Search

Search Results

• Occupied reflections: audience as performers

  Sara Carvalho

  1

  2020-09-15

  DOI: https://doi.org/10.33871/23179937.2020.8.2.1

• Piano Repertoire for the Left Hand: A Performative Study of Portuguese Works

  Andre Roque Cardoso, Helena Marinho

  1-34

  2026-03-31

  DOI: https://doi.org/10.33871/vortex.2026.14.10853

• Tinctoris on false concordances: a mistake made by all composers?

  Matheus Rocha Grain

  1-26

  2025-06-09

  DOI: https://doi.org/10.33871/vortex.2025.13.9467

• Three sketches for guitar

  Mário Aníbal Gonçalves Rego Cardoso

  1.43

  2020-12-15

  DOI: https://doi.org/10.33871/23179937.2020.8.3.1.43

• Music virality on social platforms: A literature review

  Gabriel P. Oliveira, Ana Paula Couto da Silva, Mirella M. Moro

  1-32

  2025-11-17

  DOI: https://doi.org/10.33871/vortex.2025.13.10848

• The Dissonant and the Noise: otherness and popular music in Brazil in the 1960s and 1970s.

  Allan de Paula Oliveira

  1-30

  2026-09-02

  DOI: https://doi.org/10.33871/vortex.2026.14.11135

• The Musical Interpreter and the Art Technique: Reflections on a Proposition by Mário de Andrade

  Luigi Brandão, Flavio Barbeitas

  1-25

  2025-07-07

  DOI: https://doi.org/10.33871/vortex.2025.13.9425

• On the nature of musical scores and the rationale to prepare them: formulating directives

  Marcus Alessi Bittencourt

  8

  2020-09-15

  DOI: https://doi.org/10.33871/23179937.2020.8.2.8

• Analysis and interpretation of the Sonatina for guitar by Sérgio Vasconcellos-Corrêa

  Jéfrey Antônio de Andrade, Rogério Tavares Constante

  1-44

  2024-09-09

  DOI: https://doi.org/10.33871/vortex.2024.12.8864

• From Scratch

  Sergio Kafejian

  1.41

  2020-12-15

  DOI: https://doi.org/10.33871/23179937.2020.8.3.1.41

• Rhythm perception and music cognition: a brief survey

  Letícia Dias de Lima

  1-20

  2017-12-29

  DOI: https://doi.org/10.33871/23179937.2017.5.3.2159

• Halny, for flute and guitar

  Eduardo Frigatti

  2018-09-01

  DOI: https://doi.org/10.33871/23179937.2018.6.2.2624

• Developing an interpretation of Luigi Nono's ...sofferte onde serene...

  Luciane Cardassi

  1-10

  2016-12-31

  DOI: https://doi.org/10.33871/23179937.2016.4.3.1334

• Second stage of Colombian electroacoustic music: dissemination and consolidation (1980–1999)

  Juan Diego Martinez Alvarez, Angelica Maria Rincon

  1-38

  2026-05-19

  DOI: https://doi.org/10.33871/vortex.2026.14.11168

• The Null Piece and Reality Check

  Miller Puckette

  11

  2021-11-30

  DOI: https://doi.org/10.33871/23179937.2021.9.2.11

• Performative Listening with Trees in the Sonic Ecology of Forests

  Suna Başlantı

  1-23

  2024-12-21

  DOI: https://doi.org/10.33871/vortex.2024.12.9511

• Apontamentos históricos e desdobramentos perceptuais sobre o gênero visual music

  Antenor Ferreira Corrêa

  2018-09-01

  DOI: https://doi.org/10.33871/23179937.2018.6.2.2608

• Investigating neoclassicism around Alexandre Tansman

  Luigi Brandão

  1.14

  2020-12-15

  DOI: https://doi.org/10.33871/23179937.2020.8.3.1.14

• "Alfonsina y el mar" in MPB: Brazilian reinterpretations of Argentine song

  Daniel Menezes Lovisi

  1-26

  2025-09-09

  DOI: https://doi.org/10.33871/vortex.2025.13.10354

• Aspects of Villa-Lobos's Tonal Style in Some of His Studies for Guitar

  Gabriel Navia

  1.12

  2020-12-15

  DOI: https://doi.org/10.33871/23179937.2020.8.3.1.12

• Developing a Crossover Idiomatic Writing for the Double Bass: Composing/Arranging & Playing, and ... Da capo !

  Fausto Borém

  7

  2020-09-15

  DOI: https://doi.org/10.33871/23179937.2020.8.2.7

• The Waldstein Gesture and the Tetradic Space

  Carlos Almada

  1 - 31

  2026-03-24

  DOI: https://doi.org/10.33871/vortex.2026.14.11073

• The analogies toy: poetic algorithm as a composition strategy

  Armando Lôbo

  1-7

  2020-02-27

  DOI: https://doi.org/10.33871/23179937.2020.8.1.1-7

• Cultural activism: musical memories of black associativism in Rio de Janeiro (1900-1930)

  Lurian Reis da Silva Lima

  1-26

  2025-08-26

  DOI: https://doi.org/10.33871/vortex.2025.13.9676

• The equivalence of sound and visual images in Di-stances, by Vânia Dantas Leite.

  Alexandre Fenerich

  1-27

  2024-08-20

  DOI: https://doi.org/10.33871/vortex.2024.12.8824