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• Almost 20 years of Cyclone; past, present and future

  Alexandre Torres Porres, Matt Barber, Derek Kwan

  15

  2021-11-30

  DOI: https://doi.org/10.33871/23179937.2021.9.2.15

• Magda Tagliaferro: the criticisms of the French music press and gender issues

  Anderson da Mata Daher

  1-26

  2025-08-20

  DOI: https://doi.org/10.33871/vortex.2025.13.9774

• Poetics in sound art: an interview with Paulo Nenflidio

  Roseane Yampolschi, Clayton Rosa Mamedes, Paulo Nenflidio

  6

  2021-11-30

  DOI: https://doi.org/10.33871/23179937.2021.9.2.6

• A study about the use of Musicomovigrams in musical education

  Miguel Clemente Rubio, José Fornari Junior, Adriana N. Mendes

  1-19

  2017-06-01

  DOI: https://doi.org/10.33871/23179937.2017.5.2.2149

• Personal Thinking on the Creative Directions of Chinese Contemporary Zheng Music

  Peng Liu

  1-9

  2020-02-27

  DOI: https://doi.org/10.33871/23179937.2020.8.1.1-9

• Ecosystem [512]: Acoustic Ecology Surveys as Music

  Garrison Gerard

  1-27

  2024-12-03

  DOI: https://doi.org/10.33871/vortex.2024.12.9521

• Discussing the teaching of composition at the university

  Yuri Behr, Clayton Rosa Mamedes, Isaac Felix Chueke

  14

  2020-02-27

  DOI: https://doi.org/10.33871/23179937.2020.8.1.14

• An Issue between Contemporary Theory and Modern Compositional Practice A Study of Joseph Straus's Laws of Atonal Voice Leading and Harmony using Webern's Opus 12/2 and Crawford's String Quartet Mvt. 3

  Yi-Cheng Daniel Wu

  1-29

  2013-12-30

  DOI: https://doi.org/10.33871/23179937.2013.1.2.427

• Music Conducting Pedagogy and Technology: A Descriptive Review of Literature

  Adamilson Abreu

  1-30

  2025-10-20

  DOI: https://doi.org/10.33871/vortex.2025.13.9841

• An introduction to the poetics of sacred sound in twentieth-century music

  Luigi Antonio Irlandini

  65-86

  2013-12-30

  DOI: https://doi.org/10.33871/23179937.2013.1.2.430

• Teaching Music Composition: A Poetic Interdisciplinary Path Through Art and Life

  Roseane Yampolschi

  15

  2020-03-27

  DOI: https://doi.org/10.33871/23179937.2020.8.1.15

• Effects of LaxVox exercise on vocal tract resonance of lyric sopranos

  Suelen Scholl Matter, Marta Assumpção de Andrada e Silva , Zuleica Camargo, Leslie Piccolotto Ferreira, Nadja Sousa

  1-31

  2025-08-20

  DOI: https://doi.org/10.33871/vortex.2025.13.9912

• Music and Silence

  Gisèle Brelet; Gustavo Bonin, Juliana Di Fiori Pondian

  1-22

  2024-09-16

  DOI: https://doi.org/10.33871/vortex.2024.12.9117

• The Invention of the Vocal Instrument in Got Lost, by Helmut Lachenmann

  Lucas Mateus Silva, William Teixeira da Silva

  1-32

  2025-05-28

  DOI: https://doi.org/10.33871/vortex.2025.13.9096

• Expanding the Pianist’s Toolbox: Approaches to Arpeggiation, Pedalling, and Gesture

  Óscar Caravaca González

  1-38

  2025-09-16

  DOI: https://doi.org/10.33871/vortex.2025.13.9839

• Women and gender perspective: analyzing the repertoire of professional choirs in Southeast Brazil

  Maria Rúbia de Moraes Andreta, Susana Cecília Igayara-Souza

  1-37

  2025-08-20

  DOI: https://doi.org/10.33871/vortex.2025.13.9894

• Schaeffer's Solfège, Percussion, Audio Descriptors: Towards an Interactive Musical System

  Sérgio Freire, José Henrique Padovani, Caio Costa Campos

  2022-04-30

  DOI: https://doi.org/10.33871/23179937.2022.10.1.5

• Real-time Analysis of Interactive Scores in PWGL

  Mika Kuuskankare

  2022-04-30

  DOI: https://doi.org/10.33871/23179937.2022.10.1.4

• Reflections on guitar technique based on the experience of Nenéu Liberalquino

  Deyvison Lucas da Silva, Viviane dos Santos Louro

  1-26

  2025-12-05

  DOI: https://doi.org/10.33871/vortex.2025.13.10653

• Morton Feldman @100

  Ming Tsao

  1-21

  2026-03-30

  DOI: https://doi.org/10.33871/vortex.2026.14.11610

• Teaching and Learning Electronic Music Composition

  Joachim Heintz

  1-8

  2020-02-27

  DOI: https://doi.org/10.33871/23179937.2020.8.1.1-8

• Jade God In

  Ivan Eiji Simurra

  181-188

  2014-12-30

  DOI: https://doi.org/10.33871/23179937.2014.2.2.471

• Shared musical creativity: teaching composer-performer collaboration

  Luciane Cardassi, Guilherme Bertissolo

  13

  2020-02-27

  DOI: https://doi.org/10.33871/23179937.2020.8.1.13

• Performing the Immersive: Electroacoustic Music at the Threshold of Technology

  César Rennó-Costa, Alyson Souza, Stefane Orichuela, João Anisio da Nobrega, Leonardo Pereira, Jonatas Manzolli, Cleber Campos

  1-39

  2026-08-11

  DOI: https://doi.org/10.33871/vortex.2026.14.11748

• Sensible listening technologies: a feminist and decolonial methodology for music

  Isabel Porto Nogueira

  1-32

  2025-08-20

  DOI: https://doi.org/10.33871/vortex.2025.13.9958