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• Visuals, Structure and Emotion: The Toy Piano in the Dramaturgy of Piano Recitals

  Késia Decoté Rodrigues

  4

  2020-09-15

  DOI: https://doi.org/10.33871/23179937.2020.8.2.4

• Improvisation Pedagogy: An Epistemological Perspective of the 4‘E’ Model within Digital Musical Instruments

  Isabela Corintha, Giordano Cabral

  7

  2022-04-30

  DOI: https://doi.org/10.33871/23179937.2022.10.1.7

• Sight-reading as an important factor in the professional growth of future music teacher

  Anna Adamyan

  6

  2020-09-15

  DOI: https://doi.org/10.33871/23179937.2020.8.2.6

• A Networked Hybrid Interface for Audience Sonification and Machine Learning

  Konstantinos Vasilakos

  2022-04-30

  DOI: https://doi.org/10.33871/23179937.2022.10.1.4695

• Some Compositional Approaches in the Practice of live-electronic music from the perspective of technique and technological tools

  Vinícius Cesar de Oliveira, Thales Roel P. Pessanha

  8

  2021-12-15

  DOI: https://doi.org/10.33871/23179937.2021.9.3.8

• Poetry and Music Relationship in Let my Love be Heard by Jake Runestad

  Lucas Gabriel Almeida Bispo, Luciano de Freitas Camargo

  1-34

  2026-02-20

  DOI: https://doi.org/10.33871/vortex.2026.14.11041

• El Cimarrón by Hans Werner Henze – A New Approach to Political Song

  Jose Mario Ortiz

  1-12

  2017-12-29

  DOI: https://doi.org/10.33871/23179937.2017.5.3.2160

• Drawing texture with the toy piano

  Diana Blom

  2

  2020-09-15

  DOI: https://doi.org/10.33871/23179937.2020.8.2.2

• A Mathematical, Graphical and Visual Approach to Granular Synthesis Composition

  Fernando Falci de Souza, Adolfo Maia Jr.

  4

  2021-11-30

  DOI: https://doi.org/10.33871/23179937.2021.9.2.4

• Poscolonial Peruvian Sheep and Their Digital Dreams: Pure Data as a Tool for Conceptual Reconfiguration in Peruvian Musical Education

  José Ignacio López Ramírez Gastón

  16

  2021-11-30

  DOI: https://doi.org/10.33871/23179937.2021.9.2.16

• Huni Kuin shamanic chants: ayahuasca cerimonies, cosmologies and bridges between worlds

  Leonardo Bomfim

  2025-06-09

  DOI: https://doi.org/10.33871/vortex.2025.13.8946

• New Findings of Sicilian Folk Songs in Luciano Berio´s Naturale

  Leonardo Piermartiri

  2018-09-01

  DOI: https://doi.org/10.33871/23179937.2018.6.2.2605

• A Brief Primer to Sergei Taneyev’s Treatise “Convertible Counterpoint in the Strict Style”

  Marcus Alessi Bittencourt, Lilian Cristyelen Martins

  1-46

  2026-03-30

  DOI: https://doi.org/10.33871/vortex.2026.14.11205

• The Guitar as a Laboratory for Experimentation

  Camilo A. Mendez San Juan

  1.10

  2020-12-15

  DOI: https://doi.org/10.33871/23179937.2020.8.3.1.10

• From Compact Discs to Streaming: A Comparison of Eras within the Brazilian Market

  Danilo B. Seufitelli, Gabriel P. Oliveira, Mariana O. Silva, Gabriel R. G. Barbosa, Bruna C. Melo, Juliana E. Botelho, Luiza de Melo-Gomes, Mirella M. Moro

  2022-04-30

  DOI: https://doi.org/10.33871/23179937.2022.10.1.2

• Contemporary music at Fundação de Educação Artística in the decade before COVID-19 los impactos de la pandemia de COVID-19 en Belo Horizonte

  Guilherme Nascimento

  1-17

  2024-12-01

  DOI: https://doi.org/10.33871/vortex.2024.12.8464

• Damiano Cozzella’s pop avant-garde: cultural hybridization and the composition as a critical act

  Fernando Magre, Mónica Vermes

  1-26

  2025-07-08

  DOI: https://doi.org/10.33871/vortex.2025.13.10593

• Instrumental Substitution and Repertoire Dissemination: a report on Directionlessness (2020/2022), by Luís Bittencourt

  Fernando Martins de Castro Chaib, Luis Alberto Teixeira Bittencourt

  1-42

  2026-05-25

  DOI: https://doi.org/10.33871/vortex.2026.14.11015

• The Spatial Dimension as an Expressive and Structuring Element in Phonograms from the 1950s

  Gilberto Assis Rosa

  1-22

  2024-12-06

  DOI: https://doi.org/10.33871/vortex.2024.12.9084

• Artistic Research in Theses and Dissertations at Brazilian Universities between 2018 and 2022

  Marta Macedo Brietzke, Mario Videira

  1-42

  2025-07-22

  DOI: https://doi.org/10.33871/vortex.2025.13.10394

• Tropical(ist) Fantasies: Bossa nova and samba in contemporary Lebanon

  Gabrielle Messeder

  2018-12-01

  DOI: https://doi.org/10.33871/23179937.2018.6.3.2632

• Pianistic Expressivity: Interfaces between Cognition, Visual Metaphors, and Music Education

  Thiago, Elenisio

  1-26

  2025-10-27

  DOI: https://doi.org/10.33871/vortex.2025.13.10702

• Compositional Achievements of Rebecca Clarke in the Sonata for Viola and Piano

  Adriana Lopes da Cunha Moreira, Laís Ferreira Lopes

  1-29

  2025-08-20

  DOI: https://doi.org/10.33871/vortex.2025.13.9925

• Karen Tuttle's Coordination applied to the performance and interpretation of Edino Krieger's Brasiliana

  Leonardo Piermartiri, Daphne Capparelli Gerling

  13

  2021-05-15

  DOI: https://doi.org/10.33871/23179937.2021.9.1.13

• Editing Strategies for Overcoming Instrumentation Issues in Rebay's Großes Duo in a-Moll

  Luiz Mantovani

  1.15

  2020-12-15

  DOI: https://doi.org/10.33871/23179937.2020.8.3.1.15