DOI: https://doi.org/10.33871/23179937.2020.8.2.5

• A Fuga da Donzela: Relações entre Mulheres, Violão e Discurso na Cultura Brasileira

  Cláudia Araújo Garcia

  1.30

  2020-12-15

  DOI: https://doi.org/10.33871/23179937.2020.8.3.1.30

• Sound feedback control model for live electronic performance in the Ecos Study

  Ricardo Thomasi, Regis R. A. Faria

  3

  2021-12-15

  DOI: https://doi.org/10.33871/23179937.2021.9.3.3

• Perdão (1960) – Composição de Dinorá de Carvalho, Transcrição para Canto e Violão de original para Canto e Piano

  Luís Ranna, Eduardo Meirinhos

  1-7

  2016-12-31

  DOI: https://doi.org/10.33871/23179937.2016.4.3.1349

• Gender Negotiation of the composer Kaija Saariaho in Finland: The Woman Composer as Nomadic Subject.

  Pirkko Moisala, Camila Durães Zerbinatti

  1-24

  2015-12-31

  DOI: https://doi.org/10.33871/23179937.2015.3.2.886

• Duas transcrições para canto e violão de canções para canto e piano de Dinorá de Carvalho: processos composicionais e adaptação ao idiomatismo técnico instrumental

  Luís Cláudio Cabral da Silveira Ranna, Eduardo Meirinhos

  1-51

  2016-12-31

  DOI: https://doi.org/10.33871/23179937.2016.4.3.1337

• Sergio Abreu’s arrangement of the Poco Adagio, by C.P.E. Bach: comparison and instrumental analysis

  Cauã Canilha, Daniel Wolff, Edelton Gloeden

  1-41

  2023-10-12

  DOI: https://doi.org/10.33871/23179937.2023.11.2.7941

• Comparative study of four Julian Bream versions of Benjamin Britten's Nocturnal

  Bruno Madeira

  1-38

  2022-09-29

  DOI: https://doi.org/10.33871/23179937.2022.10.2.7057

• Três obras para o Conjunto de Percussão da UFBA, o primeiro grupo de percussão do Brasil

  Aquim Almeida, Cecilia Tamplenizza

  15

  2021-05-15

  DOI: https://doi.org/10.33871/23179937.2021.9.1.15