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• Sérgio Abreu and Dona Monina: a duo beyond the Duo

  Roberta Mourim Cabral

  1-18

  2023-10-12

  DOI: https://doi.org/10.33871/23179937.2023.11.2.7935

• O que a notação indeterminada determina – Tradução autorizada de texto publicado em 1965 na revista Perspectives of New Music, autoria de David Behrman

  Valentina Daldegan

  1-17

  2016-10-31

  DOI: https://doi.org/10.33871/23179937.2016.4.2.1326

• Hipermobilidade Articular em Instrumentistas: Medidas Preventivas e Tratamentos

  Regiane Alves, Ana Cristina Santos Ferreira, Durval Cesetti

  1-13

  2017-06-01

  DOI: https://doi.org/10.33871/23179937.2017.5.2.2144

• Julian Bream: a man for all seasons

  Gilson Antunes

  1.50

  2020-12-15

  DOI: https://doi.org/10.33871/23179937.2020.8.3.1.50

• Conducting pedagogues: a dialogue with Maestro Jean-François Rivest, act II

  Erickinson Lima, André Muniz

  1-29

  2024-04-16

  DOI: https://doi.org/10.33871/vortex.2024.12.8348

• Behind the scenes of Francisco Mignone’s “Concerto for Guitar and Orchestra” reviewed by Sergio Abreu.

  Maurício Orosco

  1-27

  2023-10-12

  DOI: https://doi.org/10.33871/23179937.2023.11.2.7933

• “Suite of Movements” by Castilla-Ávila Movement, emotion and search sound resources

  Juan Manuel Márquez Vázquez

  1-12

  2022-09-29

  DOI: https://doi.org/10.33871/23179937.2022.10.2.7058

• O corpo “fala”? As sensibilidades do corpo na criação musical

  Roseane Yampolschi

  66-81

  2014-12-30

  DOI: https://doi.org/10.33871/23179937.2014.2.2.463

• Silêncios e Durações Estendidas no Wandelweiser – Três Análises

  Gustavo Branco Germano, Fernando Iazzetta

  2018-09-01

  DOI: https://doi.org/10.33871/23179937.2018.6.2.2610

• Compositional Planning of Trivium for Helder Alto Recorder

  Liduino José Pitombeira de Oliveira

  1-63

  2026-07-10

  DOI: https://doi.org/10.33871/vortex.2026.14.11516

• Carl Dahlhaus (1928-1989) Considerações sobre as noções de musicologia baseadas em seu Foundations Of Music History, e paralelos possí­veis com a historiografia

  Alan Rafael Medeiros, Alvaro Carlini

  157-167

  2013-12-30

  DOI: https://doi.org/10.33871/23179937.2013.1.2.436

• Editorial v4 n3

  Fabio Scarduelli, Felipe de Almeida Ribeiro

  1-1

  2016-12-31

  DOI: https://doi.org/10.33871/23179937.2016.4.3.1449

• Editorial v.7 n.3

  Felipe de Almeida Ribeiro

  2019-12-01

  DOI: https://doi.org/10.33871/23179937.2019.7.3.3195

• Memories and historical sense of the “persecution of samba” in Post-Abolition Rio de Janeiro

  Lurian Reis da Silva Lima

  1-22

  2023-12-24

  DOI: https://doi.org/10.33871/23179937.2023.11.3.7968

• Overview of the CEAMMC PureData distribution and library

  Serge Poltavsky, Alex Nadzharov

  18

  2021-12-10

  DOI: https://doi.org/10.33871/23179937.2021.9.2.18

• LilyCollider and Rhythmic Structures

  Bernardo Barros

  204

  2014-12-30

  DOI: https://doi.org/10.33871/23179937.2014.2.2.476

• La obra pianí­stica de Isaac Albéniz – Una bifurcación estética en sus composiciones de madurez

  Alfonso Pérez Sánchez

  1-25

  2017-12-29

  DOI: https://doi.org/10.33871/23179937.2017.5.3.2164

• Some Thoughts on Rhythm - Prologue of Alice Arztz's book "Rhythmic Mastery"

  Angel Tateishi; Alice Artzt

  1-8

  2023-10-11

  DOI: https://doi.org/10.33871/23179937.2023.11.2.7497

• Research in composition and musical analysis: Computational tools, inter-relationships and emergences

  Danilo Rossetti

  1-31

  2023-04-08

  DOI: https://doi.org/10.33871/23179937.2023.11.1.7382

• Editorial v.6 n.3

  Felipe de Almeida Ribeiro, Fabio Scarduelli

  2018-12-01

  DOI: https://doi.org/10.33871/23179937.2018.6.3.2631

• Conrado Silva em São Paulo

  Anna Maria Kieffer

  8-10

  2014-06-30

  DOI: https://doi.org/10.33871/23179937.2014.2.1.443

• Sonata n.1 para piano de Edino Krieger – Análise formal e motí­vica do primeiro movimento

  Keisy Peyerl, Guilherme Sauerbronn Barros

  1-23

  2017-06-01

  DOI: https://doi.org/10.33871/23179937.2017.5.2.2143

• Movimentos do violão no Rio Grande do Sul oitocentista

  Humberto Amorim, Daniel Wolff

  2019-12-01

  DOI: https://doi.org/10.33871/23179937.2019.7.3.3199

• Dead voices and lost sounds: an imagined sonic history

  Adrienne Kapstein

  10

  2021-11-30

  DOI: https://doi.org/10.33871/23179937.2021.9.2.10

• Concerto para violino de György Ligeti: sua relevância enquanto obra representativa do estilo tardio "Não-Atonal" do compositor

  Ivan Santos Machado Dantas, Alexandre Roberto Lunsqui

  70-106

  2015-06-30

  DOI: https://doi.org/10.33871/23179937.2015.3.1.754